By John Gruber
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The Financial Times:
There are few people who have not been touched by Jony Ive’s designs, but the man behind them remains a quiet, lesser-known character, preferring mostly to let his work speak for itself. Under the aegis of the LoveFrom team in San Francisco, this second guest-edit issue of HTSI looks at makers and creators. A rare opportunity to share Jony’s passions, interests and the personalities he finds inspiring, the magazine’s focus is on the craft of the hand. The project started with a simple cover concept: Jony asked that we shoot his father’s hands.
Jony Ive, in his introductory letter:
Perhaps our hands have become less necessary in a digital world, but in a pandemic of loneliness and isolation, the nuance and power of direct touch and connection seems more critical than ever.
Our hands have assumed an iconic and cultural importance. They are represented and understood as symbols of making, skill and industry, as symbols of solidarity, power and resolve. We can hold hands. We can punch.
And of course, our hands both enable our writing, our painting, our building and in turn tell unique stories of how we use them. They enable us and they describe us.
★ Monday, 9 May 2022