Instagram Cofounder Mike Krieger Joins Anthropic as Chief Product Officer 

Mike Krieger:

Anthropic’s research continues to be at the forefront of AI. When paired with thoughtful product development, I [see] tons of potential to positively impact how people and companies get their work done. And as a two time entrepreneur, I’m particularly excited by how Claude, along with the right scaffolding and product features, can empower more people to innovate at a faster pace and at a lower cost.

Tangentially related: Anthropic shipped a native iOS Claude app two weeks ago.


Follow-Up on Apple No Longer Including Stickers With New Products

I got some pushback from readers for saying “Boo hiss” to the news that starting with this week’s new iPads, Apple is no longer including logo stickers in the boxes, and more or less rolling my eyes at the environmental concerns.

My thinking was that with all the other “paperwork” included in the box — warranty info, safety info, Quick Start guides — why not include one extra sheet that’s just for fun? One argument against the stickers is even just one extra sheet adds up. If those stickers are 0.1mm thick, a stack of 1 billion of them would be 100km high. But that’s still just one sheet amongst many others that Apple includes in every box.

The better argument against the stickers is that they’re plastic. All the other in-box paperwork is actual paper, and the packaging itself — including the interior structure — is all cardboard. And paper and cardboard are entirely recyclable. Apple has eliminated almost all plastic from its packaging over the years, including the clear shrink-wrap. So consider my mind changed: eliminating the stickers from the box, but making them available to those who want them at Apple retail stores, is a good compromise.

I conducted the same poll on Twitter/X, Mastodon, and Threads: “Thoughts on Apple no longer including stickers with new devices to reduce waste?”, with two options: 👍 or 👎. The results:

Votes👍👎
Twitter/X3,61263%38%
Mastodon3,42573%27%
Threads2,71171%29%
Total9,74869%31%

As a meta note, I continue to find the relative popularity of the three platforms amongst my followers interesting. Also interesting that Twitter/X respondents were a bit less in favor of the change. And lastly, if you’re interested, all three posts on social media have a slew of replies. 


Save the Date: The Talk Show Live From WWDC 2024 

Location: The California Theatre, San Jose
Showtime: Tuesday, 11 June 2024, 7:00 pm PT
Tickets: On sale soon
Special Guest(s): Working on it...
Previous Shows: On YouTube

Apple Stiffs Researcher on Bounty for iOS Kernel Vulnerability [Update: Resolved] 

“Meysam”, on Twitter/X:

I reported CVE-2024-27804, an iOS/macOS kernel vulnerability that leads to the execution of arbitrary code with kernel privileges.

Will publish the POC soon.

Maybe there’s more to this story, but it sure is a bad look for a $3 trillion company to have a reputation for finding technicalities to avoid paying bug bounties.

I would think Apple would want to err on the side of being liberal with bug bounty payouts, to encourage researchers to report as many as they can find.

Update: Meysam:

seem Apple have concluded that the reported CVE is not exploitable and they are planning to update the description to accurately describe the issue as an unexpected system termination rather than arbitrary code execution, but for good faith they will reward me $1000.

And to be clear, Meysam seems genuinely happy with this resolution.

StopTheMadness Pro 

The previous item was a good reminder that I haven’t linked to StopTheMadness in a while. I first recommended it back in 2018, and mentioned it again in 2022 after developer Jeff Johnson added a font substitution feature at my request. As I wrote then:

It’s such a little thing, and I know most people can’t detect the differences between Helvetica and Arial and don’t care, but it makes me so happy every day never to see the cursed fonts Arial and Courier New.

StopTheMadness Pro does so much more than that. I’ve been using it for so long now that I’m taken aback when I use a factory-fresh no-extension installation of Safari. StopTheMadness Pro is a canonical example of a great power user utility, and Johnson updates it with new features (and new workarounds for web development dark patterns) regularly.

$15 one-time purchase, with support for iOS, iPadOS, and MacOS — and (optional) iCloud sync for shared settings across all your devices. Highly recommended.

Jeff Johnson: ‘Apple Started Cheating Me Out of App Store Bundle Purchases’ [Update: Resolved] 

Jeff Johnson:

I’ve discovered that starting in February, Apple mistakenly subtracts the price of the previously purchased app twice from the proceeds of a “Complete My Bundle” purchase, thereby causing me to take a loss on each such bundle purchase. This accounting change has cost me thousands of dollars over the past few months.

Long story short, Johnson has a years-old Safari extension power user tool called StopTheMadness, which typically cost $10. Last year he released StopTheMadness Pro, which costs $15. Because the App Store doesn’t support upgrade pricing, Johnson created a bundle that includes both versions. Because StopTheMadness Pro is a superset of the non-pro version, the only reason the bundle exists is to allow people who previously purchased the regular version to upgrade to StopTheMadness Pro for the difference between $15 and the price they paid for the regular version.

The way it should work — and for the first few months of the bundle, did work — is that Apple should subtract the price the user originally paid from the $15 price of the bundle. Starting in February, Apple effectively began subtracting the price the user originally paid twice.

Surely this is a bug, not an attempt by Apple to swindle developers. But, how surprised are you that this bug, left unfixed, works in Apple’s favor, not the other way around? If Apple were erroneously paying developers too much, rather than too little, I’m guessing it would be fixed already.

Update: Jeff Johnson, a few hours after I posted:

Good news, everyone!

I just received a phone call from an Apple representative. They confirmed that there was indeed a software bug in the bundle pricing calculation, which was fixed yesterday. They also said that affected developers, such as myself, would be compensated for our lost revenue.

That’s all I know for now. I was told that I would also be receiving a follow-up email later.

The conversation was pleasant, and the Apple representative was very nice about it.

Casey Newton: ‘Google’s Broken Link to the Web’ 

Casey Newton, with a sharp take on Google’s sprawling announcements at I/O yesterday:

This new approach is captured elegantly in a slogan that appeared several times during Tuesday’s keynote: let Google do the Googling for you. It’s a phrase that identifies browsing the web — a task once considered entertaining enough that it was given the nickname “surfing” — as a chore, something better left to a bot. [...]

This is such a keen observation. Part of what makes the web the web is that it’s very fun. Or at least was, and is supposed to be. The idea that people find it a chore now isn’t a condemnation of Google but the state of the web itself.

Still, as the first day of I/O wound down, it was hard to escape the feeling that the web as we know it is entering a kind of managed decline. Over the past two and a half decades, Google extended itself into so many different parts of the web that it became synonymous with it. And now that LLMs promise to let users understand all that the web contains in real time, Google at last has what it needs to finish the job: replacing the web, in so many of the ways that matter, with itself.

Oof. What a depressing vision.

Apple Announces New Accessibility Features for 2024 

Apple Newsroom:

Apple today announced new accessibility features coming later this year, including Eye Tracking, a way for users with physical disabilities to control iPad or iPhone with their eyes. Additionally, Music Haptics will offer a new way for users who are deaf or hard of hearing to experience music using the Taptic Engine in iPhone; Vocal Shortcuts will allow users to perform tasks by making a custom sound; Vehicle Motion Cues can help reduce motion sickness when using iPhone or iPad in a moving vehicle; and more accessibility features will come to visionOS. These features combine the power of Apple hardware and software, harnessing Apple silicon, artificial intelligence, and machine learning to further Apple’s decades-long commitment to designing products for everyone.

The timing of Global Accessibility Awareness Day (tomorrow) has turned this into a nice little tradition: each May, Apple gets to sort of unofficially kick off “WWDC season” with these announcements of upcoming accessibility features.


The M4 iPad Pros

The consensus from product reviewers — including yours truly — has been remarkably consistent for the latter half of the iPad’s entire existence, especially when it comes to iPad Pros: incredibly powerful and beautiful hardware hamstrung by infuriatingly limited software. That was the consensus regarding the new iPad Pros in 2022, in 2021, in 2020, and in 2018. In fact consensus is arguably too weak a word. I’m not sure there’s any product in all of tech that has been so consistently regarded by product reviewers for so many years.

Incredibly powerful and beautiful hardware hamstrung by infuriatingly limited software.

But what if we’re thinking about this wrong? This conclusion — that iPad Pros are great hardware let down by underpowered software — starts from a hardware-first perspective. In the abstract, given this amazing hardware, what type of software should power it? What kind of OS? What metaphors for the UI? iPad Pros have been — since the debut of the Pro fork in the iPad lineup — portable-workstation-class computer hardware. iPadOS has never been a workstation-style OS. The obvious truth — reiterated in recent weeks by the EU calling bullshit (or perhaps, conneries) on Apple’s claim that iPad and iPhone are separate platforms — is that iPadOS is a souped-up tablet-oriented variant of iOS.

This has never been more true than now — the M4 iPad Pros are, by some practical measures, the fastest computers Apple makes. But iPadOS is not the sort of system that the typical power user would think to run on super-powerful hardware.

