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Susan Kare to Be Awarded AIGA Medal

Alexandra Lange, writing for The New Yorker:

Kare, who is sixty-four, will be honored for her work on April 20th, by her fellow designers, with the prestigious AIGA medal. In 1982, she was a sculptor and sometime curator when her high-school friend Andy Hertzfeld asked her to create graphics for a new computer that he was working on in California. Kare brought a Grid notebook to her job interview at Apple Computer. On its pages, she had sketched, in pink marker, a series of icons to represent the commands that Hertzfeld’s software would execute. Each square represented a pixel. A pointing finger meant “Paste.” A paintbrush symbolized “MacPaint.” Scissors said “Cut.” Kare told me about this origin moment: “As soon as I started work, Andy Hertzfeld wrote an icon editor and font editor so I could design images and letterforms using the Mac, not paper,” she said. “But I loved the puzzle-like nature of working in 16 × 16 and 32 × 32 pixel icon grids, and the marriage of craft and metaphor.”

Susan Kare deserves every award in the world. Her work was central — essential — to what made the Macintosh the Macintosh. The early Macintosh was not just the most endearing computer ever made, I’d argue that it remains the most endearing computer ever made — and in large part that was due to Susan Kare’s icons and fonts.

My interview with Kare at the Layers conference in 2016 is one of the highlights of my career.

Friday, 20 April 2018