By John Gruber
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Contentious — in a good way — interview by All Things Shining with Billy Weber, long-time editor and collaborator of Terrence Malick:
The million plus feet of film happens quite often now. Directors seem to shoot much more now than they used to shoot. An example would be on Days of Heaven, I think we shoot about 120,000 feet of film and The Thin Red Line over a million. In Terry’s case a lot of it comes from writing a lot of scenes and shooting them instead of censoring himself when writing the script. I think he would rather edit himself during the course of editing the movie rather than editing himself during the writing of the script.
(Via Jim Coudal, of course.)
★ Monday, 14 November 2011