By John Gruber
Jiiiii — Free to download, unlock your anime-watching-superpowers today!
I really love what Brent Simmons and The Omni Group are doing with this podcast. This episode went down like a glass of ice cold water on a hot day.
Alex Halberstadt, writing for The New York Times Magazine:
Imagine having no talent. Imagine being no good at all at something and doing it anyway. Then, after nine years, failing at it and giving it up in disgust and moving to Englewood, N.J., and selling aluminum siding. And then, years later, trying the thing again, though it wrecks your marriage, and failing again. And eventually making a meticulous study of the thing and figuring out that, by eliminating every extraneous element, you could isolate what makes it work and just do that. And then, after becoming better at it than anyone who had ever done it, realizing that maybe you didn’t need the talent. That maybe its absence was a gift.
And here it is: Dangerfield on The Tonight Show, 1 August 1979. We live in a world of miracles and wonders.
Japan Camera Hunter:
This is a story about a camera, a rather special camera. Every camera has a history, so they say. But it is not all that often that one has such a rich and documented history. One that was thought to be lost but has been found again. This is the story of Sean Flynn’s Leica M2.
Bethany Bongiorno recently left Apple after a long stint, including work on the original iPad. She tweeted some terrific stories, including this one:
At one point Steve wanted to turn UIKit elements orange. Not just any orange, he wanted a particular orange from the button on a certain old Sony remote. We got a bunch of remotes from Sony with orange buttons to try and find the right one. In the end, Steve hated it.
I retweeted it with the comment that this is as Steve Jobs-y as any Steve Jobs story gets. No detail too small. Strong opinions loosely held.
The themes: music, music, music, and music.
My thanks to Shaker & Spoon for sponsoring this week’s DF RSS feed. Shaker & Spoon are, in my opinion, the ideal DF sponsor — they’re selling a great product targeted at people with discerning taste.
Shaker & Spoon is a subscription box that solves the toughest challenges of a home bar with great ingredients and interesting recipes. Every box is built around a different spirit, and showcases various styles of cocktail-making. Each box arrives with 3 brand-new, original recipes created by world-class bartenders, and enough ingredients (syrups, bitters, mixers, garnishes) for 12 cocktails — 4 from each recipe. It’s perfect for get-togethers and special gifts. All you need to bring is the alcohol, and the box will use up the whole bottle for all 12 drinks.
If you love making (and drinking) cocktails and are looking to expand your repertoire, you should sign up for Shaker & Spoon.
Serenity Caldwell:
I’m still trying to sort a lot of this out myself, but here’s how everything is supposed to work, from what I’ve been able to confirm.
In addition to what she reports here, I have heard from a friend seeded with HomePod that it does work with tracks that are not Apple Music or purchased from the iTunes Store if you have iCloud Music Library enabled. That’s big.
Update: Caldwell is hearing the same thing. So strange that Apple is letting this confusion linger.
A few thoughts:
Benjamin Mayo, writing for 9to5Mac:
Whilst HomePod works best with an Apple Music subscription, allowing users to ask Siri to play any of the 40 million tracks in the Apple Music catalog, it does not require a subscription to function. We have learned that the HomePod can play content purchased from iTunes, stream Beats 1, and listen to podcasts without needing a subscription.
If you add music to your home iTunes library that was not acquired through a purchase, HomePod will not be able to access it. It appears HomePod doesn’t have Home Sharing, which would enable that kind of feature.
Shouldn’t it work with iCloud Music Library? I get that it might not be able to access songs that only exist as MP3 files on your Mac, but if you have iCloud Music Library, it seems obvious that HomePod ought to be able to access them, no? It’s one thing if it doesn’t work with third-party streaming services like Spotify. But iCloud Music Library is Apple’s own thing.
Adam Engst’s aforelinked piece on iCloud Photo Library problems reminded me of this piece I wrote two years ago, that might still be of use to anyone who encounters this bug:
I’ll offer a small personal anecdote. Overall I’ve had great success with iCloud Photo Library. I’ve got over 18,000 photos and almost 400 videos. And I’ve got a slew of devices — iPhones, iPads, and Macs — all using the same iCloud account. And those photos are available from all those devices. Except, a few weeks ago, I noticed that on my primary Mac, in Photos, at the bottom of the main “Photos” view, where it tells you exactly how many photos and videos you have, it said “Unable to Upload 5 Items”. Restarting didn’t fix it. Waiting didn’t fix it. And clicking on it didn’t do anything — I wanted to know which five items couldn’t be uploaded, and why. It seems to me that anybody in this situation would want to know those two things. But damned if Photos would tell me.
Eventually, I found this support thread which suggested a solution: you can create a Smart Group in Photos using “Unable to upload to iCloud Photo Library” as the matching condition. Bingo: five items showed up. (Two of them were videos for which the original files couldn’t be found; three of them were duplicates of photos that were already in my library.)
I haven’t run into this problem again and am now up to 25,000 photos and just under 900 videos.
Adam Engst, writing for TidBITS:
However, there’s a nasty side effect of turning iCloud off and back on: iCloud Photo Library needs to re-upload all your photos. It does this in order to compare the library’s contents to the synchronization “truth” at iCloud. Fair enough, except that this process can take days, depending on the size of your Photos library and the speed of your Internet connection. Bad Apple! We don’t see that sort of poor performance with Dropbox or Google Drive, and this behavior is both unnecessary and driving people away from iCloud Photo Library. [...]
It’s bad enough that Photos wants to upload every photo to iCloud Photo Library again, but here’s the scenario that triggered this article. When I tried to turn iCloud Photo Library on again, I was told that I didn’t have enough space: my 200 GB iCloud storage plan had only 56 GB free, but my Photos library contained 113 GB of photos. All that was true, except for the fact that the reason my iCloud account was so full was because it already held every one of those photos! Every time I clicked Continue to acknowledge that I realized this fact, Photos turned iCloud Photo Library off again.
This is the first of a new column at TidBITS that they’re calling “Bad Apple”, in which they plan to “dive into a particular aspect of something that Apple got wrong”. Dive into being the right term for why this is so good.
iCloud Photo Library is pretty great in most regards — but it’s not good enough. But the ways it’s not good enough are often complicated and take time to describe, which is exactly what Engst has done here.
J.D. DiGiovanni, writing for HiConsumption:
So why is it that some slick British spook with a specific taste in cocktails has managed to weather all this change?
In part, it’s because Bond is a kind of cultural chameleon. The character first written by Ian Fleming in his 1953 novel Casino Royale, reflects the tastes and preferences of whatever moment he’s in. One of the best ways to track that change over time? By looking at Bond’s wrist.
Good list.
Special guest Rene Ritchie returns to the show to talk about HomePod, clickbait, the Spectre/Meltdown security exploits, and a look back at Apple’s 2017 in review.
Brought to you by these fine sponsors:
Speaking of iCloud storage limits, Joanna Stern’s column (and clever video) this week is devoted to iCloud’s storage limits:
Here’s the big catch, though: Apple offers only 5 gigabytes of free iCloud storage space. That’s like offering a Siberian tiger a Tic Tac for dinner. With the amount of photos and videos we take today, it’s not enough. For a company with about $270 billion in the bank, I’d expect it to at least match Google’s 15GB of free cloud storage — or beat it. Do I hear 20GB?
5 GB seems ridiculous when the company is selling $999 iPhones with 64 GB of storage.
Think about it. Everyone should back up their phones. The best way to back up your iPhone — and the way Apple wants you to do it — is through iCloud. But 5 GB isn’t enough for most people, so they get these warning messages, which sound scary and which they don’t understand.
Zoom this one to full-screen.
I sing the praises of The Empire Strikes Back frequently. It’s both one of my personal favorite films to watch, and, I think, one of the best films ever made. The music, the story, the pacing, the acting, the casting — there is so much to love about Empire. I sometimes forget just how beautiful a film it is. Most of these stills are just gorgeous.
(Thanks to DF reader Ben Johncock for the link.)
Juli Clover, writing for MacRumors:
As of iOS 11.3, Messages in iCloud is back and is available for “testing and evaluation purposes,” marking the official return of the feature. According to Apple’s release notes, once iOS 11.3 beta 1 is installed, Messages will prompt users to turn on Messages in the Cloud when it is first launched.
Messages in the Cloud is automatically enabled for users who have two-factor authentication and iCloud Backup enabled, says Apple.
One of the advantages with Messages on iCloud is that, if you want to keep your old messages around, they won’t be taking up space on your devices, and they’ll only count once against your iCloud storage limit (as opposed to now, where old messages are stored in the backups of each device you use).
Jon Krafcik, group product manager for data privacy and transparency at Google:
Let’s say you’ve walked through one too many puddles of icy slush this winter, and you finally need to replace your snow boots.
You visit Snow Boot Co.’s website, add a pair of boots to your shopping cart, but you don’t buy them because you want to keep looking around. The next time that you’re shopping online, Snow Boot Co. might show you ads that encourage you to come back to their site and buy those boots.
