By John Gruber
OpenAI, Anthropic, Cursor, and Perplexity chose WorkOS over building it themselves.
Interesting story by Kif Leswing for Business Insider, regarding a private meeting Apple held with indie developers in New York last year:
The new way Apple wanted to promote: Instead of users paying for apps once, they’d pay on a regular basis, putting money into developer coffers on a regular schedule. Apple would still get a 30% cut of the subscription’s cost, but if a customer continued to subscribe after a year, Apple’s cut would go down to 15%.
At the meeting, Apple underscored that the app model was changing. The meeting touched on topics including launching, customer acquisition, testing and marketing, engagement, retention, monetization, and paid search ads.
An Apple representative said at the meeting that paid apps represent 15% of total app sales and is on the decline, according to a person who was there who did not want to be identified to maintain their relationship with Apple.
Up front paid apps are going the way of the dodo. Whether you think that’s good or bad, it doesn’t matter. That’s where things are going.
Penn Jillette, in a terrific interview with David Marchese for Vulture:
Q: But why is the audience willing to get emotionally engaged even after you’ve explicitly said the trick is done with thread?
A: It’s because there’s a secret that I would like to take credit for uncovering: The audience is smart. That’s all. Our goal when we started was “Let’s do a magic show for people smarter than us.” No other magicians have ever said that sentence. I hated the whole idea that some smarmy motherfucker who couldn’t get laid was out there saying, “I can do this; you can’t.” So when Teller and I first got together I said, “I want to do a magic show that’s honest and has complete respect for the audience.” And when you start being honest with the audience, they start to play a game within themselves. Here’s an example that kills me: People who have just talked to Teller will come over to me after the show and say, “I think it’s great that Teller never says anything.” Internalizing a counterfactual is just something people can do.
I absolutely love Penn and Teller. I’ve seen their show in Vegas at least four times, maybe five, and I never tire of it because it’s exactly what he says it is. Honest and respectful of the audience’s intelligence. And damn entertaining.
(A few years ago, I was chosen from the audience by Teller to go on stage for a trick in which they made my iPhone disappear. It wound up inside a plastic bag inside a dead fish inside an ice box under an audience member’s seat.)
Victoria James, writing for Bon Appétit:
My introduction to pay to play occurred after I’d just published a book on rosé. I was approached by one of the top three rosé brands. They were looking to partner with me and Piora, the since-closed Michelin-starred restaurant where I was the wine director. A few emails were sent before the in-person shakedown. At the tiny restaurant, I was bombarded with drop-ins from these reps trying to strong-arm me into representing their brand. The deal was that they would give me a couple thousand in cash to be an ambassador, and I would have to buy their rosé to pour by the glass for the summer. If I needed to make better margins, like making $10 off a glass of rosé versus making $5 off a glass of rosé, they also offered to drive by and drop off a couple of cases of free product. Horrified, I turned down the deal.
Sommeliers around New York have told me they’ve been offered incentives from big brands too. Wineries will come into the restaurant and swipe their credit cards, theoretically expensing a meal. In reality, the swipe is a bonus, with no meal actually taking place. Other sommeliers mentioned that brands will drop off a free case of wine or offer to supplement the somm’s income with funds from their bosses. Someone even called it “mafia-style shit”.
I had no idea until a few weeks ago just how popular rosé has become. What a racket — and unsurprising that the stuff the big brands are pushing is mediocre at best.