But let’s invert our thinking on this. Instead of starting with the hardware and pondering what the ideal software would be like to take advantage of its power, let’s start with the software. A concept for simplicity-first console-style touchscreen tablet computing. A metaphor for computing with smartphone-style guardrails, with tablet-specific features like stylus support and laptop docking. A tablet OS that is unabashedly a souped-up version of iOS, not a stripped-down version of MacOS. What type of hardware should Apple build to instantiate such a platform?

Obviously Apple should build affordable iPads for the mass market: iPads that are pretty thin, pretty lightweight, with very nice displays, good performance, and great battery life. The original 2010 iPad — offered in only one size, 9.7 inches — had an entry price of $500. Inflation adjusted, that’s a little over $700 today. The new 11-inch M2 iPad Air starts at just $600; the 13-inch iPad Air at $800. The very nice no-adjective 11-inch iPad (officially marketed as 10.9-inches) costs just $350 — effectively half the price of the original iPad in inflation-adjusted dollars.

Those are excellent devices at compelling prices to fit the good (iPad) and better (iPad Air) slots in a good / better / best lineup. But what about best? What should Apple offer for the iPadOS user who is willing to spend more?

For the sake of this argument, let’s posit that there exist tens of millions — perhaps 100 million — users who love the iPad for what it is. People who feel empowered, not hamstrung, by how it works, and who have no or very little need for a computer that exposes the complexity of a desktop OS like MacOS or Windows. And that there exist tens of millions more people who enjoy having an iPad to complement, not replace, their desktop computer. That in broad strokes there exist two types of iPad user: (a) those for whom iPadOS, as it is, suits them well as their primary “big screen” personal computer; (b) those for whom an iPad, due to its very deliberate computing-as-an-appliance-style constraints, can only ever be a supplemental device to a Mac, Windows, or Linux “real” computer. Neither group needs a more powerful iPad, and so because of this, everyone — power-user nerds and typical users alike — tends to use iPads until they break, wear out, or age out of software support.

Personally, I fall squarely in group (b). I feel severely hamstrung trying to use any iPad for my day-to-day work. My personal iPad is a 2018 11-inch iPad Pro, and it’s still very much fine for my needs, even after spending the last week testing this new 13-inch M4 iPad Pro. And so the power-user thinking is that if I’m fine with 6-year-old hardware that is utterly blown away, spec-wise, by this new M4 generation of iPad Pros, then, ipso facto, something is profoundly and fundamentally wrong with the software platform. That if the iPadOS software platform were what it should be, it would compel users — like me, perhaps like you — to upgrade to this latest and greatest hardware to “take advantage of” the hardware’s extraordinary capabilities.

But what if that’s misguided? What if the iPadOS platform is great? Or at the very least, the software is very close to the mark of what it should be and how it should work? What then should Apple apply its hardware engineering resources to, to create a best tier in the iPad lineup?

In that case Apple would prioritize things like optimizing the hardware for thinness and lightness, while maintaining long battery life. To those ends, they would apply the extraordinary performance-per-watt of Apple silicon not so much to making slow things faster, but to making everything the iPad does more power efficient. Twice as fast for the same energy consumption is the Mac way of thinking. Same performance with half the energy consumption is the iOS way of thinking. But those are two sides of the same performance-per-watt coin.

From this viewpoint, going from better (iPad Air) to best (iPad Pro) shouldn’t be about power and performance and the ability to use the device for any and all complex computing tasks, but instead about being just plain nicer. Like going from a Toyota to a Lexus.

Display

For a device that is fundamentally all-screen, that means making the nicest possible displays. Every iPad Apple has ever made had a nice (for its time) display. Every iPad Pro has had a great display. But there remains so much room for refinement.

Consider printers. In my lifetime I’ve gone from crude, painfully slow, annoyingly loud dot-matrix printers, to inkjets, to 300 DPI black-and-white laser printers, to 600 DPI laser printers, to 1200 DPI color laser printers. During the decades-long era when printing was an important part of most people’s computing lives, the quality of the output improved steadily. No one needed higher-quality output but nicer is nicer.

There may well be an endpoint to display technology, where tablet-sized displays are so good that there’s no point improving them. Printers, in my opinion, got to that point a decade or two ago.1 But we’re not there yet, and Apple’s foot is seemingly pedal-to-the-metal pushing iPad Pro display quality forward.

Everything about this new tandem OLED “Ultra Retina XDR” iPad Pro display is excellent. Blacks are black, whites are white, and everything is far sharper than my middle-aged eyes can discern. Oh, and it is bright. It is so bright that when reading in bed at night, alongside a trying-to-fall-asleep spouse, I had to turn the brightness way down in Control Center. It is so bright that it seems perfectly usable outdoors in direct sunlight.

No one really needs a display this good on an iPad. But most people would surely enjoy having a screen this good on their iPad. And some of those are happy to pay a premium for it.

Performance

My review unit is a 1 TB model, with 10 CPU cores and 16 GB RAM. Here are benchmarks from Geekbench 6 (higher scores are better):

SingleMultiGPU
M4 iPad Pro (2024)3,78014,61653,555
M2 iPad Pro (2022)2,6279,98746,643
M2 MacBook Air (2022)2,6319,99746,486
M3 MacBook Air (2024)3,09212,03647,785

All devices have 13-inch displays. iPads running iPadOS 17.5. Macs running MacOS 14.5. All scores averaged across 3 runs.

There exists no iPad model with an M3 chip, and I suspect there never will be one. So I chose the four devices in the above table to speculate about how a hypothetical M3 iPad would perform. iPadOS and MacOS are very different OSes, but the Geekbench 6 results for an M2 iPad Pro and M2 MacBook Air aren’t just close, they’re effectively identical. Presumably, if there existed an M3 iPad Pro, its Geekbench scores would be nearly identical to those of the M3 MacBook Air.

I don’t know if Geekbench is a good benchmark for making such evaluations, but if it is, it would appear that, regardless of whether it’s in an iPad or MacBook, the M3 is about 1.2× faster than the M2, in both single- and multi-core performance, and the M4 is about 1.2× faster than the M3, in both single- and multi-core. Geekbench scores improved only about 1.1× going from M1 to M2. But if we can expect ~1.2× improvements with each successive M-series generation, the M6 will offer double the CPU performance of the M2, and the M8 triple. (As Intel has learned the hard way, it’s quite a big “if” to assume that this 1.2× improvement per generation can be maintained.)

I’ll also include results from Speedometer 3.0, a benchmark for web rendering engines (higher scores are better):

Speedometer 3.0
M4 iPad Pro (2024)33
M2 iPad Pro (2022)26
M2 MacBook Air (2022)27
M3 MacBook Air (2024)38

All results using Safari on iPadOS 17.5 or MacOS 14.5.

These results don’t make much sense to me. The M2 iPad Pro and M2 MacBook Air perform nearly identically, but the M3 MacBook Air is quite a bit faster than the M4 iPad Pro, despite the above Geekbench results suggesting that the M4 ought to be 1.2× faster than the M3. I don’t think this discrepancy is worth racking our brains over; I suspect that this is more about the differences between the iPadOS and MacOS versions of Safari/WebKit.

The bottom line is that the M4 is very fast, and according to both Apple’s stated specs and my own observations after a week of use, very power efficient. It appears that Apple is playing no marketing tricks, and despite its appearance only six months or so after the M3, the M4 is worthy of its next-generation name.

That leaves us pondering the fact that the M4 is a better chip than the M3 that hit the MacBook Air lineup just two months ago. That’s not ideal, but it is what it is. Ideally the new MacBook Airs would have the M4 too. Apple has not and almost surely is not going to fully explain the rationale behind this, but you don’t need to be Morris Chang to surmise that this is about TSMC’s production capabilities. The MacBook Airs are Apple’s best-selling laptops; the iPad Pros are Apple’s least-selling iPads. I think it’s as simple as this: the current MacBook Airs have the M3, not the M4, because there isn’t yet sufficient supply of M4 chips to satisfy demand for MacBook Airs. M4 supply obviously is sufficient to meet iPad Pro demand, and, further, according to Apple, only the M4 is capable of driving the Ultra Retina XDR displays, which are effectively two OLED displays stacked atop each other.

So I think there’s no way today’s MacBook Airs could have the M4, because TSMC can’t yet produce enough M4 chips on their second-gen 3nm process. And conversely there’s no way today’s new iPad Pros could sport the M3 because the M3 lacks a display controller that can drive the tandem OLED Ultra Retina XDR displays — plus, I suspect, the extraordinary thinness and low weights of these new iPad Pros wouldn’t quite be possible without the M4’s thermal advantages over the M3. Apple could make thin and light iPad Pros with the M3, but not iPad Pros this thin and light.

The Meaning of ‘Pro’

Which brings us back to the entire question of what the iPad Pro is supposed to be. It’s easy enough to say they’re all just computers. A MacBook could in theory run iPadOS. An iPad could in theory run MacOS. (The developer kits Apple supplied after announcing the Mac’s Apple silicon transition in 2020 were, effectively, iPad Pros in Mac Mini chassis.)