Reminder ads like these can be useful, but if you aren’t shopping for Snow Boot Co.’s boots anymore, then you don’t need a reminder about them. A new control within Ads Settings will enable you to mute Snow Boot Co.’s reminder ads. Today, we’re rolling out the ability to mute the reminder ads in apps and on websites that partner with us to show ads.
Krafcik can’t come out and say it, but the problem with ads that track you like this isn’t that they may not be useful, but that they’re creepy AF, as the kids would say. Exposing controls to mute them is better than nothing, but it’s sort of like being able to tell someone who is following you around to stop talking to you, but they’re still going to follow you around.
New app from Rogue Amoeba:
Farrago provides the best way to quickly play sound bites, audio effects, and music clips on your Mac. Podcasters can use Farrago to include musical accompaniment and sound effects during recording sessions, while theater techs can run the audio for live shows. Whether it’s providing quick access to a large library of sounds or running through a defined list of audio, Farrago is ready to assist!
Looks like a brilliant design — easy to understand, convenient to use, attractive — and it has one of the best intro videos I’ve ever seen. Even if you have no need for a soundboard app, it’s worth checking out for the video alone.
James Hughes, in a feature for Apple Newsroom:
In Los Angeles on a Saturday morning in November, a crew of 10 students from Hollywood High School, helmed by 17-year-old director Celine Gimpirea, are transforming a corner of the Calvary Cemetery into a movie set. In The Box, a boy slips inside a cardboard box and finds himself transported to other realms. On this well-manicured, impossibly green lawn, among rows of flat, black granite grave-markers, are rows of flat, black camera cases holding DIT stations, iPads and MacBook Pros — the tools that will bring the story to life.
Gimpirea’s is one of three teams of filmmakers involved in a month-long filmmaking workshop connecting creative professionals with emerging talent. The teams worked with powerful tools from Apple, including the MacBook Pro, iMac and Final Cut Pro X, as well as the RED Raven camera for shooting, and worked alongside Apple Retail experts and industry pros. LA-based independent filmmaking collective We Make Movies provided post-production supervision to help the filmmakers realize their visions.
I’m blown away that Gimpirea is just 17 years old. It’s a really fun little film. The other two films — Krista Amigone’s The Dancer and the documentary La Buena Muerte — are good too. Apple’s involvement in this project is so very Apple.
(Also good to see: a byline credit on an Apple Newsroom feature. That’s new.)
Madeline Buxton, writing for Refinery29 after getting an hour of hands-on time with HomePod:
Aesthetic, however, is only a very small part of the puzzle and one you’d expect Apple to excel at. Fortunately, HomePod also delivers where it counts: The sound. When I listened to the speaker next to Google Home Max, the latest Amazon Echo, and Sonos One, the vocals were consistently crisper and clearer on HomePod. The pluck of guitar strings pops, and bass notes have the robust thump-thump you want from them.
Interesting that Apple included Google Home Max in the comparisons. Back at WWDC in June, they only compared it against an Echo and a Sonos.
Regarding the limits of how HomePod works with multiple users:
Secondly, although everyone in your apartment will be able to use the speaker, only the person who sets up HomePod on their iCloud account will be able to send texts, set up reminders, and add notes via voice commands. Google Home and Amazon Echo, meanwhile, can recognize different voices and provide personalized content accordingly. (If you do set up personal notifications on HomePod, these will only be available when you are on the network, so you don’t need to worry about your texts being read aloud at home when you are at work. If you don’t want them read aloud when you’re home, you can go into your HomeKit settings and turn off the notifications.)
I hope (and would expect) that full support for multiple users is on the drawing board, but simply didn’t make the cut for 1.0.
Steven Perlberg, reporting for BuzzFeed:
In an interview with BuzzFeed News, Neistat spoke candidly about his inability to figure out a viable strategy for “Beme News,” which CNN had intended to become a central part of its digital business. Instead, Neistat said he slowly, and frustratingly, distanced himself from his own company, retreating into what he knew best — producing videos for his personal YouTube channel.
“I couldn’t find answers. I would sort of disappear, and I would hide, and I would make YouTube videos for my channel because at least I would be able yield something,” Neistat said. “I don’t think I’m giving CNN what I want to give them, and I don’t think they’re getting value from me.”
That is one of the most honest answers to a difficult question that I’ve heard in a long time.
Michael Lopp:
Wait for time to pass and see if the bumping sound returns. Reread what you’ve written so far and find if it inspires you. Yes? Write as much as you can. No? Stop writing and wait for more bumping.
Repeat until it starts to feel done in your head. If it’s handwritten, type it into a computing device. When you are close to done, print it out on paper. Sit somewhere else with your favorite pen and edit your work harshly.
His title is “How to Write a Blog Post”, but I’d call it “How to Write”, full stop. When I’m serious about a piece, it always goes to paper at least once. I spent more time on my iPhone X review than anything I’ve written in years, and it went to paper twice. (Here’s a scan of my second printed draft, with handwritten revisions.) My thing is that I don’t use my favorite pen — which, of course, has black ink — but instead a pen with red ink. Editing is an angry, bloody act and therefore must be done in red.
There’s nothing magic about printing on paper and editing with a pen. To me it’s all about changing context, putting my brain in an at least slightly different mode. That’s why I love Lopp’s imperative to “Sit in a different place” — you need to see your own words in a different light.
Keris Lahiff, writing for CNBC:
Fiercer competition and an inflated belief in its own products are among some of the challenges facing the world’s largest company, according to BK Asset Management’s Boris Schlossberg.
“I do think they’re in trouble. I think they’re making a huge mistake,” Schlossberg, managing director of FX strategy, told CNBC’s “Trading Nation” on Tuesday. “They’re basically betting on the fact that high expensive products can be sold at this point and it’s clearly becoming evident that everybody has caught up to them in the marketplace.”
Schlossberg’s concerns over Apple pricing resurfaced ahead of the launch of its Siri-connected artificial-intelligence home device, the HomePod. With a $349 price tag, its latest product is far more expensive than its major competitors, including Amazon’s Alexa-equipped Echo or Google’s Home Mini.
“Nobody is going to buy it at the price that they’re putting it out right now because the functionality of those products is just nowhere near as great as it needs to be relative to the price difference,” said Schlossberg.
Noted for future claim chowder.
HomePod is one of the most interesting new Apple products in years, insofar as I really don’t know how it’s going to sell. If most people see it as a direct competitor to Amazon Echos and Google Home dinguses, HomePod might be in trouble, because it’s a lot more expensive and has fewer features. But Apple has been positioning it as, first and foremost, a high-quality music player. The Siri-as-personal-assistant/smart-home-controller is secondary to audio quality. If there’s a market for that, HomePod could clean up. $350 is a low price in the audio world.
Lucas Shaw, reporting for Bloomberg:
In recent months, YouTube has given a handful of musicians a couple hundred thousand dollars to produce videos and promoted their work on billboards, part of a larger campaign to improve the site’s relationship with the music industry.
Yet such support comes with a catch, with some musicians required to promise the won’t say negative things about YouTube, said the people, who asked not to be identified discussing private business transactions. Non-disparagement agreements are common in business, but YouTube’s biggest direct competitors in music don’t require them, the people said.
YouTube’s non-disparagement agreements go beyond a requirement not to criticize the video site, one of the people said, without going into detail. YouTube requires many partners to agree to such conditions, including creators who make original series for its paid service, the person said.
These agreements are common in business-to-business deals, but when dealing with artists they seem one-sided. This makes YouTube seem like they lack confidence in their own service. If criticism from musicians is apt, it’s wrong to suppress it. And if it’s not apt, why worry about it?
Felix Salmon, writing for Cause and Effect:
Oxfam has also changed the main frame of the report: rather than concentrating on the total amount of wealth being held by the rich and the poor, they’re looking at the increase in the total amount of wealth held by the rich. I’ve always been OK with adding up the wealth of the rich, and looking at an annual increase is a great way of demonstrating just how enormous the returns to capital were in 2017. Of course, if stocks had gone down instead of up, those returns would have been negative, and Oxfam would have concentrated on something else. But at the end of this crazy bull market, it’s always worth remembering just how enormous the big winners’ gains have been.
Specifically, the world’s billionaires — the richest 2,000 people on the planet — saw their wealth increase by a staggering $762 billion in just one year. That’s an average of $381 million apiece. If those billionaires had simply been content with staying at their 2016 wealth, and had given their one-year gains to the world’s poorest people instead, then extreme poverty would have been eradicated. Hell, they could have eradicated extreme poverty, at least in theory, by giving up just one seventh of their annual gains.
Apple often only issues fixes for the latest release of its operating systems, but with today’s update they’ve gone back and released kernel fixes for MacOS 10.12 Sierra and OS X 10.11 El Capitan. Kudos to Apple for doing this. (There are Safari fixes going back to El Capitan, too.)
Update: Note from a friend:
Mac security fixes are virtually always backported to the two major releases prior to the current one. The only exception I’m aware of is broadpwn, which was patched for Sierra but not for 10.11 or 10.10. I’m glad they do this in general, but given the severity I think they were absolutely obliged to backport Meltdown fixes. The delay was unnerving.
The next time my wife suggests that I have a problematic Field Notes obsession, I’m going to point her to this.
Fantastic.
