By John Gruber
Little Streaks: The to-do list that helps your kids form good routines and habits.
Lukas Schneider:
On 13 November 1961, the Oceanic building at London Airport opened to handle long-haul flight departure. In 1979, German publisher Ravensburger brought out a game designed to help children learn to count. Around Christmas 2023, I stumbled across a copy of that vintage game. The type on the box caught my eye, and that’s where this story began.
The letterforms resembled those of Helvetica. As the corners were soft, I initially thought it might be its Rounded version. However, the typeface featured a much larger x-height, the capitals were less wide, and the glyphs also had white bits in some places, yielding a highlight effect. I had never seen this design before. My first suspicion was that it might be a Letraset face, as this would have fitted in well with the release date of the game. Unfortunately, I couldn’t find a match in a catalog by this manufacturer of rub-down type, so I contacted Florian Hardwig, who had often helped me with type research in the past. Florian was able to identify the mystery typeface. He found it in a catalog published in 1985 by Layout-Setzerei Stulle, a typesetting service in Stuttgart, Germany. Named Airport Spotlight, it’s a derivative of Airport, a typeface that Matthew Carter had designed in the early 1960s for signs at London Airport.
What a gift that Matthew Carter is still with us today. How’s this tidbit strike you, regarding the speed at which the world worked just decades ago:
In many regards, the adaptations made to Akzidenz echo the considerations made in the design of Helvetica. In an interview for Computer Arts, Carter comments: “[I]f you look at it today, you’d think was a rip-off of Helvetica. But we’d never seen Helvetica in 1961 in London, although it had been produced in Switzerland near Basle at the Haas foundry in 1957. Even if we had seen it, and wanted to have it typeset in London, we’d have had to get on a plane and fly to Basle and have it typeset there, because the British typesetting trade was so conservative that typefaces like that were simply unobtainable.”
★ Tuesday, 19 November 2024