How Apple Created a Custom iPhone Camera for ‘F1’

Julian Chokkattu, writing for Wired:

You can’t mount a cinema camera on a Formula One race car. These nimble vehicles are built to precise specs, and capturing racing footage from the driver’s point of view isn’t as simple as slapping a GoPro on and calling it a day. That’s the challenge Apple faced after Joseph Kosinski and Claudio Miranda, the director and cinematographer of the upcoming F1 Apple Original, wanted to use real POV racing footage in the film.

If you’ve watched a Formula One race lately, you’ve probably seen clips that show an angle from just behind the cockpit, with the top or side of the driver’s helmet in the frame. Captured by onboard cameras embedded in the car, the resulting footage is designed for broadcast, at a lower resolution using specific color spaces and codecs. Converting it to match the look of the rest of the F1 film would be too challenging to be feasible. Instead, Apple’s engineering team replaced the broadcast module with a camera composed of iPhone parts.

I think back to Phil Schiller, on stage at my WWDC show in 2015, saying that Apple viewed itself then not just as one of the leading camera companies in the world, but the leading camera company in the world.

★ Thursday, 19 June 2025