Jacqueline Thomsen, reporting for The Hill:
A Michigan man was arrested after allegedly threatening to shoot and kill CNN employees, WGCL-TV reported Monday.
The FBI launched an investigation after the man, who is unnamed in the CBS report, reportedly called CNN 22 times about a week ago.
“Fake news. I’m coming to gun you all down,” the man told a CNN operator, according to court documents obtained by WGCL-TV.
The things our leaders say and do, good and bad, inspire others to act accordingly. Their examples should encourage unity and respect for our vital institutions, not enmity and threats of violence.
The rhetoric of leaders matters.
Looks a lot like a miniature Whole Foods, which I suppose isn’t surprising.
Apple:
HomePod, the innovative wireless speaker from Apple, arrives in stores beginning Friday, February 9 and is available to order online this Friday, January 26 in the US, UK and Australia. HomePod will arrive in France and Germany this spring.
I’m looking forward to trying it, but this seems like an odd product rollout. The only time anyone outside Apple has seen HomePod so far was at WWDC, and that was so early that no one was allowed to give it voice commands or even touch it. Perhaps there will be some advance reviews that drop before February 9, but it doesn’t seem like there are going to be any before pre-orders start this week. That’s not unusual in and of itself: Apple’s usual schedule is for advance reviews to drop the week after they begin taking pre-orders for a product. But the full functionality of most new Apple products is demonstrated on stage or in small press briefings prior to that. HomePod’s functionality is still a bit of a mystery. From Apple’s announcement today:
Through SiriKit, HomePod supports third-party messaging apps, so users can ask Siri to send a message to a friend or colleague using apps like WhatsApp. Reminders, note-taking and to-do list apps like Things and Evernote will automatically work with HomePod, so Siri can set reminders, create a new list, mark items as complete, or create and modify notes. For developers interested in adding SiriKit support, more information is available at developer.apple.com/sirikit.
How does this handle multiple people in the same home? That seems like a big question to remain unanswered before folks start plunking down $349. This feels like if Apple had started selling the iPod back in 2001 without ever having explained how the click wheel worked or how you synced music to it from iTunes, and instead just said “Trust us, it’s great.”
Also: AirPlay 2 has been postponed until “later this year” — and AirPlay 2 is required for using two HomePods in stereo or multi-room audio. Both of those features were promised all the way back in June when HomePod was announced.
Brad Ellis:
When the iPhone X launched, a lot of designers were put off about the screen shape. Those complaints have mostly died down, but I haven’t seen much design-nerd talk about cool corner treatment details. Fortunately, deep nerd shit is my specialty.
Russell Brandom, writing for The Verge, speculating about the possibility that U.S. law enforcement agencies could force Amazon and Google to help them identify people through archived voice data the companies retain:
The most ominous sign is how much data personal assistants are still retaining. There’s no technical reason to store audio of every request by default, particularly if it poses a privacy risk. If Google and Amazon wanted to decrease the threat, they could stop logging requests under specific users, tying them instead to an anonymous identifier as Siri does. Failing that, they could retain text instead of audio, or even process the speech-to-text conversion on the device itself.
But the Echo and the Home weren’t made with the NSA in mind. Google and Amazon were trying to build useful assistants, and they likely didn’t consider that it could also be a tool of surveillance. Even more, they didn’t consider that a person’s voice might be something they would have to protect.
This is an interesting piece, but I think Brandom makes a mistake by making this sound binary. Were Alexa and Google Home designed with the NSA in mind, yes or no? Did they consider these products could be tools of surveillance, yes or no? That’s the wrong way to think about it. Of course people at Amazon and Google thought about these things. I would wager heavily that they care about privacy in this regard, too.
The issue isn’t about whether they care. It’s about how much they care, relative to other factors like the potential for saved audio data to improve the product. It’s not that Apple cares about privacy and that Amazon and Google don’t; it’s that Apple cares more than they do. It’s a trade-off.
Crossing Broad — a terrific Philly sports site — already has an assortment of clever t-shirts for the Eagles’ upcoming Super Bowl matchup against the goddamned Patriots. Their two plays on “LII” are enough to make me overlook my disdain for Roman numerals. Look, it’s well-known that I’m a lifetime fan of the Dallas Cowboys (a downtrodden franchise that has only won two playoff games since Bill Clinton’s first term in office), but you have to root for someone, and I love this city and hate the Patriots, so I sure as shit will be rooting for the Eagles.
I don’t care what happens though, I’m not singing that insipid song.
Also worth noting: it was, in fact, impossible to cross the well-Crisco’d Broad Street after last night’s game.
My thanks to Aaptiv for once again sponsoring this week’s DF RSS feed. Aaptiv is a gorgeous audio fitness app. It provides you with highly effective audio-based workouts by certified trainers paired with amazing music. You need two things in your ears when you work out — instructions and music. Aaptiv gives you both, in one app.
If your New Year’s resolutions include getting in better shape, you should check out Aaptiv. They’ve got a New Year’s sale right now, and you can start with a free trial.
Tim Stevens, writing for CNet:
Instead of a one-time, $300 fee, starting on 2019 models BMW will charge $80 annually for the privilege of accessing Apple’s otherwise totally free CarPlay service. You do get the first year free, much like your friendly neighborhood dealer of another sort, but after that it’s pay up or have your Lightning cable metaphorically snipped.
On the surface this is pretty offensive, and it seemed like something must be driving this. The official word from BMW is that this is a change that will save many (perhaps most) BMW owners money. Indeed, the vehicle segments where BMW plays are notorious for short-term leases, and those owning the car for only a few years will save money over that one-time $300. But still, the notion of paying annually for something that’s free rubbed me the wrong way. And, based on the feedback we saw from the article, it rubbed a lot of you the wrong way, too.
It’s patently offensive. If BMW goes through with this, you can never truly own one of their cars. $80/year isn’t much compared to the price of the car, but on general principle this is way out there in Fuck You territory.
We bought an Acura back in 2006, paid it off within a few years, and haven’t sent a single penny to the Honda Motor Company since. Not one penny. And the car is still running great — with every single function working just as well as it did the day we drove it off the lot. The fact that everything still works well speaks to Honda’s reliability. The fact that we haven’t had to send them a money is because, you know, we own the goddamn thing.
Stevens:
In speaking with multiple sources at various manufacturers who offer cars with Apple CarPlay and/or Android Auto, I was quickly able to confirm that such fees, at least right now, do not exist. CarPlay and Android Auto, which are free for we consumers to use, are also provided for free for manufacturers to embed into their cars.
CarPlay isn’t entirely free, however. As Markdown inventor and Apple guru John Gruber pointed out on Twitter, car manufacturers who wish to officially support Apple products must pay a licensing fee to enter Apple’s Made for iPhone (MFi) program, just like any other licensed accessory maker. As Gruber was able to confirm, however (and I was able to verify), this is a one-time fee. And, while I could not get anyone to disclose the exact fees entailed, it’s quite clear that there’s no additional fee for CarPlay on top of the base MFi license.
Update, 23 January 2018: I’ve now received the following clarification from Apple:
There is no fee for OEMs for either MFi or CarPlay integration. There never has been, and to my knowledge there are no plans for this to change.
There are no royalty costs or ongoing costs. The only costs to automakers are those necessary to create the hardware (this includes an authentication chip).
No fees, no royalties, no ongoing costs. Apple’s goal is to get more cars on the road that are CarPlay-enabled, not to make money from CarPlay-enabled cars.
Horace Dediu:
As individuals we think that having lots of cash makes us rich. For companies it’s the opposite. Cash is a liability. If you come across a company that is cash rich and has nothing else, its enterprise value will be zero. Companies are valued on their future cash flows, meaning their ability to generate cash, not how much they managed to keep. In other words, cash is a measure of past success and investors are interested only in future value. That future value comes from the intelligent allocation of resources toward a valuable goal. A company rich in cash but poor in vision is likely to be taken private or broken up and shut down. Cash is an IOU to shareholders with a thank-you note for the support through the years.
Such a fabulously clear and concise overview of Apple’s financials.
Stephen Pulvirent, writing for Hodinkee:
Working with Tony Fadell (who you might know as the designer of the iPod, the founder of Nest, and a noted Talking Watches guest), Ressence has gone a few steps further than anyone else thinking in this direction. The idea is that you initially set the Type 2 e-Crown Concept using the mechanical mechanism on the watch’s rear, and then you never need to touch that again (unless you want to, of course — this is a mechanical watch and that system will always work). After that, you can use a paired down iPhone app to adjust to one of two timezones and you can have the watch automatically reset to the correct time after its power reserve winds down. The details have all been thought through as well, with the intermediary mechanism powering itself both kinetically and through 10 tiny photovoltaic cells hidden behind the dial. If you don’t wear the watch and the battery runs below 50%, 10 little shutters open up to reveal the cells and gather light for energy (you can also open these manually via the app). The watch even automatically adjusts for Daylight Savings time, so no worries there either.
It’s a mechanical watch with a super-low-power electronic system to keep the watch time in sync and communicate with a phone app. I’m generally reluctant to link to “concept designs”, but I suspect this one will ship, and Fadell’s involvement certainly increases my interest.