If I had a nickel for every time I’ve heard someone declare that Apple should “just” add touchscreen support to MacOS and allow iPads to dual-boot between MacOS and iPadOS, I’d be a very annoying customer at the bank tomorrow. Those who espouse this opinion are often so adamant that such an arrangement would be both an undeniably good idea for users and “easy” for Apple to do that they are convinced that the only possible explanation for why Apple hasn’t done this is that it’s all part of a scheme to sell both an iPad and MacBook to users who might otherwise just need one.

Apple clearly sees these two platforms from an entirely different perspective. Sure, there’s no denying that Apple is in the business of selling devices. But the idea that Apple deliberately hamstrings the iPad in order to sell more MacBooks makes no long term sense. Apple thrives and truly only succeeds when it makes the best devices possible. If iPadOS is fundamentally deficient, why does Apple sell so many iPads? Why are so many iPad users so happy with their iPad as their only computer other than their phone? “I want to work in ways that iPadOS does not support” does not mean “Everyone wants to work in ways that iPadOS does not support”.

I have observed numerous times that Apple uses the adjective pro in a multitude of ways. Sometimes it means professional, but sometimes it just means deluxe. This difference is exemplified by the iPad and MacBook lineups. With MacBooks, the Pro models are more professional. They have nicer displays and nicer speakers, yes, but primarily they’re about doing things faster. They are thicker and heavier than MacBook Airs. iPad Pros go the opposite way: they are thinner and lighter than the iPad Airs. Yes, it’s ironic that with iPads, the “Air” models are neither the thinnest nor lightest. But this really does explain the philosophical differences Apple sees between the iPad and Mac platforms. A better Mac is faster. Nicer too, but primarily faster. A better iPad is nicer. Faster, too, but primarily nicer. These new iPad Pros are just incredibly nice. And optimizing for niceness is underrated.

I’ve seen it suggested by the “amazing hardware hamstrung by iPadOS’s limitations” crowd that everyone who likes or even loves using an iPad should settle for the iPad Air or even the just-plain iPad. That the iPad Pro’s power is going to waste, and thus there’s no sense paying a premium price for it. But how is it a waste to put that power to use in ways that can’t necessarily be measured objectively? The new iPad Pros sport the M4 not just to accomplish more powerful tasks but primarily to make everyday tasks as nice as they can possibly be, starting with how it feels to simply hold an iPad Pro in hand.

The New Magic Keyboard

As is my wont, I’ve written this entire review using the M4 iPad Pro itself, using the new Magic Keyboard.2 What a fabulous upgrade this new Magic Keyboard is. The trackpad is bigger and undeniably better. Aluminum palm rests feel better. The keys have great typing feel — I think better than the feel of the old Magic Keyboards, but certainly no worse.

So the new Magic Keyboards offer sturdier construction, better typing feel, much better and bigger trackpads, and they add a function-key row, complete with a top-left Esc key.

The new Magic Keyboards are about 5 percent lighter than the old ones. Oddly, Apple doesn’t list the weight as a spec for the Magic Keyboards, but by my scale, the original 13-inch Magic Keyboard weighed about 700g; the new one weighs about 660g.

Some weights, with the iPads encased in their corresponding Magic Keyboards (all measured on my scale):

  • 13″ M3 MacBook Air: 1,227g
  • 13″ M4 iPad Pro: 1,247g
  • 13″ M2 iPad Pro: 1,398g
  • 14″ M3 Max MacBook Pro: 1,607g

Until now, a 13-inch MacBook Air was a noticeable 170g lighter than a 13-inch iPad Pro with Magic Keyboard (~12 percent). Now, though, a 13-inch iPad Pro with Magic Keyboard is only a negligible 20g heavier than a MacBook Air. That’s something. You can absolutely feel the difference in hand.

I have one significant complaint about the new Magic Keyboard: it’s hard to open. MacBooks have a notch carved out of their aluminum base, under the trackpad. When closed, this notch gives your thumb a place to begin exerting upward pressure on the display to open it up. There is no such notch on the new Magic Keyboard. So instead of lifting the “display” (which is really the iPad itself) up to open it into laptop configuration, I find myself starting with the iPad Pro perpendicular to the desk, and pulling the keyboard/trackpad down. You don’t have to pry it open, per se, but the top-heavy nature of an iPad in a keyboard case inherently makes it harder to open than a MacBook with their lightweight display tops. Top-heaviness also requires that the Magic Keyboard hinge be quite a bit stiffer than any MacBook hinge. It’s the nature of the beast. An iPad in the original Magic Keyboard isn’t easy to open either.

Miscellaneous

  • The new Pencil Pro feels just like a Pencil 2 but with a haptic-feedback “squeeze” action. Just like with Apple’s recent trackpads (including the trackpad on the new Magic Keyboards), the Pencil Pro doesn’t really have a clicking button. It’s faked through haptics. But the fakery is so convincing that it’s indistinguishable from an actual clicking button. I am not even vaguely an illustrator or sketcher, so I can’t claim to have put the Pencil Pro through its paces over the last week. But the cleverness of the new tool-switching radial menu for switching between Pencil tools is so fun that it makes me wish I had more use for a Pencil than annotating PDF documents. It’s really nice, and it’s great that the Pencil Pro works just as well with the new M2 iPad Airs.

  • Battery life has been excellent. As I type this sentence, I’ve been using the iPad Pro non-stop for hours, and the battery is still at 83 percent.

  • Moving the front-facing camera to the long side, optimized for use in laptop orientation, is an obvious win overall. I continue to think it’s a bit weird that Apple didn’t pull the trigger on this change years ago, when they first embraced the fact that many people wish to use their iPads in laptop-style keyboard cases. But there’s one downside: the Face ID sensors are in the same sensor array as the camera, and when holding the iPad Pro as a tablet, in portrait orientation, that’s where my right hand often is. I’ve gotten used to this change over the course of the week, though — I encountered the “hey, your hand is blocking the Face ID sensors” animated arrow warning far more frequently the first few days than the last few.

  • My review unit hardware is in space black, which I think looks great.

  • The remarkable thinness of the new iPad Pros — this 13-inch model I’ve been testing is just 5.1mm thick; the 11-inch models 5.3mm — has raised questions about durability. Is it going to bend? It feels quite sturdy in hand, with no flex. I asked representatives from Apple about durability, and they claim the new iPad Pros should prove every bit as durable (and in particular, bend-resistant) as previous iPad Pros. Arun “Mrwhosetheboss” Maini did me one better, and asked John Ternus about durability in an on-camera interview posted to Twitter/X. Ternus’s answer echoed what I was told on background: the new iPad Pros have their main logic board and a supporting rib running down the middle of the hardware in portrait mode. This design both better dissipates heat and adds rigidity to the chassis. Durability questions can only truly be answered through extensive real-world use, but my money is on these new iPad Pros being as durable as promised.

  • The cameras — front and rear — are both fine. No raves, but no complaints. It is a bit weird that the previous generation iPad Pros had both 1× (“wide”) and 0.5× (“ultra wide”) cameras, and the M4 models are back to just the lone 1×, but this seems less like a regression and more like a sign that adding an ultra wide camera to the previous generation was overkill. The microphone seems excellent for one that’s built into a tablet.

  • My review unit does not have the nano-texture display finish. If I buy one of these iPads, I’ll probably opt for the nano-texture, but I’m curious to see what reviewers who did get to test it think. (And I’m curious to see it in person, again, at an Apple Store this week.)

Conclusion

iPadOS is what it is. Whatever you (or I) think of it as a productivity platform, you’re a fool if you think it isn’t beloved by many. It’s popular, even for some “professional” use cases, not despite iPadOS’s guardrails but often because of them. Those guardrails feel limiting to me, often very much so, but those same guardrails are liberating to others. There is tremendous power in having a computer that is simple not merely by suggestion but by hard and fast technical constraints.

Should you only buy what you need, or splurge for what you’d most enjoy? A Lexus instead of a Toyota. A first-class seat instead of coach. Craft IPA instead of Budweiser. In other aspects of life, few question the mere existence of premium-priced superior experiences. But with the iPad, those unsatisfied by the nature of iPadOS seem to think those who do love iPadOS don’t deserve a premium tier of hardware.

And there are professional apps used for serious work on iPads. Apple’s own Final Cut and Logic for iPads are not toys. Both are very serious siblings — and for non-extreme projects, peers — to their respective Mac versions. For visual artists there are a plethora of serious iPad apps: DaVinci Resolve (video color grading), ZBrush (3D sculpting), Procreate Dreams, Affinity Designer, Frame IO. There’s even a paint app from Adobe called Photoshop, which apparently has been around for a while. Arguing that “no one can do real work on an iPad” reminds me of Yogi Berra’s “No one goes there anymore, it’s too crowded.”

A “pro” device that goes pro by getting thinner and lighter, not heavier and thicker, is not a non sequitur. Or at least not necessarily. What makes for a better iPad is simply orthogonal, in many regards, to what makes for a better Mac. Way back in 2010, when the iPad was new (and ran what was called iOS) and it felt like the Mac’s days might be winding down, I wrote, “It’s the heaviness of the Mac that allows iOS to remain light.” I meant that figuratively. But these new M4 iPad Pros make it quite literal. 


