‘Dramatic License’

Mike Daisey, on his weblog today:

I stand by my work. My show is a theatrical piece whose goal is to create a human connection between our gorgeous devices and the brutal circumstances from which they emerge. It uses a combination of fact, memoir, and dramatic license to tell its story, and I believe it does so with integrity. Certainly, the comprehensive investigations undertaken by The New York Times and a number of labor rights groups to document conditions in electronics manufacturing would seem to bear this out.

Except the investigations by The Times and labor rights groups haven’t uncovered the sensational things Daisey claims to have found. Worse, Daisey, in his numerous interviews and media appearances, has made these same claims under the pretense that they were factual. Here’s a transcript of his appearance on the Ed Schultz show on MSNBC:

SCHULTZ: OK. What did you see?

DAISEY: I saw all the things that everyone has been reporting on. I saw under-age workers. I talked to workers who were 13, 14, 15 years old. I met people whose hands have been destroyed from doing the same motion again and again on the line, carpal tunnel on a scale we can hardly imagine.

SCHULTZ: Making Apple products?

DAISEY: Yes. And making products across the electronics industry. All our electronics are made in this fashion.

Friday, 16 March 2012

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