Here’s Ressence’s own description of their e-Crown system. Ressence, if you’re not a watch nerd, is a fascinating company making truly innovative watches. But they’re rather pricy — the gorgeous Type 3 carries a suggested retail price of CHF 33,500 (about $35,000 USD).
Jason Kottke:
Hopefully this, uh, “redesign” is temporary and a full overhaul is in the works. That menu is a really dangerous bit of interface design and adding an “oopsie, we didn’t mean it button” doesn’t help. The employee made a mistake but it’s not his fault and he shouldn’t be fired for it. The interface is the problem and whoever caused that to happen — the designer, the software vendor, the heads of the agency, the lawmakers who haven’t made sufficient funds available for a proper design process to occur — should face the consequences. More importantly, the necessary changes should be made to fix the problem in a way that’s holistic, resilient, long-lasting, and helps operators make good decisions rather than encouraging mistakes.
What a stupid, silly idea. I love it.
Tim Carmody, writing at Kottke.org:
The Awl should have been the model for a new generation of sites that all outlived it. It wasn’t. We would mourn it less if there were more new blogs, staffed by hands young and old, rising to succeed it, jockeying to become required reading. Right now, there aren’t.
But who knows? There is still plenty of time.
Open Letters was a site that ran in the latter half of 2000. Contributions were from anyone. There were small, collaborative projects like Open Letters all over the web back then. It was good.
Dean Allen’s letter was great:
Dear Dad,
So Mom got married yesterday. It was in a park, amid some lurid autumn trees. The ceremony was performed with the river and the mountains in the background, and the whole affair was small, and nice, and stress-free. Unforced.
For the week leading up to it I was in a lousy mood. I was having trouble being any good at anything, and it all seemed glum. I couldn’t be bothered to prepare for the wedding (usually, if an event is coming up, with family or people I haven’t seen in a while, I try to gather up some material beforehand: bits of biography for the what’ve-you-been-up-tos, jokes, etc., but at Mom’s wedding I might as well have walked in, in a rented tuxedo, by mistake). Waking up yesterday I did something that happens now and again when things just aren’t going well: I opened my eyes and said, “Not this again.”
We just don’t have things like this anymore.
Lovely remembrance from Jason Kottke:
Weirdly, or maybe not, my two biggest memories of Dean involve food. One of my favorite little pieces of writing by him (or anyone else for that matter), is How to Cook Soup.
One of my favorites from Dean as well.
Jack Morse, reporting for Mashable:
The tech giant runs shuttle buses full of employees from San Francisco to its headquarters in Cupertino every day, and, according to a source inside the company, someone is attacking those buses — and breaking windows.
On an internal Apple email thread viewed by Mashable, one Apple employee speculated that the culprit may be firing “rubber rounds” at the buses. At least one of the buses only had the outer pane of its double-paned windows broken.
In response, late Tuesday night, Apple emailed employees to alert them that an untold number of shuttles would be rerouted, adding 30 to 45 minutes to riders’ commute. Mashable obtained the email and has verified its authenticity.
Christ, what an asshole the guy doing this is. Looks like he’s hit Google buses, too.
Apple:
Apple expects to invest over $30 billion in capital expenditures in the US over the next five years and create over 20,000 new jobs through hiring at existing campuses and opening a new one. Apple already employs 84,000 people in all 50 states.
The company plans to establish an Apple campus in a new location, which will initially house technical support for customers. The location of this new facility will be announced later in the year.
Intriguing. This also seems to serve as Apple’s announcement that they plan to repatriate — and pay US taxes on — their overseas cash.
These shots are amazing — but I have to ask: why an iPhone 7?
It’s time for Farhad Manjoo to write a less eye-roll-inducing column:
Imagine if, once a week, your phone gave you a report on how you spent your time, similar to how your activity tracker tells you how sedentary you were last week. It could also needle you: “Farhad, you spent half your week scrolling through Twitter. Do you really feel proud of that?” It could offer to help: “If I notice you spending too much time on Snapchat next week, would you like me to remind you?”
This sounds annoying as hell. Being aware of how much time you’re spending in which apps is an interesting idea, but you can already get a good sense of that in the Settings → Battery panel.
Another idea is to let you impose more fine-grained controls over notifications. Today, when you let an app send you mobile alerts, it’s usually an all-or-nothing proposition — you say yes to letting it buzz you, and suddenly it’s buzzing you all the time.
Mr. Harris suggested that Apple could require apps to assign a kind of priority level to their notifications. “Let’s say you had three notification levels — heavy users, regular users and lite, or Zen,” Mr. Harris said.
Apple could set rules for what kind of notifications were allowed in each bucket — for instance, the medium bucket might allow notifications generated by other people (like a direct message in Instagram) but not those from the app itself (Instagram just sending you an alert to remind you that your high school friend’s mom’s brother posted a new picture recently).
I’m all in favor of controls to reduce notifications. But excessive notifications don’t make me feel addicted to my phone — they make me annoyed.
This whole narrative that our phones are “too addictive” is nonsense. When I was a teenager my friends and I spent hours each week on the phone. Regular dumb old landline phones. There was no problem with landline phones being “addictive”. We simply craved social interaction and an alleviation of boredom. We use our “phones” today for the same reasons. They are more of a solution — again, to our collective desire for social interaction and alleviation of boredom — than a problem.
Erik Wemple:
All those media-trust studies have a tendency toward the rote. Yes, we already knew that the public had little trust in the country’s journalistic organs. Yes, we knew that finding credible sources could be a harrowing pursuit for the public. Yes, we knew that an increasing portion of the U.S. public felt that the news was biased.
Yet this nugget from a new Gallup-Knight Foundation survey just about knocked the Erik Wemple Blog out of a decade-long media-research torpor:
Four in 10 [or 42 percent of] Republicans consider accurate news stories that cast a politician or political group in a negative light to always be “fake news.” [The corresponding figure for Democrats is 17 percent.]
17 percent for Democrats is a depressing enough figure. 42 is absurd.
Alex Roy, writing for The Drive:
The Model 3 is a triumph of industrial design. Forget the naysayers. Ask anyone who isn’t a car person, or especially women — a group too often excluded from the conversation, despite its size and disproportionate purchasing power, by an industry yet to have its Weinstein moment — for real perspective. Starting with a clean sheet, Tesla has out-Volvo’ed Volvo, delivering the purest interpretation of Scandinavian design in automotive history. I felt liberated from the tyranny of traditional car dashboards full of knobs and buttons.
I’m not saying I’m opposed to analog controls and traditional dashboards. Quite the opposite. What I am opposed to is overly complicated design in either direction. The best iteration is always the simplest, and traditional car manufacturers have largely blown it in their respective efforts to integrate digital with analog.
He does have one major UI design gripe: the entire interface — visual, audio, and interaction — of the Autopilot system. But this is a glowing review overall.
Longtime readers may remember Roy’s previous mention on Daring Fireball, regarding his attempt to set the record for the Cannonball Run 10 years ago.
Amy Wang, reporting for The Washington Post:
Around 8:05 a.m., the Hawaii emergency employee initiated the internal test, according to a timeline released by the state. From a drop-down menu on a computer program, he saw two options: “Test missile alert” and “Missile alert.” He was supposed to choose the former; as much of the world now knows, he chose the latter, an initiation of a real-life missile alert. [...]
Around 8:07 a.m., an errant alert went out to scores of Hawaii residents and tourists on their cellphones: “BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL.” A more detailed message scrolled across television screens in Hawaii, suggesting, “If you are indoors, stay indoors. If you are outdoors, seek immediate shelter in a building. Remain indoors well away from windows. If you are driving, pull safely to the side of the road and seek shelter in a building or lay on the floor.”
This is just terrible, terrible user interface design.
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At this point Uber should best be described not as a business or startup, but as a racket, a criminal enterprise.
Horace Dediu, on the latest figures from Apple on App Store revenue:
A few observations:
Developer payment rate is now above $25 billion/yr. I’ve been notified via Twitter that this is higher than the revenue of McDonald’s Corporation in 2016.
During this year iOS users will be spending about $100 million per day for Apps. This was Google’s AdWords revenue rate in 2012.
The spending on App Store has been rising steadily, adding about $5 billion/yr since mid 2011.
Apps are the biggest component of Apple services and helped that segment gross over $57 billion in 2017, passing Fortune 100 level (net of developer payments).
See also: Apple’s cash illustrated — an informative graph.
Perhaps unsurprisingly for a review for CNN, the video seems like the “real” review, and the written article seems like an afterthought extracted from the video review. He makes three main points:
The car drives and performs well, about how you’d expect given Tesla’s reputation.
It’s expensive for what you get compared to other cars in this price range — but this point seems hard to quantify, because none of those other cars have Tesla’s excellent electric drive train.
Having almost all of the controls, including things like controlling the air vents, go through the touchscreen is not a good design. He writes:
To do almost anything, from adjusting the mirrors to tweaking the car’s speed while driving in Autopilot, I had to use the screen. There are two unmarked knobs on the steering that are involved in various functions but, before you can use the knobs, you have to poke around on the big screen first. It’s annoying and most people will hate it. More importantly, it’s terribly distracting.