  1. Well, printer output quality. Not the printers themselves, which if anything, have gotten more maddening in recent years. ↩︎︎

  2. Well, almost the entire thing. There’s nothing I’m aware of for iOS that makes HTML/Markdown table creation as easy as TableFlip, an excellent $10 (cheap!) Mac utility by Christian Tietze. And I added many of the hyperlinks to the text from my Mac, while copy editing in BBEdit before publication. Inserting dozens of links from open Safari tabs or from web search results is a tedious task that I’ve automated all the tedium out of using Keyboard Maestro, AppleScript, and Perl — none of which are available on iPadOS. ↩︎


OpenAI Debuts GPT-4o ‘Omni’ Model 

Kyle Wiggers, reporting for TechCrunch:

OpenAI announced a new flagship generative AI model on Monday that they call GPT-4o — the “o” stands for “omni,” referring to the model’s ability to handle text, speech, and video. GPT-4o is set to roll out “iteratively” across the company’s developer and consumer-facing products over the next few weeks.

OpenAI CTO Mira Murati said that GPT-4o provides “GPT-4-level” intelligence but improves on GPT-4’s capabilities across multiple modalities and media.

You should watch at least some of the 25-minute live-streamed announcement today, to see — and especially hear — some of the demos. GPT-4o is extraordinarily conversational, and the female voice they used is remarkably emotive. Response times seem very impressive, and in conversation GPT-4o allows you to interrupt it when it’s going in the wrong direction or just blathering.

But my first impression is that it’s too emotive — too cloying, too saccharine. It comes across as condescending, like the voice of a kind kindergarten teacher addressing her students. I suspect, though, that they turned that dial up for the demo, and that it could easily be dialed back. And it really is impressive that I can complain that it might be too emotive. Also impressive: GPT-4o will be made available to all users, including those on the free tier.

OpenAI also announced a ChatGPT Mac app, a sort of Spotlight / LaunchBar / Alfred / Raycast type thing that they’re even calling a “launcher”. It’s supposedly available now to a limited number of users, and rolling out to everyone in the coming months.

Nylas — Email and Calendar APIs 

My thanks to Nylas for sponsoring last week at DF. Nylas recently launched v3 of their API. They rebuilt an already-great API platform with the developer experience and productivity in mind — redefining what a modern API should look like. Nylas offers a single great set of APIs for email, calendaring, and contacts.

Start building with Nylas today to discover why Nylas is trusted by 250,000+ developers at companies like Upwork, Wix, Salesloft, and Remax.

David Letterman in 2024: John Mulaney on ‘My Next Guest Needs No Introduction’ 

Whole episode was great, but the intimate dinner with Letterman, Mulaney, and Mulaney’s dad was just amazing TV.

Mulaney’s own live talk show, Everybody’s in L.A., finishes its 6-episode limited run tonight, also on Netflix. We’ve been loving it.

David Letterman in 1985: Crushing Things With an 80-Ton Hydraulic Press 

“If you want to have a good time, you can of course spend a lot of money going out to fancy restaurants with big floor shows, but I believe there’s more than enough good wholesome fun to be had with just a few close friends and an 80-ton hydraulic press.”

Wes Anderson Made a Commercial — and Designed a New Pen — for Montblanc 

In case you’re in need of a video-ad palate cleanser, you won’t find a commercial more delightful than this one.

Cinematography by Linus Sandgren, of No Time To Die and Saltburn fame. More details at Vogue Business, including the fact that Montblanc found out only on set that Anderson had designed his own pen, the Schreiberling (“Scribbler” in German).

Sam Altman Puts the Kibosh on Reuters Story Claiming OpenAI Is Launching a Search Engine Next Week 

Sam Altman, on Twitter/X:

not gpt-5, not a search engine, but we’ve been hard at work on some new stuff we think people will love! feels like magic to me.

monday 10am PT.

Perhaps they’ve invented a way to type uppercase letters?

The Sound of Software 

Andy Allen and Thomas Williams, from Not Boring:

Sound is an outcast in Software Design. We may embrace the aesthetics of animation and visuals, but sound is different. It’s intrusive. Unlike visuals on a screen, you can’t look away or ignore it. It’s enough to make you rip the batteries out of a toy or frisbee an iPad across the room (speaking from experience).

And yet, play a video game without sound and its powerful punch lands with no force. Without music, once moving moments in a film become dull, even comical (Jurassic Park, Rocky). Sound holds an immense power to elevate any experience — including the most boring of software.

Sound in software isn’t inherently bad. It’s just been really badly designed.

We use sound in every !Boring app, and many have called it out as one of their favorite aspects of our apps. We’ve learned a few things about when to use sound, how to design it, and how to implement it. When done right, sound unlocks a path to much richer software experiences.

Previously:The World’s Most Satisfying Checkbox”.

Classic Marathon Is Now on Steam 

Even the user manual brings back memories. (“This manual contains sarcastic language that some readers might find condescending.”) From the “Performance Notes” section:

For Power Mac Users
If you need more speed, you better call the Apple Dealer where you bought your computer, ’cuz he probably sold you a Centris in a Power Mac case. Keep in mind however, that as of System 7.5 the sound drivers in the Power Mac are still running under emulation. You will, therefore, see speed gains by decreasing the number of sound channels Marathon uses. [...]

For 68020 Mac Users (Mac II, LC, LCII)
Unfortunately you are at the bottom of the food chain here. You will probably want to run in low res at 50% screen size with no floor or ceiling textures, no music, one channel sound, and with the every other scan line option selected. In all honesty though, you’ll probably want to run on a Power Mac. Look on the bright side, Apple just lowered their prices again...

I owned an LC at the time, but played all my Marathon at the Drexel student newspaper on Power Macs. They really shouldn’t have even claimed it ran at all on 68020 Macs.

Pointless NYT Report Says Apple Plans to Improve Siri 

The Times sent me a news alert for this story — under the three-way byline of Tripp Mickle, Brian X. Chen, and Cade Metz — but I don’t think there’s a single sentence of news in the entire thing. The gist of it is that Apple recognizes that ChatGPT makes Siri look even dumber than it did before and that they plan to use LLM technology to improve it. That’s it.

Determined to catch up in the tech industry’s A.I. race, Apple has made generative A.I. a tent pole project — the company’s special, internal label that it uses to organize employees around once-in-a-decade initiatives.

This is niggling, I know, but if “tent pole projects” only come once per decade at Apple, that means, by the Times’s count, there have only been 4 or 5 since the Macintosh debuted 40 years ago.

The truth is that in Apple lingo, tentpole is used to describe features, not projects, and they aim to ship around three or four tentpole features in every major release. The tentpole features are the ones that get the most time in keynotes. It’d be flabbergasting, given the current state of the tech world and Apple’s teasers, if a much-improved LLM-based Siri were not one of the tentpole features announced at WWDC next month.

(Bonus usage note: New Oxford American — the dictionary Apple licenses to include with MacOS and iOS — has the term as two words, “tent pole”, and thus hyphenated when used as a modifier. But Merriam-Webster closes it up, both as a noun and adjective. The Times isn’t nearly the bastion of consistency and quality that it once was, and, having dismantled its once-legendary copy desk 7 years ago, you’ll be unsurprised to know that in other recent articles tentpole has appeared in closed-up form.)

Reuters: OpenAI to Announce Google Search Competitor on Monday 

Anna Tong, reporting for Reuters:

OpenAI plans to announce its artificial intelligence-powered search product on Monday, according to two sources familiar with the matter, raising the stakes in its competition with search king Google. […]

The announcement could be timed a day before the Tuesday start of Google’s annual I/O conference, where the tech giant is expected to unveil a slew of AI-related products.

Remember the thing about Netflix being in a race to become HBO before HBO could become Netflix? My money here is that Google can become OpenAI (with generative AI) before OpenAI can become Google (with search), because I just don’t think OpenAI has any sort of moat around ChatGPT. They’re ahead but everyone else is nipping at their heels.

But: Google has left itself vulnerable by allowing the quality of Google Search results to degrade so much in recent years. Google remains dominant in search, but their share has started dropping.

Update: Sam Altman says nope, not a search engine, but they are launching something new Monday.

Logitech Announces Keyboard Cases for New iPad Air and iPad Pro Models 

Juli Clover, MacRumors:

The Combo Touch for the 11-inch iPad Air is $200, while the Combo Touch for the 13-inch model is $230. The iPad Pro versions are priced at $230 and $260, respectively, for the 11-inch and 13-inch models. The keyboards can be purchased from the Logitech website.

Apple itself charges more for everything with the iPad Pro models — e.g. it costs $200 to add cellular to an iPad Pro, but only $150 to add cellular to other iPads — but I don’t think there’s any difference between Logitech’s Air and Pro models other than the depth of the case.

Update: The Combo Touch cases for the new iPad Pro models are not yet available to order.

