By John Gruber
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Trish Deitch, who worked for Sydney Pollack as a story editor:
Finding the spine of a story like “Out of Africa” was important to Sydney for many reasons, the most important of which was that it led to what he called “the ache.” The ache is self-explanatory if you’ve seen Sydney’s films. It is the ache of having one chance at deep love in a lifetime of shallow loves, and losing it too early. It is the ache of perfect, private union destroyed by terrible, worldly circumstance. For Sydney, the ache was about the way that the things we hold most dear always elude us.
★ Monday, 2 June 2008