I feel like #3 is by far the most interesting point, but Valdes-Dapena seems ill-equipped to make it. He just says it’s very annoying, rather than explaining or illustrating why it’s annoying. Perhaps because he’s used to writing about cars, not about user interfaces?
I’ve long been frustrated by the fact that car reviews seldom devote attention or expertise to the design of the controls of the car. They matter a lot to me (shocker, I know), but I think they matter a lot to everyone, whether they think about control design consciously or not. The Model 3’s touchscreen centric design is so radical, it deserves a thorough review of its own.
Laura Hazard Owen, writing for the Nieman Journalism Lab:
Facebook is making big, immediate changes to News Feed. The company will now prioritize content from friends, family, and groups over “public content like posts from businesses, brands, and media,” CEO Mark Zuckerberg wrote in a post Thursday night. News publishers that have relied on Facebook for traffic will suffer: “Some news helps start conversations on important issues,” Zuckerberg wrote. “But too often today, watching video, reading news or getting a page update is just a passive experience.”
Who knows what they’re actually changing, but I’ll take this opportunity to reiterate what I’ve believed all along: news publishers that have relied on Facebook for traffic are fools. The only audience you can count on is an audience you’ve built yourself and have a direct relationship with.
So many publishers think they have audiences, when what they really have is traffic.
I think we’re about to find out who has an audience.
Ben Bajarin, writing from CES 2018:
We would go to CES and remark at how Apple’s dominance loomed over the show. Vendors of all shapes and sizes were rushing to be a part of the Apple ecosystem. Apple’s ecosystem was front and center with everything from iOS apps, to accessories galore for iPhone and iPad, and even companies looking to copy Apple in many ways. The last year or so, things have dramatically changed, and that change is further evident at this year’s CES.
Gone are the days of Apple’s presence, or observably “winning” of CES, even though they are not present. It was impossible to walk the show floor and not see a vast array of interesting innovations which touched the Apple ecosystem in some way. Now it is almost impossible to walk the floor and see any products that touch the Apple ecosystem in any way except for an app on the iOS App Store. The Apple ecosystem is no longer the star of CES but instead things like Amazon’s Alexa voice platform, and now Google’s assistant voice platform is the clear ecosystem winners of CES.
While many Apple defenders want to dismiss the momentum we are observing with the Amazon ecosystem on display here at CES, while Amazon is similarly not present just like Apple, I believe it is a mistake to do so.
It is easy to say that because Apple was never present at CES that the show didn’t mean something to them or their ecosystem. It is easy, and correct to say that CES was not, or never was, a measure of the health of Apple’s products. It is, however, incorrect and dangerous to miss that CES had been, for some time, a barometer for the health of Apple’s ecosystem.
It may or may not mean anything for Apple, but I do think this is an interesting and undeniable observation.
I thought that Confide rang a bell. I hadn’t tried it personally until yesterday, but now I remember where I’d heard of it: in the early days of the Trump White House, there were reports like this one from Axios that leaking staff members were using it to communicate privately.
Adam Rogers, writing for Wired on indie menswear maker Outlier (a former DF sponsor):
Pants tough enough to deal with anything became Outlier’s signature play — trousers “for the end of the world,” as the folks at GQ put it. “We were trying to solve a specific cycling problem,” Burmeister says. “How to not look like a cyclist but still perform.”
They started going to textile conferences — Outdoor Retailer, then in Utah, was a big one. They wanted to find out where big companies, which they assumed used all the best stuff, got their supplies. But it turned out that the big companies of the world actually used the best cheapest materials.
As for the actual best, well, “we found that there was all this stuff nobody was touching. We were stunned. Like, nobody is using this? Nobody is using this?” Burmeister says. Military fabrics, equestrian fabrics, industrial fabrics — they were all for sale, or had been. They found, for example, a doubleweave with Cordura-grade nylon on one side and a softer nylon/polyester blend on the other. It seemed like it would make really great pair of jeans.
Outlier’s clothes aren’t cheap, but once you wear them, you realize how cheaply made most other clothes are. (Via Greg Koenig.)
Andrew Martonik, writing for Android Central two weeks ago:
It all starts with just general app instability. Apps crash — a lot. More than I’ve experienced on any other phone. They freeze, stutter, lock up and force close. Sometimes you tap an app to open it, and nothing happens for multiple seconds. When an app calls up another one through a share action, it takes the same egregious delay. Sometimes apps open and switch just fine, but then randomly slow down to a crawl with inordinately long splash screens or loading animations. And it isn’t tied to just one app, it’s all apps.
The app issues seem to come as a result of general system instability that I haven’t seen in a high-end phone in years. Touch response is very slow, making everything simply feel sluggish as you tap and scroll around every day. The phone will often struggle to open or close the camera and can fail to save photos if you close the camera too quickly. I’ve had the entire phone go unresponsive for several minutes and require a force reboot (hold the power button for ~15 seconds) multiple times. [...]
The camera app is slow and unstable and lacks basic features like viewfinder grid lines or any sort of customization or “pro” mode. HDR mode doesn’t really seem to do anything but take photos slower, and toggling it on still inexplicably turns the flash to “auto” mode. The slow performance directly contributes to missing shots, and the fundamentals of a small sensor with no OIS mean you get grainy and blurry low-light shots regularly. The Essential Phone’s camera is still so far from the competition.
In short, the Essential phone is a disaster.
(Yet oddly it has the same score from The Verge — 8/10 — as the iPhone 8.)
Thought-provoking graphic essay by Mike Dawson and Chris Hayes.
This one is relatively low stakes:
But, still, this is embarrassing given what we just went through with the very serious root-access-with-no-password bug. As a wise man once said, “Fool me once, shame on… shame on you. Fool me… You can’t get fooled again.”
Lily Hay Newman, reporting for Wired:
These redirects can show up seemingly out of the blue when you’re in a mobile browser like Chrome, or even when you’re using a service like Facebook or Twitter and navigating to a page through one of their in-app browsers. Suddenly you go from loading a news article to wriggling away from an intrusive ad. What enables these ad redirects to haunt virtually any browser or app at any time, rather than just the sketchy backwaters in which they used to roam? Third-party ad servers that either don’t vet ad submissions properly for the JavaScript components that could cause redirects, or get duped by innocent-looking ads that hide their sketchy code. [...]
An ad hijacking your browser like that isn’t technically a hack, in the sense that it doesn’t exploit a software vulnerability. Instead, it relies on the attacker’s ability to submit and run ads that contain redirecting JavaScript. But though they aren’t a critical threat to web users yet, redirecting mobile ads could create a jumping off point for attackers. And since you encounter the redirects while browsing on even prominent, legitimate sites, there’s nowhere to hide. Sometimes the ads are even designed to block your “Back” button, or keep redirecting when you try to close them, making it difficult to escape without having to restart the browser.
“I do think it’s new that the ads are so pervasive and are on first-tier publishers,” says Anil Dash, CEO of the software engineering firm Fog Creek. “These things used to be relegated to garbage sites, now it’s happening on the New York Times.”
The fact that ad networks are delivering unvetted JavaScript in their payloads is unsurprising but horrifying. They’re confined to your browser’s sandbox, but JavaScript-based ads are effectively malware at this point: they violate your privacy; consume excessive CPU time, bandwidth, and battery life; and now literally hijack your browsing experience.
(And now with Meltdown and Spectre, we have the added worry that JavaScript might be malware that breaks through browsers’ sandbox protections.)
Malte Ubl, tech lead for the AMP Project at Google
Based on this web standard AMP navigations from Google Search can take advantage of privacy-preserving preloading and the performance of Google’s servers, while URLs remain as the publisher intended and the primary security context of the web, the origin, remains intact. We have built a prototype based on the Chrome Browser and an experimental version of Google Search to make sure it actually does deliver on both the desired UX and performance in real use cases. This step gives us confidence that we have a promising solution to this hard problem and that it will soon become the way that users will encounter AMP content on the web.
The next steps are moving towards fully implementing the new web standard in web browsers and in the Google AMP Cache. Our goal is that Web Packaging becomes available in as many browsers as possible (after all Web Packaging has exciting use cases beyond just AMP such as offline pages, ES6 module loading, and resource bundling). In particular, we intend to extend existing work on WebKit to include the implementation of Web Packaging and the Google Chrome team’s implementation is getting started.
We’re super excited about getting this work under way and we expect the changes to first reach users in the second half of 2018. Thanks for all of your feedback on the matter and we will keep you all updated on the progress right here in this blog!
A bunch of readers have forwarded this story to me, based on my previous criticism of AMP. This announcement isn’t bad news, and might be good news, but at this point it’s all conjecture, particularly for browsers other than Chrome. Even if it all works out, it only solves one problem: URLs. It doesn’t solve the deeper problem of content being hosted on Google’s servers, rather than publishers’ own servers. In addition to ceding independence, think about what this means for search engines other than Google. One of AMP’s foundational tenets is that Google Search is the one and only search engine.