The New iPads No Longer Include Stickers 

Chance Miller, reporting for 9to5Mac:

In a memo distributed to Apple Store teams on Tuesday and viewed by 9to5Mac, Apple explained that Apple stickers will not be included in the box for the new iPad Pro and iPad Air. The company says that this is part of its environmental goals, as it strives to ensure its packaging is completely plastic-free.

Apple Stores, however, are receiving shipments with a limited quantity of Apple logo stickers that can be distributed to customers who buy a new iPad Pro or iPad Air, but only upon request. So, if you buy an iPad Pro or iPad Air from an Apple Store, you can request an Apple sticker at the time of purchase.

When Apple Stores run out of their supply of stickers, they can order more from Apple.

Boo hiss. The fun of those stickers outweighs their environmental impact. Seriously, who thinks including a couple of stickers in the box is hurting the environment?

Apple’s ‘Let Loose’ iPad Event Was Shot on iPhone — With Panavision Lenses 

Stu Maschwitz, writing at Prolost:

After Apple released a behind-the-scenes video about the production of “Scary Fast,” the Internet did its internet thing and questioned the “Shot on iPhone” claim, as if “Shot on iPhone” inherently means “shot with zero other gear besides an iPhone.” These takes were dumb and bad and some even included assertions that Apple added additional lensing to the phones, which they did not.

But for “Let Loose,” they did.

“Let Loose” was shot on iPhone 15 Pro Max, and Apple informed me on background that for several shots where a shallow depth-of-field was desired, Panavision lenses were attached to the iPhones using a Panavision-developed mount called the “Lens Relay System.” This rig is publicly available for rent from Panavision today, although not currently listed on their website.

Nice scoop. Also:

In fact, “Let Loose” is the first Apple Event finished and streamed in HDR, pushing the iPhone’s capture abilities even further than “Scary Fast.”

‘Goodbye to Apple’s Smart Keyboard Folio’ 

Chris Welch, The Verge:

Then there was the fact that the folio keyboard was so damn light. It kept the iPad Pro feeling like an iPad in my bag. That has never, ever been the case with a Magic Keyboard attached. When it goes on, you’ve entered MacBook weight territory. I’m not saying there’s any problem with that, but with the Smart Keyboard Folio, there was something special about toting around such a powerful combo that always stayed so airy on my back.

At best, Apple is being somewhat stubborn in assuming that every iPad Pro buyer wants the tablet to feel like a laptop (and be a similar weight to one) whenever a keyboard is attached, which is what the Magic Keyboard gets you. If you want to view it with more pessimism, the company is intentionally doing away with what was a compelling, more affordable accessory — one that was easy to take anywhere — in hopes that more people will cave and fork over $300 for the only first-party keyboard that’s available for the new Pro.

I suspect if it had been more popular, Apple would have made new ones for the new iPads. But I know Welch is not alone in his affinity for it. The textile-covered keyboard was far from ideal for typing feel, but the whole point of the Smart Keyboard Folio was to be a “good enough” keyboard when you need it — and the nature of that sort of keyboard made it perfect for use in a kitchen, with wet or dirty fingers. It was a keyboard cover you could just leave on your iPad all the time — and the Magic Keyboard isn’t that.

Is the ‘Crush’ Backlash a Dead Canary in the Apple Brand Coal Mine? 

David Heinemeier Hansson:

This should all be eerily familiar to anyone who saw Microsoft fall from grace in the 90s. From being America’s favorite software company to being the bully pursued by the DOJ for illegalities. Just like Apple now, Microsoft’s reputation and good standing suddenly evaporated seemingly overnight once enough critical stories had accumulated about its behavior.

It’s not easy to predict these tipping points. Tim Cook enthusiastically introduced this awful ad with a big smile, and I’m sure he’s sitting with at least some sense of “wtf just happened?” and “why don’t they love us any more?”. Because companies like Apple almost have to ignore the haters as the cost of doing business, but then they also can’t easily tell when the sentiment has changed from “the usual number” to “one too many”. And then, boom, the game is forever changed.

Ever since this controversy regarding the “Crush” ad erupted yesterday, I’ve been wondering the same thing. As I wrote yesterday, when I first saw the ad during the keynote, I didn’t think twice about it. It didn’t strike me as particularly clever, but I didn’t suspect for even a second that it might prove even slighty controversial. It just didn’t strike a nerve for me. But clearly it struck a nerve for many, evoking negative emotional responses — which for a brand like Apple’s, makes it ipso facto a failed ad.

But Apple could have used this exact same concept for any previous “thinnest ever” iPad. They could have used this exact same commercial for the original iPad in 2010 — a device that doesn’t seem thin or light by today’s standards but was rightly considered remarkably thin and light at the time it launched. You can paint, you can draw, you can edit photos and video, you can make music, you can play games — all in this single incredibly thin device. That’s not a new message for iPads.

Would this exact same commercial have evoked the same collective response in 2010? I’m going to say no, it would not have. What about in 2018? I’m going to say ... probably not? Something has changed. Part of it is that our culture has changed. I don’t think many people 10 or 15 years ago would have seen dissonance between Apple’s oft-professed sustainability ideals and a commercial celebrating the destruction of artistic tools and objects. And the bigger change is the recognition that computers are eating the world. In 2010 it was seen only as cool that computers were doing more and more stuff. Today there’s widespread uncomfortableness, perhaps outright concern, that the digital world is consuming the analog one. It plays differently today than a decade ago to emphasize that an iPad can replace a veritable truck-full of artistic tools and toys.

But part too is that Apple’s position in our culture has changed. They’re no longer, and never again will be, the upstart. They’re The Man now. They’re part of the firmament of our entire society, not just the tech world. When you’re on top, everyone guns for you.

Apple Apologizes for ‘Crush’ Ad: ‘We Missed the Mark With This Video, and We’re Sorry’ 

Tor Myhren, Apple’s VP of marketing communications, in a statement to Ad Age:

Creativity is in our DNA at Apple, and it’s incredibly important to us to design products that empower creatives all over the world. Our goal is to always celebrate the myriad of ways users express themselves and bring their ideas to life through iPad. We missed the mark with this video, and we’re sorry.

Not just an apology, but an apology attributed to a person. That’s how you do it.

The standard shouldn’t be never to make a mistake. It’s to make as few mistakes as possible, but quickly recognize, acknowledge, and address the ones you do make.

(Via 9to5Mac, which helpfully quotes Myhren’s entire statement. Ad Age’s paywall offers zero free page views.)

Crushed-Into-a-Handheld-Gadget Commercials 

Andy Allen found a 2008 LG phone commercial that’s pretty much the same concept as Apple’s new “Crush” ad. And here’s a 1998 Nintendo commercial in which a bus full of Pokemon get smushed into a Game Boy.

Quinn Nelson on the New iPads and iPad Peripherals 

Lots of nerdy details on both the tandem OLED “Pro XDR Ultra Max Plus Extreme” display technology (I think that’s the marketing name?) and TSMC’s next-gen 3nm process used to fabricate the M4 chips.


Brief Thoughts and Observations on Yesterday’s ‘Let Loose’ iPad Keynote

Keynote / Mini Events

Apple hosted about 50 members of the media in New York City, in their ludicrously spacious Tribeca townhouse, to watch the keynote stream live. They had a hands-on area post-keynote, and a bunch of demos and briefings throughout the morning and early afternoon. It was nice. More low-key than the pre-COVID on-stage events (like the Brooklyn one in 2018, when they introduced the first retina MacBook Air and the 2018 iPad Pros), but low-key is good. Doing things in-person is good. (They held a similar event yesterday in London, too — which perhaps explains why they streamed the keynote at 7am PT.)

The New iPad Airs

No surprises here, but the big news is the addition of a 13-inch iPad Air to the lineup. Until last summer Apple’s only “big” MacBook was the 16-inch MacBook Pro (which starts at $2,500), and their only “big” iPad was the 13-inch iPad Pro (which, until yesterday, started at $1,100). If you wanted a big-screen MacBook or iPad you had to pay premium Pro prices, even if you didn’t need Pro features or performance. Last summer they introduced the 15-inch MacBook Air (starting price: $1,300) and now there’s the 13-inch iPad Air (starting price: $800).

There’s really not much else to say about the new iPad Airs. During the keynote, John Ternus described the iPad Air as getting features and components that were previously exclusive to the iPad Pro models, and that’s apt. But that means there’s not much new to talk about.

The New M4 iPad Pros

They are thin — really thin. It seems impossible that the new iPad Pros are thinner than an iPod Nano, but read the tech specs and weep:

For completeness:

The thinness is noticeable in hand, but the reduction in weight is even more noticeable. Per Apple’s specs, the new 13-inch iPad Pro weighs 579g, down from 682g in the 2022 models. That’s a sounds-too-good-to-be-true 15 percent reduction. The weight reduction for the 11-inch iPad Pros is less dramatic: 444g, down from 466g in the previous generation. (Those are Wi-Fi-only weights, but cellular networking adds only a meager 3–4g.)

