Exploiting Sound, Exploring Silence

Dennis Lim on the sound design for No Country for Old Men, which has almost no musical score whatsoever:

What is unusual about “No Country for Old Men” is not simply the level of audio detail but that it is a critical part of the storytelling. Skip Lievsay, the sound editor who has worked with the Coen brothers since their first feature, “Blood Simple” (1984), called “No Country” “quite a remarkable experiment” from a sonic standpoint. “Suspense thrillers in Hollywood are traditionally done almost entirely with music,” he said. “The idea here was to remove the safety net that lets the audience feel like they know what’s going to happen. I think it makes the movie much more suspenseful. You’re not guided by the score and so you lose that comfort zone.”

(Via Buzz Andersen.)

Sunday, 20 January 2008