And at a technical level AMP still sucks:
I’m on the record as being strongly opposed to AMP simply on the grounds of publication independence. I’d stand by that even if the implementation were great. But the implementation is not great — it’s terrible. Yes, AMP pages load fast, but you don’t need AMP for fast-loading web pages. If you are a publisher and your web pages don’t load fast, the sane solution is to fix your fucking website so that pages load fast, not to throw your hands up in the air and implement AMP.
But other than loading fast, AMP sucks. It implements its own scrolling behavior on iOS, which feels unnatural, and even worse, it breaks the decade-old system-wide iOS behavior of being able to tap the status bar to scroll to the top of any scrollable view. AMP also completely breaks Safari’s ability to search for text on a page (via the “Find on Page” action in the sharing sheet). Google has no respect for the platform. If I had my way, Mobile Safari would refuse to render AMP pages. It’s a deliberate effort by Google to break the open web.
Seven months later and still none of these things work properly for AMP pages displayed on Mobile Safari. And I forgot to mention back in May that Mobile Safari doesn’t automatically show/hide its browser chrome as you scroll, like it does for any normal web page. AMP pages are also incompatible with Safari Reader mode, making them harder to read for some people, and impossible to read for others.
Sharing canonical URLs rather than google.com/amp URLs is just one of many problems with AMP, and the “fix” proposed here requires updated versions of every web browser in the world to work.
Alan Blinder, reporting for The New York Times:
A panel of federal judges struck down North Carolina’s congressional map on Tuesday, declaring it unconstitutionally gerrymandered and demanding that the Republican-controlled General Assembly redraw district lines before this year’s midterm elections.
The ruling was the first time that a federal court had blocked a congressional map because the judges believed it to be a partisan gerrymander, and it deepened the political chaos that has enveloped North Carolina in recent years.
More good news on the voting front.
Timothy B. Lee, writing for Ars Technica:
“With the 2018 elections just around the corner, Russia will be back to interfere again,” said co-sponsor Sen. Kamala Harris (D-Calif.).
So a group of senators led by James Lankford (R-Okla.) wants to shore up the security of American voting systems ahead of the 2018 and 2020 elections. And the senators have focused on two major changes that have broad support from voting security experts.
The first objective is to get rid of paperless electronic voting machines. Computer scientists have been warning for more than a decade that these machines are vulnerable to hacking and can’t be meaningfully audited. States have begun moving away from paperless systems, but budget constraints have forced some to continue relying on insecure paperless equipment. The Secure Elections Act would give states grants specifically earmarked for replacing these systems with more secure systems that use voter-verified paper ballots.
I don’t know of a single voting or computer security expert who is in favor of paperless voting machines. The sooner we get rid of them, the better.
Update: Electronic voting machines in the U.S. are far less regulated and easier to rig than slot machines in Las Vegas.
David Gelles, reporting for The New York Times:
Now, two of the biggest investors on Wall Street have asked Apple to study the health effects of its products and to make it easier for parents to limit their children’s use of iPhones and iPads. [...]
Jana, an activist hedge fund, wrote its letter with Calstrs, the California State Teachers’ Retirement System, which manages the pensions of California’s public-school teachers. When such investors pressure companies to change their behavior, it is typically with the goal of lifting a sagging stock price. In this case, Jana and Calstrs said they were trying to raise awareness about an issue they cared deeply about, adding that if Apple was proactive about making changes, it could help the business.
This open letter is getting a lot of attention, but to me, the way to limit your kids’ access to devices is simply, well, to limit their access to devices. I’m sure iOS’s parental controls could be improved (and in a statement, Apple claims they have plans to do so), but more granular parental controls in iOS are no substitute for being a good, involved parent.
See also: the open letter from Jana and Calstrs.
Paul Mozur, reporting for The New York Times:
AT&T walked away from a deal to sell the Huawei smartphone, the Mate 10, to customers in the United States just before the partnership was set to be unveiled, said two people on Tuesday familiar with the plans, who spoke on the condition of anonymity because the discussions were not public. The Wall Street Journal reported earlier that AT&T had changed plans.
The reasons that led to AT&T’s shift were not entirely clear. But last month, a group of lawmakers wrote a letter to the Federal Communications Commission expressing misgivings about a potential deal between Huawei and an unnamed American telecommunications company to sell its consumer products in the United States. It cited longstanding concerns among some lawmakers about what they said are Huawei’s ties to the Chinese government.
The letter, which was reviewed by The New York Times, said Congress has “long been concerned about Chinese espionage in general, and Huawei’s role in that espionage in particular.”
This sounds bad, but without any specific accusations regarding what Huawei might actually be doing to collaborate with the Chinese government — let alone actual evidence — I’m not sure what to make of this.
Alex Hern, in a decidedly-pro-ad-industry report for The Guardian:
Internet advertising firms are losing hundreds of millions of dollars following the introduction of a new privacy feature from Apple that prevents users from being tracked around the web.
Advertising technology firm Criteo, one of the largest in the industry, says that the Intelligent Tracking Prevention (ITP) feature for Safari, which holds 15% of the global browser market, is likely to cut its 2018 revenue by more than a fifth compared to projections made before ITP was announced.
With annual revenue in 2016 topping $730m, the overall cost of the privacy feature on just one company is likely to be in the hundreds of millions of dollars.
If this is accurate, it goes to show the outsize influence Safari has. Criteo is claiming that a new feature in Safari, a browser with only 15 percent of global share, resulted in more than a 20 percent drop in their revenue. This, despite the fact that Intelligent Tracking Prevention — the feature in question — doesn’t block ads per se. It only prevents certain methods of privacy-invasive tracking. I fail to see how this is a bad thing.
Great explanation from Filip Pizlo on the Spectre and Meltdown-related changes that have shipped (and will ship) in WebKit. Includes a pretty good overview of how the Spectre exploit works.
Great piece by Andy Greenberg for Wired:
Yet when Intel responded to the trio’s warning — after a long week of silence — the company gave them a surprising response. Though Intel was indeed working on a fix, the Graz team wasn’t the first to tell the chip giant about the vulnerability. In fact, two other research teams had beaten them to it. Counting another, related technique that would come to be known as Spectre, Intel told the researchers they were actually the fourth to report the new class of attack, all within a period of just months.
“As far as I can tell it’s a crazy coincidence,” says Paul Kocher, a well-known security researcher and one of the two people who independently reported the distinct but related Spectre attack to chipmakers. “The two threads have no commonality,” he adds. “There’s no reason someone couldn’t have found this years ago instead of today.”
Natt Garun, reporting for The Verge from CES:
Last week, 90Fun announced an autonomous suitcase that uses Segway’s self-balancing technology and a remote control to follow you around, leaving your hands free. We took 90Fun’s Puppy 1 suitcase for a spin at CES, and it’s clear that the vision of hassle-free travel is still some ways away.
We were only able to play with a prototype of the Puppy 1, which means that the design is not yet final.
You’ve got to watch the video. It’s mind-boggling that this was deemed ready to demonstrate publicly. This is like a parody of bad CES demos.
From Harper’s Index for January:
Amount the US pharmaceutical industry spent in 2016 on ads for prescription drugs: $6,400,000,000
Number of countries in which direct-to-consumer pharmaceutical ads are legal: 2
Shannon Liao, reporting for The Verge:
The Federal Trade Commission said today that the electronic toymaker VTech Electronics has agreed to settle for a fine of $650,000, to be paid within the next seven days, after charges that it violated children’s privacy. The Hong Kong-based VTech is also the parent company of LeapFrog, a popular brand for educational entertainment for children.
The FTC alleges that VTech collected “personal information of hundreds of thousands of children” through its KidiConnect mobile app “without providing direct notice and obtaining their parent’s consent.” The personal information included children’s first and last names, email addresses, date of birth, and genders. VTech also allegedly stated in its privacy policy that such data would be encrypted, but did not actually encrypt any of it. [...]
The settlement dates back to the 2015 data breach that VTech suffered. By November 2015, about 2.25 million parents had registered and created accounts on VTech’s platform for almost 3 million children. At the same time, VTech was informed by media that a hacker had accessed its computer network and children’s personal information.
$650K is a slap on the wrist for a company with billions of dollars in annual revenue.
Pali Bhat, writing on the official Google blog:
Today, we’re excited to announce we’ll be bringing together all the different ways to pay with Google, including Android Pay and Google Wallet, into a single brand: Google Pay.
This makes sense. Or better said, I don’t think Android Pay ever made sense as a brand from Google’s perspective. “Google Pay” works as a brand anywhere, on any device.
It seems to me that Google is stepping away from promoting Android as a brand, period. Take a look at the web page for the Pixel 2 phones and search for “Android”. I see one match, and it’s a small print footnote.
Fascinating interview by Alexis Madrigal with aerial photographer Mark Holtzman:
Madrigal: So that’s the picture as you took it right out of the camera, or did you have to crop it?
Hotlzman: I always crop it a little. I had to rotate it a little. In the uncropped version, I had the whole stadium, plus some of the parking lot. Unlike film, the way you shoot digital is you shoot wider and crop it in. It’s hard. Things are happening really quick. It’s very fluid. I’m flying at 100 miles per hour. They are flying 200 miles an hour in the other [direction]. So, that’s 300 miles per hour. Things happen really quickly.
