By John Gruber
WorkOS — Agents need context. Ship the integrations that give it to them.
Variety:
“This is misery,” Letterman said when asked about Kimmel’s suspension, speaking at The Atlantic Festival 2025 Thursday in New York. “I feel bad about this,” he continued. “We see where this is all going, correct? It’s managed media. And it’s no good. It’s silly. It’s ridiculous. And you can’t go around firing somebody because you’re fearful or trying to suck up to an authoritarian criminal administration in the Oval Office. That’s just not how this works.”
“In the world of somebody who is an authoritarian, maybe a dictatorship, sooner or later, everyone is going to be touched,” said Letterman.
Letterman also said, “The institution of the president of the United States ought to be bigger than a guy doing a talk show.” Kimmel’s removal from late-night TV, he said, “was predicted by our president right after Stephen Colbert got walked off, so you’re telling me this isn’t premeditated at some level?” [...]
On Wednesday, ABC suspended Kimmel’s late-night show “indefinitely.” That came after FCC chairman Brendan Carr just hours earlier threatened ABC and its affiliates if they didn’t “take action” on Kimmel over what he perceived as objectionable comments about Charlie Kirk’s killer. “We can do this the easy way or the hard way,” Carr said on a conservative podcast. [...]
Regarding Carr’s comment that “we can do this the easy way or the hard way,” Letterman said, “Who is hiring these goons — Mario Puzo?”, referring to the author of The Godfather. Letterman said when he was on TV, he never got pressure from a presidential administration, the FCC or any other government agency about his on-air commentary.
“Goons” is exactly the right word. Letterman’s commentary on this is, by far, the best I’ve seen, because it’s been the most clear-eyed. I quoted a lot above, but there’s more, so please read the whole piece. But this one extra snippet from the piece puts it on the right scale:
Goldberg posited that today, despite Trump’s attacks on the press, “we still have a free media,” to which Letterman responded, “Do we?”
Dan Moren, Six Colors:
The redesign is more than skin deep, however. Apple has rethought the way some of its most fundamental interactions work. For example, the increasingly long horizontal popover menus that hid options behind an interminable scroll have morphed into a dual-stage design. Tapping and holding on the screen brings up a popover with a few common options, but it now doesn’t make you scroll; instead, there’s an arrow indicating more options. Tap that, and you’ll get a big pop-up panel of all the available commands in a much easier-to-read and use format. As someone who frequently finds himself swiping through a very long list to find the one command I want (and somehow, it’s always the last one), this is a tangible improvement.
The big improvement here is that in the old popover (from iOS 3 — when copy and paste were finally added to iOS, and the popover typically only contained three or four items — until last year’s iOS 18), the scrolling you had to do was horizontal. And a lot of items were added to that menu over the years. And it wasn’t really scrolling, it was panning. And panning sideways through a long list of options is just a bad interaction experience. For me, a lot of the times I used this popover, I wanted the “Share...” command, and that was the last one, all the way on the right.
In iOS 26’s new tap-and-hold popover, it’s a vertical menu, just like a Mac contextual menu. And you don’t really have to scroll at all most of the time, because all the contextual menu options fit on screen. And even if you do have to scroll (which happens when the keyboard is open, reducing vertical screen real estate), you don’t have to scroll much to get to the bottom.
It’s one of the very best, most thoughtful, most useful changes in iOS 26. But also one of the most overdue: we know how contextual menus should be oriented. Vertically. We naturally make lists vertically, not horizontally. I sort of suspect Apple resisted making iOS contextual popovers vertical for so long because they didn’t want to make iOS more like a desktop computer OS.
My thanks to Dekáf Coffee Roasters for sponsoring last week at DF. Dekáf believes that people who drink coffee for its flavor are the true connoisseurs. While other roasters treat decaf as a side project, they’ve made it their entire mission. They’re dedicated to creating exceptional decaffeinated coffee that stands toe-to-toe with the world’s finest caffeinated beans.
I drink coffee every single day. I literally can’t remember the last day I didn’t have coffee in the morning. A few years ago, though, age started catching up to me and I stopped drinking coffee after lunch or so, lest it screw with my sleep. I really missed my afternoon coffee though. Why I didn’t think to try decaf I don’t know, but Dekáf sent me a few samples when they first sponsored DF back in April, and it’s been a revelation. In addition to fully decaffeinated roasts, they also have some half-decaffeinated roasts, and they’re absolutely delicious — my style of roast, for sure — and they don’t leave me jolted into the evening. Maybe you like tea, but I don’t. I like coffee, and I love being able to have a cup or two late in the afternoon again. It’s so good.
Also, I’m a big believer that you can judge a book by its cover. Just look at the Dekáf brand. It’s perfect. Color, typography, artwork — so cool, so spot-on for what they do.
Dekáf offers 9 single origins, 6 signature blends, and 4 Mizudashi cold brews (perfect for summer). All shipped to you within 24 hours of roasting. No shortcuts. You won’t believe it’s decaf. That’s the point. Even better, get 20% off with code: DF.