When Brown showed Kubrick that the Steadicam could shoot at a lens height from eighteen inches to waist-high, Kubrick was thrilled because much of the film revolved around a kid’s point of view. To film little Danny riding his Big Wheel through the halls, Brown rode on a wheelchair that Kubrick used for A Clockwork Orange.
Brown used the wheelchair because “in a number of instances it was the only way to get the lens right down to floor level.” Brown tried to follow Danny on foot, and got tired after three minutes. “I never even tried running after the kid, that would’ve been a joke,” Brown says. “A kid on a Big Wheel can go about seventy miles an hour.”