Just an incredible photograph.
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Panic co-founder Cabel Sasser:
Transmit iOS made about $35k in revenue in the last year, representing a minuscule fraction of our overall 2017 app revenue. That’s not enough to cover even a half-time developer working on the app. And the app needs full-time work — we’d love to be adding all of the new protocols we added in Transmit 5, as well as some dream features, but the low revenue would render that effort a guaranteed money-loser. Also, paid upgrades are still a matter of great debate and discomfort in the iOS universe, so the normally logical idea of a paid “Transmit 2 for iOS” would be unlikely to help. Finally, the new Files app in iOS 10 overlaps a lot of file-management functionality Transmit provides, and feels like a more natural place for that functionality. It all leads to one hecka murky situation.
Was the use case for this app too edge-casey or advanced? Did we overestimate the amount of file management people want to do on a portable device? Should we have focused more on document viewing capabilities? Maybe all of the above?
My optimistic take: we hope that as iOS matures, and more and more pro users begin to seriously consider the iPad as a legitimate part of their daily work routines, Transmit iOS can one day return and triumph like it does on the Mac.
The good news is that this does not affect Coda for iOS, which includes full-featured remote file management. But it’s an interesting contrast to Apple’s announcement today of record-breaking App Store revenue. iOS is a vastly bigger platform, but high-quality apps that you pay for to use for work still do better on the Mac. Sure makes me wonder just how much of App Store revenue is from games.
Jason Snell, writing at Macworld:
This new boot process means there’s also a new utility for Mac users to get to know: Startup Security Utility, which you can only access by booting into Recovery mode by holding down Command-R while starting up. Startup Security Utility gives the T2 guidance about just how strict it should be when judging whether it should boot your computer.
By default, security is set to Full, which means that only the current operating system or another OS version signed and trusted by Apple — meaning it hasn’t been tampered with in any way — can be booted by the computer. This version requires a network connection when you attempt to install any OS software updates, because it needs to verify with Apple that the updates are legitimate. You can also set the security level lower, to Medium (which allows older version of macOS to run regardless of Apple’s level of trust), or turn the feature off entirely, emulating the way all other Macs currently start up.
(This goes for Boot Camp, too — the T2 respects Microsoft’s signing authority for Windows 10 beginning with 2017’s Fall Creators Update, so Boot Camp users can reboot into Windows 10 while remaining fully secure.)
See also: Timothy Perfitt’s detailed look at how SecureBoot works.
Apple Newsroom:
App Store customers around the world made apps and games a bigger part of their holiday season in 2017 than ever before, culminating in $300 million in purchases made on New Year’s Day 2018. During the week starting on Christmas Eve, a record number of customers made purchases or downloaded apps from the App Store, spending over $890 million in that seven-day period.
“We are thrilled with the reaction to the new App Store and to see so many customers discovering and enjoying new apps and games,” said Phil Schiller, Apple’s senior vice president of Worldwide Marketing. “We want to thank all of the creative app developers who have made these great apps and helped to change people’s lives. In 2017 alone, iOS developers earned $26.5 billion — more than a 30 percent increase over 2016.”
At the end of the same item:
Since the App Store launched in July 2008, iOS developers have earned over $86 billion.
So over 30 percent of all App Store royalties paid to developers in history came in 2017 alone.
First episode: January 12.
First guest: Barack Obama.
Fuckin’-A.
Apple:
Update: Apple Watch is unaffected by both Meltdown and Spectre.
Security researchers have recently uncovered security issues known by two names, Meltdown and Spectre. These issues apply to all modern processors and affect nearly all computing devices and operating systems. All Mac systems and iOS devices are affected, but there are no known exploits impacting customers at this time. Since exploiting many of these issues requires a malicious app to be loaded on your Mac or iOS device, we recommend downloading software only from trusted sources such as the App Store. Apple has already released mitigations in iOS 11.2, macOS 10.13.2, and tvOS 11.2 to help defend against Meltdown. Apple Watch is not affected by either Meltdown or Spectre. In the coming days we plan to release mitigations in Safari to help defend against Spectre. We continue to develop and test further mitigations for these issues and will release them in upcoming updates of iOS, macOS, and tvOS.
From a Politico report by Eliana Johnson on the rupture of Donald Trump’s relationship with his former campaign chairman and his preferred pick for original chief of staff, Steve Bannon:
Since then, however, most of the fights that Bannon has engaged in have pitted him against the Trump White House. Though he has cast himself as the ultimate loyalist — an indispensable translator of the political sentiments of the Trump base — it became increasingly clear, in recent months, that he and the president had different interests and that Bannon would, when necessary, work to thwart the president, and vice versa.
Back at the helm of Breitbart News, for example, he endorsed Roy Moore in the Alabama Senate primary while the president backed appointed incumbent Sen. Luther Strange. He blamed the president’s decision on lobbying efforts by Kushner, whom he privately referred to as “Fredo,” the traitorous brother of The Godfather.
FUNNY CORRECTION: An earlier version of the story misidentified the fictional character name Bannon uses to refer to Jared Kushner as Frodo, a “Lord of the Rings” reference, rather than Fredo, a reference to “The Godfather.”
It’s hard to overstate the gaping chasm between Frodo — a noble, heroic figure — and Fredo Corleone. Describing Fredo merely as “traitorous” is euphemistic — Fredo was weak, ineffective, oblivious, and stupid, too.
On Tuesday, in an aside regarding Rick Tetzeli’s description of the original iPod click wheel as “clunky”, I wrote:
Also, a personal niggle: I don’t think there was anything “clunky” about the original iPod scroll wheel. In fact, I liked the original iPod’s mechanical scroll wheel, which physically spun, better than the capacitive touch scroll wheel that replaced it. From a Mac user’s perspective, the original iPod was an amazing device. If you want something from iPod history to cite as an example of questionable Apple design, I suggest either the 2007 “Fat” Nano or the 2009 iPod Shuffle that literally had no playback buttons at all.
I heard from a bunch of readers — including good friends — who objected to my disparagement of the Fat Nano. I didn’t mean to imply no one loved it, though. Only that it was widely criticized on aesthetic grounds, and wound up lasting for just one year. Someone must have liked it at Apple too, otherwise it wouldn’t have shipped. I even heard from at least one reader who liked the no-button Shuffle. The iPod line was so good, and so well-designed, that it’s hard to say any of them exhibited “bad design”.
Even the much-derided 1998 hockey puck mouse that debuted with the original iMac has fans (including my wife).
Tom Warren, writing for The Verge:
Whether you blame Google or the often slow moving World Wide Web Consortium (W3C), the results have been particularly evident throughout 2017. Google has been at the center of a lot of “works best with Chrome” messages we’re starting to see appear on the web. Google Meet, Allo, YouTube TV, Google Earth, and YouTube Studio Beta all block Windows 10’s default browser, Microsoft Edge, from accessing them and they all point users to download Chrome instead. Some also block Firefox with messages to download Chrome.
Good story, but I think it’s a little weird to tell the history of Chrome without mentioning WebKit until late in the story.
Michael Wolff, in an excerpt from his upcoming new book Fire and Fury, published by New York Magazine:
On the Saturday after the election, Trump received a small group of well-wishers in his triplex apartment in Trump Tower. Even his close friends were still shocked and bewildered, and there was a dazed quality to the gathering. But Trump himself was mostly looking at the clock. Rupert Murdoch, who had promised to pay a call on the president-elect, was running late. When some of the guests made a move to leave, an increasingly agitated Trump assured them that Rupert was on his way. “He’s one of the greats, the last of the greats,” Trump said. “You have to stay to see him.” Not grasping that he was now the most powerful man in the world, Trump was still trying mightily to curry favor with a media mogul who had long disdained him as a charlatan and fool.
From the same excerpt, what Murdoch thinks of Trump:
On December 14, a high-level delegation from Silicon Valley came to Trump Tower to meet him. Later that afternoon, according to a source privy to details of the conversation, Trump called Rupert Murdoch, who asked him how the meeting had gone.
“Oh, great, just great,” said Trump. “These guys really need my help. Obama was not very favorable to them, too much regulation. This is really an opportunity for me to help them.”
“Donald,” said Murdoch, “for eight years these guys had Obama in their pocket. They practically ran the administration. They don’t need your help.”
“Take this H-1B visa issue. They really need these H-1B visas.”
Murdoch suggested that taking a liberal approach to H-1B visas, which open America’s doors to select immigrants, might be hard to square with his promises to build a wall and close the borders. But Trump seemed unconcerned, assuring Murdoch, “We’ll figure it out.”
“What a fucking idiot,” said Murdoch, shrugging, as he got off the phone.
Regarding Trump’s mental health:
Jim Baker, chief of staff for both Ronald Reagan and George H.W. Bush and almost everybody’s model for managing the West Wing, advised Priebus not to take the job. Priebus had his own reservations: He had come out of his first long meeting with Trump thinking it had been a disconcertingly weird experience. Trump talked nonstop and constantly repeated himself.
