By John Gruber
WorkOS Radar:
Protect your app against AI bots, free-tier abuse, and brute-force attacks.
Loved this remembrance by Manohla Dargis in The New York Times:
When Clint Eastwood needed a performer who could persuasively go boot-toe to boot-toe with him in his brutal 1992 western Unforgiven, he needed an actor who was his towering equal onscreen. Eastwood needed a performer with strange charisma, one who could at once effortlessly draw the audience to his character and repulse it without skipping a beat. This actor didn’t need the audience’s love, and would never ask for it. He instead needed to go deep and dark, playing a villain of such depravity that he inspired the viewer’s own blood lust. Eastwood needed a legend who could send shivers up spines. He needed Gene Hackman.
Just an unbelievable career, in such a wide variety of films. His roles in The Conversation, The French Connection, and Unforgiven are atop most people’s lists, and I do love each of those movies. But he was so good in everything. What a great Lex Luthor he was in 1978’s Superman. Mississippi Burning, The Royal Tenenbaums, Bonnie and Clyde, The Birdcage, Hoosiers. By chance, I just re-watched David Mamet’s Heist a few weeks ago. Like so many of Hackman’s movies, that’s another one that repays multiple viewings across decades.
★ Friday, 28 February 2025