Speaking of Daniel Craig’s run as James Bond, Devan Scott put together a wonderful, richly illustrated thread on Twitter contrasting the use of color grading in Skyfall and Spectre. Both of those films were directed by Sam Mendes, but they had different cinematographers — Roger Deakins for Skyfall, and Hoyte van Hoytema for Spectre. Scott graciously and politely makes the case that Skyfall is more interesting and fully-realized because each new location gets a color palette of its own, whereas the entirety of Spectre is in a consistent color space.
(For an essay of this sort, with so many images that go along with a few sentences of prose at a time, a Twitter thread is an outstanding medium.)
See Also: Kat Clay: “Why Skyfall Is a Masterclass in Cinematography”.
★ Saturday, 13 November 2021