“Here’s the deal,” a close Trump associate told Priebus. “In an hour meeting with him, you’re going to hear 54 minutes of stories, and they’re going to be the same stories over and over again. So you have to have one point to make, and you pepper it in whenever you can.”
A 71-year-old man who tells the same stories over and over: a narcissist in the early stages of dementia.
David Gewirtz, in a ZDNet piece headlined “Maybe It’s Time for Apple to Spin Off the Mac as a Separate Company”:
All that brings us back to the idea of spinning out the Macintosh business. I know, I know. There are lots of structural reasons why this might not be possible for Apple. The company has merged development groups, macOS and iOS are growing ever closer, yada, yada, yada. Let’s set all that aside and just brainstorm the idea for a few minutes.
Ask yourself a few questions. Would a stand-alone company on the verge of market dominance ever let its flagship top-end machine languish for five years? What about its most versatile (the Mac mini)? Would it let that machine languish, without even a processor bump, for three years? Apple went two years without updating the iMac, and that’s a top-seller.
The answer to these questions is “of course not.” Think about the Apple of the past, the one fully-focused on the Mac. Would it have allowed Microsoft to gain such innovation ground with the Surface Studio and Surface Book products? Would it have gone years without even processor-bumping its models?
The whole notion of spinning off the Mac into a separate company is so dumb it isn’t worth addressing. But the last paragraph quoted above is. I’ve seen this argument made multiple times recently — that Microsoft’s innovative and deservedly well-regarded Surface lineup was only enabled by Apple taking its collective eye off the ball in the PC space. I don’t buy that at all.
There are two Macs that have languished in recent years: the Mac Pro and Mac Mini. Microsoft’s Surface lineup doesn’t have an entry in either of those categories. The Surface lineup is composed of laptops and the iMac-esque Surface Studio.
Apple’s MacBook and iMac lineup lacks touchscreens not because Apple hasn’t paid attention to them but because Apple genuinely doesn’t think these machines should have touchscreens. Maybe Apple is wrong. Maybe Microsoft is onto the future of these form factors and Apple will have to play catch up. I don’t think so, but time will tell. But Apple has invested significant time and resources into the MacBook, MacBook Pro, iMac, and now iMac Pro as they are.
If Microsoft’s Surface lineup has taken advantage of complacency, it’s on the part of existing Windows PC makers, not Apple.
Matthew Yglesias, writing for Vox:
Trump skeptics probably shouldn’t waste their time sowing fear of nuclear conflict in Korea — Asian stock exchanges, including in Seoul, do not appear particularly alarmed about Trump’s social media antics — but his allies should take more seriously the notion that this is a terrible way to do the job of president of the United States. Even at its very best, cable news is not an ideal source of information about the world, and the Fox News shows that Trump prefers are not cable news at their very best.
Trump-era Fox has frequently been compared by its critics to a state broadcasting network in an authoritarian regime. But the Soviet Union’s top leaders were not relying on their own propaganda outlets for information about the world. For the president to govern effectively, actual problems need to be brought to his attention. But in the propaganda bubble that Trump prefers to inhabit, there is no endless darkness in Puerto Rico or falling life expectancy amid a growing opioid crisis.
This is uncharted territory. The propaganda isn’t being directed by the executive leadership, but rather, the leader is being manipulated by the propaganda. I would make the case that the most powerful person in the world isn’t Donald Trump, but Rupert Murdoch. Fox News controls what Trump thinks, and Murdoch controls Fox News.
If Fox News ever turns against Trump, he’ll be done.
David Heinemeier Hansson:
We don’t actually have anyone who lives in San Francisco, but now everyone is being paid as though they did. Whatever an employee pockets in the difference in cost of living between where they are and the sky-high prices in San Francisco is theirs to keep.
This is not how companies normally do their thing. I’ve been listening to Adam Smith’s 1776 classic The Wealth of Nations, and just passed through the chapter on how the market is set by masters trying to get away with paying the least possible, and workers trying to press for the maximum possible. An antagonistic struggle, surely.
It doesn’t need to be like that. Especially in software, which is a profitable business when run with restraint and sold to businesses.
Blair Kamin, writing for the Chicago Tribune:
Apple spokesman Nick Leahy on Friday said the building’s architects, London-based Foster + Partners, had designed the glass-walled store with winter in mind, but had been foiled by a technical malfunction.
“The roof has a warming system that’s built into it,” he said. “It needed some fine-tuning and it got re-programmed today. It’s hopefully a temporary problem.”
In addition, he said, the store was designed to drain water — not through conventional gutters, but through four internal support columns.
That makes a lot more sense than that Chicago winter weather wasn’t taken into consideration, but let’s see about that “hopefully”.
For months now, the famously secretive Cupertino, Calif.-based computer maker has refused to let architecture critics tour its spaceshiplike, ring-shaped new headquarters, also designed by Foster + Partners.
What, one wonders, does Apple have to hide?
Last week, Apple admitted to intentionally slowing down older iPhones without telling customers. This week, it apologized and cut $50 off its $79 price to install a new battery into old phones.
I have no idea what the battery/performance saga has to do with Apple’s secrecy regarding access to its new headquarters at Apple Park, but I do know this: this battery thing will be the gift that keeps on giving for years to come to lazy critics who want to make vague hand-wavy accusations that Apple’s culture of secrecy is based on the fact that the company has something unseemly to hide.
Rick Tetzeli has a good feature for Fortune on the state of Apple’s design, with a wide range of sources (including yours truly):
For many Apple critics, the story ends right here. Siri’s not great, the Touch Bar’s kind of a mess, the operating systems are pretty but somewhat confusing, and the reassuring Home button has been killed … the list goes on. Apple’s far from perfect. Point made.
But here’s the thing: Pick just about any time in Apple’s history, and you’ll find a similar set of worrying choices and seeming failures — even during those halcyon days of Steve Jobs’ triumphant second tenure at the company. 1998: that beautiful, bulbous, Bondi Blue iMac is actually an underpowered computer with an unreliable mouse and a CD slot that few consumers could use productively. 2000: The Power Mac G4 Cube, so gorgeous it becomes part of the collection of the Museum of Modern Art, doesn’t deliver the power and features heavy users demand. 2001: The first iPod is released, but it’s not really ready for primetime, since the scroll wheel is clunky and the device works only with Macs, which account for just 2.6% of worldwide PC sales. 2005: Apple’s in the phone business! With something called the Rokr, a kludgy music player/cell phone that the company developed with Motorola. 2007: The iPhone is introduced, with few applications and poor connectivity. 2011: The iPad is introduced, and, as my brother-in-law Mark told me at the time, “I can’t imagine anyone ever using this for anything interesting.” (He’s bought four since then.)
The problem with the Touch Bar, to my mind, is not that it’s a bad idea that Apple should abandon. It’s that the first version isn’t good enough. The Apple approach to dealing with the mixed (at best) reaction to the Touch Bar should be to go back to the drawing board and make it better. Keep what’s good and interesting about what it is now, and fix the issues people are complaining about.
(Also, a personal niggle: I don’t think there was anything “clunky” about the original iPod scroll wheel. In fact, I liked the original iPod’s mechanical scroll wheel, which physically spun, better than the capacitive touch scroll wheel that replaced it. From a Mac user’s perspective, the original iPod was an amazing device. If you want something from iPod history to cite as an example of questionable Apple design, I suggest either the 2007 “Fat” Nano or the 2009 iPod Shuffle that literally had no playback buttons at all.)
Sapna Maheshwari, reporting for The New York Times:
The apps use software from Alphonso, a start-up that collects TV-viewing data for advertisers. Using a smartphone’s microphone, Alphonso’s software can detail what people watch by identifying audio signals in TV ads and shows, sometimes even matching that information with the places people visit and the movies they see. The information can then be used to target ads more precisely and to try to analyze things like which ads prompted a person to go to a car dealership.
More than 250 games that use Alphonso software are available in the Google Play store; some are also available in Apple’s app store.
Some of the tracking is taking place through gaming apps that do not otherwise involve a smartphone’s microphone, including some apps that are geared toward children. The software can also detect sounds even when a phone is in a pocket if the apps are running in the background.
The Times provides the above link to the games in the Google Play store with this code, but no such link for affected games in the iOS App Store. Would be nice to see a list of the games on iOS. The good news is you have to approve microphone access for these games, on both platforms, but who knows how many people approve it without thinking about it? I don’t care what these apps disclose in the privacy policies — everyone knows nobody reads privacy policies. This is malware.
Gunes Acar, Steven Englehardt, and Arvind Narayanan:
First, a user fills out a login form on the page and asks the browser to save the login. The tracking script is not present on the login page [1]. Then, the user visits another page on the same website which includes the third-party tracking script. The tracking script inserts an invisible login form, which is automatically filled in by the browser’s login manager. The third-party script retrieves the user’s email address by reading the populated form and sends the email hashes to third-party servers.
You can test the attack yourself on our live demo page.
Once again I say: the web would be better off if browsers had never added support for scripting. Many of the ads you see on legitimate websites today are effectively malware.
As per holiday tradition at The Talk Show, a brief chat about Star Wars: The Last Jedi, with a cavalcade of special guests, including Guy English and John Siracusa.