Apple is advertising the new tandem OLED “Ultra Retina XDR” displays as “the world’s best displays”, full stop. From what I saw in the hands-on area yesterday, they indeed look terrific: bright, inky-black blacks (as you’d expect from any OLED displays), seemingly no problems with blooming or a halo effect. Generally though, Apple’s “best display” goes into the iPhone Pro, so purely as a guess, I’ll bet that the iPhone 16 Pro models get this display technology come September.

And, yes, the new iPad Pros have the M4, not the M3 chips that debuted just six months ago. This seems largely driven by moving to TSMC’s next-generation 3nm process, which brings efficiency gains compared to the first-generation 3nm process used to fabricate the A17 Pro and M3 family. In briefings yesterday, Apple reps emphasized, repeatedly, that these new iPad Pros could not have been built without the M4. The efficiency gains allowed Apple to make them remarkably thin and light, and more essentially, only the M4 has a display engine that can drive the new tandem OLED displays. This truly is one of those examples where Apple controlling the entire stack — their own silicon driving their own display design — puts their products in a league of their own. They couldn’t drive the new displays without the M4’s display controller and they wouldn’t have engineered that display controller if they hadn’t had these tandem OLED displays in mind.

Mark Gurman’s week-before scoop that these iPads might have the M4 is simply remarkable, even with the hedging around “might”. A hall of fame rumor scoop. Nobody else even spitballed such a notion. If not for Gurman it would have been a rather shocking surprise in the keynote. And my understanding is that Apple went to extraordinary lengths during development of these iPad Pros to keep the debut of the M4 under wraps. Apple folks are never ever happy about leaks, but this one in particular seemingly surprised them. But it also makes me wonder about reports — most prominently by Gurman himself — that these iPads were originally slated to launch in March, presumably just a few weeks after the launch of the M3 MacBook Airs, and just two months after the launch of the Vision Pro, which sports an M2. How soon after the launch of the M3 could the M4 have appeared? One thing I’m taking away from this is that it’s wrong to think about M-series generations as year-over-year annual iterations, like the A-series chips in iPhones. Rather, it seems like Apple is evolving the M-series chips in parallel, designing them with very specific but widely varied products in mind.

The iPad Family Lineup

Back in October, after Apple launched the Apple Pencil with USB-C, I wrote the following regarding the complexity and confusion in the iPad lineup:

Off the top of my head, what I’d like from Apple on the iPad front next year:

  • Drop the old 9th-gen iPad from the lineup. That iPad is so old it still has a home button.
  • Lower the price of the 10th-gen iPad by $100. (And maybe give it a speed bump from the A14 to A15 chip? But it’s probably wishful thinking to hope for a price cut and a newer chip.)
  • Update the iPad Air (and Mini?) models to be more like today’s iPad Pros, with Face ID instead of Touch ID.
  • Major revision of the iPad Pros, which haven’t seen a major form factor change since 2018. Put more pro in the iPad Pros, just like Apple has done with the iPhone 15 Pro models.
  • Update the Magic Keyboard, ideally in a way that continues to support both iPad Airs and 11-inch iPad Pros. The Magic Keyboard is a great idea, and I think a popular one. But it ought to be better — thinner, lighter, and more durable. (The white ones especially age quickly. Keep your eyes out for them in the wild, in cafes and airports — they often look quite grungy. Compare and contrast with MacBooks, which often look great even after years of daily use.) Mark Gurman has reported that just such a revision to the Magic Keyboard is in the works.

That would clarify the iPad’s three tiers: good (regular iPad, 10th-gen), better (iPad Air — the best choice for most people), and best (iPad Pros, with advanced new features and capabilities). The point should be to make the question “Which iPad should I buy?” as easy to answer as possible. I think Apple has made that question pretty easy to answer for iPhones, MacBooks, and Watches — and for peripherals like AirPods. Now do it for iPads.

Apple came pretty close to hitting every single item on my list yesterday. The only miss is that the new iPad Airs still use Touch ID, not Face ID. A few sources told me, after I wrote the above post in October, that Face ID components remain surprisingly expensive lo these many years after Face ID first appeared with the iPhone X in 2017, so I’m not surprised in the least that the iPad Airs still use Touch ID on the top button.

The only sore thumb in the entire iPad lineup is the iPad Mini, which, since it first appeared, has always been the least-frequently updated iPad. Compared to the 10th-gen regular-sized iPad, the iPad Mini seems expensive at $500. But the iPad Mini is more like a small iPad Air, with features like P3 wide color and an antireflective coating. And the current iPad Mini, despite being 2.5 years old, still has a faster chip than the 10th-gen iPad (A15 vs. A14).

Pricing

StorageM4 iPad Pro 11″M2 iPad Air 11″iPad 10th-geniPad Mini 6th-gen
64 GB$350$500
128 GB$600
256 GB$1000$700$500$650
512 GB$1200$900
1 TB$1600$1100
2 TB$2000
11″ → 13″+300+200
Cellular+200+150+150+150
Nano-texture*+100

* Available only with 1 or 2 TB storage.

A 13-inch M4 iPad Pro with 2 TB of storage, cellular networking, and the nano-texture display costs a cool $2,600.

Rounding up to 13

Praise Jeebus, Apple has decided to label the bigger iPads as “13-inch” rather than the more exact but far less graceful “12.9-inch”. Apple is more comfortable rounding down than up. Underpromise, overdeliver. Look at the tech specs for the 13-inch MacBook Air: the display is 13.6 inches, so it could credibly be rounded up to 14. But these product names are more like “size classes”, not specs. I’ve been referring to big iPad Pros as “13-inch” for a while now, on the same grounds as rounding up prices like $499 to $500. Glad to see Apple make it official though.

Pencil Proliferation

With yesterday’s introduction of the Apple Pencil Pro, Apple now has made, and continues to sell, four different Pencil models. I saw a lot of gripes yesterday that this is confusing — that there ought to be just one Pencil, or perhaps two at the most. But in practice I don’t think it’s all that confusing. You don’t start by buying a Pencil; you start by choosing an iPad, and then you buy a Pencil that goes with that iPad. Arguing that it’s confusing that different iPads support different Pencils is like saying it’s confusing that different iPhones require different cases. In real life you just buy a case that is designed for your specific phone model, and it’s not confusing at all that the Apple Store carries cases for several generations of iPhone models, each in two different sizes.

I mean in theory, it would be better if there were one Pencil that worked with all iPads. And it stinks that if you have a Pencil 2 already, you can’t use it with a new iPad Pro or Air. But the mistake that prevents Apple from being able to offer just one Pencil has nothing to do with any of the Pencil models, but instead was the company’s yearslong resistance to moving the front-facing camera on iPads from the short side (like an iPhone) to the long side (like a laptop).

From my brief hands-on time, the haptic feedback and new squeeze gesture on the new Pencil Pro are just great. And for illustrators and calligraphers, the support for rotating the barrel to rotate the on-screen pen nib is very cool. On the cusp of the keynote I offhandedly hoped for the ability to turn the new Pencil upside down to get the eraser tool, but this squeeze gesture and the new radial menu of Pencil tools that appears contextually under the current pen location is a better idea. Upside down eraser support would offer a shortcut for just one tool; the squeeze menu gives you a shortcut to all tools.

I suspect naming the new Pencil “Pencil Pro” is a downstream effect of the fact that Apple needs to keep selling the Pencil 2. (People who own years-old iPads still buy new Pencils.) But Apple never printed the “2” on the Pencil 2 barrel — it just says “ Pencil”. And physically, the new Pencil Pro is indistinguishable from the Pencil 2 — same size, same color, same texture. They even use the same replacement tips. So if they had named it “Pencil 3” but still printed only “ Pencil” on the barrel, anyone who owned both models wouldn’t be able to tell them apart. So “ Pencil Pro” it is, even though it works with the new non-pro iPad Airs.

Also: the new Pencil Pro supports Find My. Unsurprising, but nice.

Miscellaneous

  • Anyone playing a drinking game that required taking a shot for each mention of “AI” or “machine learning” during the keynote probably passed out before it ended.

  • There’s just one rear-facing camera on the new iPad Pros. The previous generation had two: wide (1×) and ultra-wide (0.5×). I’m not sure what to make of that other than conceding that iPads don’t really need multiple cameras. I can’t recall ever — not even once — wishing that my personal iPad Pro from 2018 had an ultra-wide lens in addition to the main 1× camera. Perhaps this omission helped Apple shrink the camera bump on the new iPad Pros, and/or reduce the overall thickness?

  • Apple is, for the first time, offering a nano-texture display option for the new iPad Pros. It costs an additional $100 and is only offered with the 1 and 2 TB storage configurations. I liked the way it looked in my limited hands-on time yesterday, and it didn’t seem problematic fingerprint-wise. I did not get the chance to try the nano-texture display with a Pencil, alas, but I can’t help but suspect it offers an at least slightly more paper-like feel. One oddity: only the display has the texture — the black bezel surrounding the display is glossy. The delineation between the glossy bezel and textured display area is both easy to see and easy to feel. In a sunny room with glare from the windows, I thought that looked odd: obvious reflections and glare on the bezel, but no reflections or glare on the display content area. With the nano-texture versions of the Pro Display XDR and Studio Display, the nano-texture finish includes the bezel area — except for one tiny glossy spot on the Studio Display in front of the FaceTime camera lens. Perhaps with all the various sensors for Face ID and the front-facing camera, leaving the entire bezel glossy was deemed a better trade-off than making several glossy cutouts. (No notch on iPads.)

