By John Gruber
WorkOS — Agents need context. Ship the integrations that give it to them.
James Duncan Davidson:
I think you can do very well with either the 35mm f/2 or the 50mm f/1.8 lenses. Either one will teach you vast amounts about photography that you won’t be able to get from a kit lens or any zoom that costs less than $1000. And, the sub-$100 50mm is the cheapest way to get there, if budget is a concern. If you want to learn with about the same field of view as the standard lens on a full-frame camera and have $250 to spend, consider the 35mm f/2 lens as an alternative. Either way, you’ll do just fine.
And for a bit more than the 35mm f/2, Canon also offers a 28mm f/1.8, which in addition to being a half stop faster, also has a USM motor. The only lenses I own for my Rebel are the 50mm f/1.8 and the 28mm f/1.8.
Fraser Speirs:
By mounting a fixed lens, you remove one axis of fiddling - the focal length to use. To take this line of thought a step further, consider making heavy use of your camera’s Program mode. Then, all you have is your camera position and your sense of timing to play with. That’s really stripping photography back to its beating heart.