By John Gruber
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Great post by Alec Nevala-Lee on Ken Adam and Stanley Kubrick:
As Adams says elsewhere:
[Kubrick] had this famous theory in those days that the director had the right to change his mind up until the moment the cameras started turning. But he changed his mind after the cameras were rolling! For me, it was enormously demanding, because until then I was basically a pretty organized person. But I wasn’t yet flexible enough to meet these sometimes impossible demands that he came up with. So I was going through an anxiety crisis. But at the same time I knew that every time he changed his mind, he came up with a brilliant idea. So I knew I had to meet his demands in some way, even if it seemed impossible from a practical point of view.
Which just serves as a reminder that for Kubrick, who is so often characterized as the most meticulous and obsessive of directors, an intense level of preparation existed primarily to enable those moments in which the plan could be thrown away — a point that even his admirers often overlook.
★ Friday, 18 March 2016