  • Apple is doing some chip-binning with the iPad Pros. The 256 and 512 GB models have 9-core CPUs (3 performance, 6 efficiency) and 8 GB of RAM. The 1 and 2 TB models have 10-core CPUs (4 performance, 6 efficiency) and 16 GB of RAM. (The new iPad Airs all have the same M2 chip with 8 GB of RAM.)

  • I still have no idea how the event name “Let Loose” is applicable to any of yesterday’s announcements. But sometimes a name is just a name. 


John Ternus as Apple CEO? 

Mark Gurman, writing at Bloomberg, posits that John Ternus might be the leading candidate to succeed Tim Cook as CEO:

“Tim likes him a lot, because he can give a good presentation, he’s very mild-mannered, never puts anything into an email that is controversial and is a very reticent decision-maker,” says one person close to Apple’s executive team. “He has a lot of managerial characteristics like Tim.” Christopher Stringer, a former top Apple hardware designer, called Ternus a “trustworthy hand” who’s “never failed with any role he’s been elevated to.” Eddy Cue, the Apple executive known as Cook’s closest confidant, has privately told colleagues that Ternus should be the next CEO, according to a person with knowledge of the matter.

I wouldn’t have linked to this if not for the above line about Eddy Cue. If Cue is telling people that, that means a lot. No executive at Apple is more juiced-in company-wide than Cue. Cook’s first action as CEO was to promote Cue, and Cue was arguably just as tight with and trusted by Steve Jobs.

Apple’s ‘Crush’ Ad for the New iPad Pros Is, Well, Getting Crushed 

Todd Spangler, writing for Variety:

An Apple commercial for the new iPad Pro tablet showing an industrial press literally crushing a TV, musical instruments, books and more ignited an angry backlash among many in Hollywood and other creative industries.

The ad, titled “Crush!”, shows an array of various objects — including a record player, a piano, a guitar, an old TV set, cameras, a typewriter, books, paint cans and a classic arcade game machine — getting compressed into (voila!) the new iPad Pro. The spot is soundtracked to Sonny and Cher’s “All I Ever Need Is You.”

But the ad has been interpreted more as a visual depiction of the tech industry’s devastation of cultural industries. “The destruction of the human experience. Courtesy of Silicon Valley,” actor Hugh Grant commented on X.

Personally, I didn’t think twice about this spot when it ran during the keynote yesterday. I didn’t love it, but I didn’t hate it either. I sort of like seeing things get smashed, run over, or, best of all, dropped from rooftops, and that’s really all I took from it at the moment. But a lot of people find the spot unpleasant, if not downright disturbing, not because they’re bothered by seeing stuff get smushed but because of the implied message. To wit, as Grant quipped, that technology not only replaces analog instruments and objects of artistic expression, but destroys them.

Thought about that way, it’s clearly a mistake — the vivisection of technology and liberal arts.

The best response is this “fixed it for you” version from filmmaker Reza Sixo Safai, simply running the commercial backwards (and choosing a better Sonny and Cher song). Same message, but emphasizing creation rather than destruction.

‘Slop’ as a Neologism for Mindlessly Spewed AI-Generated Content 

Simon Willison:

I’m a big proponent of LLMs as tools for personal productivity, and as software platforms for building interesting applications that can interact with human language.

But I’m increasingly of the opinion that sharing unreviewed content that has been artificially generated with other people is rude.

Slop is the ideal name for this anti-pattern.

Not all promotional content is spam, and not all AI-generated content is slop. But if it’s mindlessly generated and thrust upon someone who didn’t ask for it, slop is the perfect term for it.

Endorsed.

Marvel Studios Announces ‘What If…? — An Immersive Story’, Exclusively for Vision Pro 

Marvel:

Marvel Studios and ILM Immersive announce What If…? — An Immersive Story, the first-ever interactive Disney+ Original story coming exclusively to Apple Vision Pro. Fans will be invited to step inside the Multiverse like never before and have the chance to dive into an immersive, narrative-driven and innovative story in mixed reality. Connected to the critically acclaimed Disney+ Original animated series What If…?, Marvel.com was given a first look at the hour-long experience, diving into what fans can expect when it is released soon as a new app for Apple Vision Pro.

WSJ: Apple Is Developing AI Chips for Data Centers 

Aaron Tilley and Yang Jie, reporting for The Wall Street Journal (News+):

Apple has been working on its own chip designed to run artificial-intelligence software in data-center servers, a move that has the potential to give the company an advantage in the AI arms race.

Over the past decade, Apple has emerged as a leading player designing chips for iPhones, iPads, Apple Watch and Mac computers. The server project, which is internally code-named Project ACDC — for Apple Chips in Data Center — will bring this talent to bear for the company’s servers, according to people familiar with the matter.

Project ACDC has been in the works for several years and it is uncertain when the new chip will be unveiled, if ever.

Another rebuttal to the whole “Apple is behind on AI” discourse. Apple is just doing things their own way, at their own pace, and they’re not going to talk about any of it in advance. Custom chip development is slow, expensive, and indicates an extreme commitment.

As for the “ACDC” codename, if I didn’t know any better, I’d half wonder if Jim Dalrymple took a job on Apple’s silicon team.

TikTok Sues US Government Over Forced Divestiture and Potential Ban 

Sapna Maheshwari and David McCabe, reporting for The New York Times:

TikTok sued the federal government on Tuesday over a new law that would force its Chinese owner, ByteDance, to sell the popular social media app or face a ban in the United States, stoking a battle over national security and free speech that is likely to end up in the Supreme Court.

TikTok said the law violated the First Amendment by effectively removing an app that millions of Americans use to share their views and communicate freely. It also argued that a divestiture was “simply not possible,” especially within the law’s 270-day timeline, pointing to difficulties such as Beijing’s refusal to sell a key feature that powers TikTok in the United States.

Must be nice for a Chinese company to be able to sue the government and make arguments on freedom of speech grounds.

Nintendo Pre-Announces Switch Successor’s Announcement 

Nintendo, on Twitter/X:

This is Furukawa, President of Nintendo. We will make an announcement about the successor to Nintendo Switch within this fiscal year. It will have been over nine years since we announced the existence of Nintendo Switch back in March 2015. We will be holding a Nintendo Direct this June regarding the Nintendo Switch software lineup for the latter half of 2024, but please be aware that there will be no mention of the Nintendo Switch successor during that presentation.

Must be Big News for Beloved Tablets Day.

Techmeme’s Roundup of Commentary on Apple’s ‘Let Loose’ iPad Event 

Gurman’s last-minute “Maybe they’ll have the M4” might be the greatest rumor scoop in recent memory. A fella could lose his shirt betting against him lately.

Erasable Logo on Apple’s Homepage 

Juli Clover, MacRumors:

Hovering over the Apple logo and moving the mouse allows the current artwork to be erased and replaced with a new logo design. Apple created a total of six logos for the May 7 “Let Loose” event, and the interactive eraser cycles through those options.

Would be cool if Apple’s managed to pull off being able to use the end of the new Pencil as an eraser, just like a real pencil.

Fitting Facts to the Narrative at The Washington Post 

From a Washington Post story headlined “Apple Is Behind in AI and Killed Its Self-Driving Car Project. What’s Next?”:

The company’s Greater China region, which encompasses mainland China, Hong Kong, Macao and Taiwan, has long been one of Apple’s most crucial growth zones. But growing pressure from a handful local rivals — including Shenzhen-based Huawei, which surmounted U.S. sanctions aimed at slowing its advance in late 2023 by producing a smartphone with a domestically made processor — cut sharply into Apple’s market share in the region earlier this year.

Data from market research firm Counterpoint Research indicated that Apple’s sales in China dipped by nearly 20 percent in the first quarter of 2024, a shift that senior research analyst Ivan Lam attributed partially to “Huawei’s comeback.”

The full scope of the company’s decline in China became clear Thursday, when Apple reported an 8 percent revenue dip compared to a year earlier.

It’s inexplicable that the Post included a paragraph with projections from Counterpoint claiming iPhone sales in China were down 20 percent even after Apple reported its actual results for the quarter. Jason Snell, over at Six Colors:

Finally, I particularly enjoyed the exchange between Wells Fargo’s Aaron Rakers and Cook in which Rakers asked Cook to explain Apple’s results compared to the data reported by independent research groups that suggested iPhone sales were falling apart in China. Apple’s actual numbers weren’t that bad, and in fact, Apple trumpeted how well the iPhone was going in urban China.

“I can’t address the data points,” Cook said. “I can only address what our results are, and you know, we did accelerate last quarter. And iPhone grew in mainland China, so that’s what the results were. I can’t bridge to numbers we didn’t come up with.”

That’s about as savage a shade-throwing as you’ll get on an Apple analyst call.

iPhone grew in mainland China last quarter but even after Apple announced that — in a legally-binding context — they went with made-up projections from Counterpoint to fit their narrative that Apple is in trouble.

While I’m being grumpy, I’ll even take issue with the notion — which the Post leads with in its headline — that Apple is “behind in AI”? It is true that Apple doesn’t offer an AI chat product like OpenAI’s ChatGPT, Microsoft’s Copilot, or Google’s Gemini. But do we expect Apple ever to offer such a project? Apple doesn’t have a web search engine but no one is arguing that Apple is “behind” on search. (App Store search results quality is another issue.) Apple doesn’t offer turnkey cloud computing services like AWS or Google Cloud either. Are they “behind” on that? When it comes to the products Apple already sells, how are they “behind on AI”? Are iPhone users missing out on AI features available only to Android users? No. Are MacBook users missing out because Apple hasn’t added a dedicated AI key to their keyboards?

I get that people see AI as a frontier that is transforming the industry, and Apple hasn’t revealed any new plans or features yet. But I’d say Apple is silent on AI, not behind. When iOS and Mac users are missing out on features that are only available on other platforms, that’s when I’d say Apple is behind.

Logitech’s Mouse Software Now Includes ChatGPT Support, Adds Janky ‘ai_overlay_tmp’ Directory to Users’ Home Folders 

Stephen Hackett, writing at 512 Pixels:

I know AI is all the rage right now and having a deal to bring ChatGPT into your software is trendy, but including a tool like this in what is basically a mouse driver is ridiculous. I’m not opposed to using AI in software. I’m just opposed to when it shows up as an unexpected, poorly-implemented feature in software that doesn’t need it.

At least Logitech’s Mac developers did such a bad job with it, that it was easy to spot.

Logitech committed a bunch of sins with this mouse driver. First, it just seems ridiculous to add an AI prompt feature to a mouse driver. Second, no matter what the feature, it’s wrong to add a top-level folder to a user’s home directory — and it’s especially wrong to give such a folder a dumb name like “ai_overlay_tmp”.

It’s more common for poorly-programmed Mac software to create such folders with a leading dot in their names, an age-old Unix convention that tells the Finder to treat them as “invisible”. But that’s poor form on MacOS too. Support folders should be organized in standard sub-folders inside the user’s Library folder. Open Terminal and type ls -a at the root of your home folder and you’ll probably see a lot of detritus that ought to be inside your Library folder.

Hackett has switched from Logitech’s mouse software to the excellent SteerMouse, an excellent $20 mouse driver that supports just about every mouse in the world. I’ve been using and wholeheartedly recommending SteerMouse for nearly 20 years.

It’s also the case that even with a third-party mouse, you might not want any third-party driver software at all. MacOS’s built-in mouse software recognizes most mice. I rely on SteerMouse not because my mouse has lots of buttons (it doesn’t), but to get fine-grained control over the speed and acceleration of the pointer. SteerMouse lets me set my mouse to go way, way faster than the built-in Mouse panel in Settings does — something I’ve done for decades to reduce wrist fatigue and pain. I can move my pointer from corner to corner across my Studio Display by moving my mouse just a few centimeters.

The problem is, many people — perhaps especially people whose computing experience was forged on Windows — wrongly assume that if you buy a Brand X mouse, you need to install Brand X’s software to use it. For Logitech mouse users, that means AI software they neither want nor need running in the background, and an ugly cryptically-named temp folder stinking up their home directory like a squatter.

Yours Truly on ‘First Ones’ 

Brian McCullough at the Techmeme Ride Home podcast has a new YouTube series, “First Ones”, where he asks his guests for their firsts — first computer, first movie in a theater, etc. Guests so far, in addition to me, include Guy Kawasaki, Bluesky CEO Jay Graber, Ed Zitron, and more. Very fun.

Apple Watch Ultra’s Best Feature: Battery Life 

Jason Aten, writing for Inc.:

I don’t run marathons or climb mountains or dive. I don’t often find myself in remote locations in precarious situations. I joked that, for me, the Apple Watch Ultra will be the perfect thing to wear while other people are working out. Like, for example, when I’m keeping track of my daughter’s cross-country race splits.

When I first started wearing the Ultra, I was sure the most useful feature was what Apple calls the Action Button. I still think the ability to assign a dedicated button to things like starting a workout or a stopwatch is great, but there’s a far better feature, and the most surprising thing is that Apple isn’t making a big deal of it at all.

That’s the fact that the Apple Watch Ultra has ridiculous battery life, at least by Apple Watch standards. Yes, Apple has said that the Ultra has the best battery life of any Apple Watch. But Apple is dramatically underselling the battery life on its new flagship wearable, claiming it gets 36 hours. In my experience, it got more than 60 hours.

Two thoughts about this:

  • Perhaps Apple underplays the Ultra’s battery life so as not to make the battery life on the regular Series 9 models look bad? From my experience while reviewing the original Ultra, I could get two days of battery life on a single charge even while wearing it to sleep.

  • The battery life on all Apple Watch models from the last few years offers a stark contrast to the dedicated AI gadgets we’re starting to see, like Humane’s AI Pin and Rabbit’s R1 handheld dingus. It goes under-remarked-upon that Apple is really really good at making computer hardware, and particularly at making small computer hardware.

Boring News: Vision Pro Sales Are Going Just About as Expected 

Ming-Chi Kuo, two weeks ago:

Apple has cut its 2024 Vision Pro shipments to 400–450k units (vs. market consensus of 700–800k units or more). Apple cut orders before launching Vision Pro in non-US markets, which means that demand in the US market has fallen sharply beyond expectations, making Apple take a conservative view of demand in non-US markets.

Neil Cybart, on Twitter/X:

Ming-Chi Kuo’s numbers and statements regarding Apple Vision Pro sales don’t make sense. [...]

Interestingly, when framing a 400K to 450K unit sales figure for Vision Pro in 2024 (which would actually be a good result), Kuo compares the range to a made up consensus figure of 700K to 800K unit sales. I don’t recall anyone running with such a high sales range for Vision Pro in 2024. Instead, Kuo himself actually claimed back on Feb 28th that a few suppliers were planning for 700K to 800K production. That’s not the same as a sales forecast. Far from it. Kuo would know that too, so one is left to assume he’s purposely being misleading.

Ming-Chi Kuo occasionally uncovers legitimate scoops from Apple’s Asian supply chain. Ming-Chi Kuo also regularly inserts his own name into the news when he has no legitimate scoops. This is one of the latter. There was no “market consensus” that Apple would sell 700–800K Vision Pro units in 2024. In fact, the reporting has been around the 400–450K range since last summer.

The Financial Times, back on 3 July 2023:

Two people close to Apple and Luxshare, the Chinese contract manufacturer that will initially assemble the device, said it was preparing to make fewer than 400,000 units in 2024. Multiple industry sources said Luxshare was currently Apple’s only assembler of the device. Separately, two China-based sole suppliers of certain components for the Vision Pro said Apple was only asking them for enough for 130,000 to 150,000 units in the first year.

TheElec reported last June that Sony only had the capacity to manufacture 900,000 OLED panels per year for Vision Pro, which, if true, would cap Vision Pro headset production at 450,000 units. The Information reported in August that this display bottleneck “is one reason why Apple plans to make fewer than half a million Vision Pros in the first year of production”.

Meta Threatens to Pull WhatsApp From India Over Encryption Battle 

Russell Brandom, reporting for Rest of World:

IT rules passed by India in 2021 require services like WhatsApp to maintain “traceability” for all messages, allowing authorities to follow forwarded messages to the “first originator” of the text.

In a Delhi High Court proceeding last Thursday, WhatsApp said it would be forced to leave the country if the court required traceability, as doing so would mean breaking end-to-end encryption. It’s a common stance for encrypted chat services generally, and WhatsApp has made this threat before — most notably in a protracted legal fight in Brazil that resulted in intermittent bans. But as the Indian government expands its powers over online speech, the threat of a full-scale ban is closer than it’s been in years. [...]

It’s not clear how the courts will respond to WhatsApp’s ultimatum, but they’ll have to take it seriously. WhatsApp is used by more than half a billion people in India — not just as a chat app, but as a doctor’s office, a campaigning tool, and the backbone of countless small businesses and service jobs. There’s no clear competitor to fill its shoes, so if the app is shut down in India, much of the digital infrastructure of the nation would simply disappear. Being forced out of the country would be bad for WhatsApp, but it would be disastrous for everyday Indians.

One thing to remember is that this isn’t so much a conflict between what the law demands and what Meta chooses to do, but rather a conflict between what the law demands and the secure-by-design nature of WhatsApp. There is no “traceability” switch that Meta could flip but is choosing not to. They’d have to build a completely new, insecure-by-design, protocol to comply with this law.

See also: A 2022 feature in The Verge on the centrality of WhatsApp to digital life in India.