By John Gruber
Mux — Video API
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The sitting president of the United States, on his blog:
Robert Mueller just died. Good, I’m glad he’s dead. He can no longer hurt innocent people! President DONALD J. TRUMP
As the elderly descend further into dementia, they lose their sense of propriety and simply speak their mind. (They also get confused and think they need to “sign” their text messages and social media posts.) Say what you want about Trump’s truthfulness generally, but here, he’s just being brutally honest. Let’s keep his “Good, I’m glad he’s dead” post bookmarked for when Trump himself finally keels over — after he chokes on a hamburger or whatever it’ll be that finally does him in — and the good people of the world rejoice and celebrate.
Stuart Breckenridge, examining a web page at PC Gamer:
Third, this is a whopping 37MB webpage on initial load. But that’s not the worst part. In the five minutes since I started writing this post the website has downloaded almost half a gigabyte of new ads.
This is so irresponsible and unprofessional it beggars belief. Web browsers ought to defend against this. Why not cap page loads by default at, I don’t know, 5 MB? And require explicit consent to download any additional content?
Greg Bensinger, reporting for Reuters:
The latest effort, known internally as “Transformer,” is being developed within its devices and services unit, according to four people familiar with the matter. The phone is seen as a potential mobile personalization device that can sync with home voice assistant Alexa and serve as a conduit to Amazon customers throughout the day, the people said. [...]
As envisioned, the new phone’s personalization features would make buying from Amazon.com, watching Prime Video, listening to Prime Music or ordering food from partners like Grubhub easier than ever, the people said. They asked for anonymity because they were not authorized to discuss internal matters.
The problem with this pitch is that it’s not hard at all to buy from Amazon.com, watch Prime Video, listen to Prime Music, or order food from Grubhub using the phones we already have. All of those things are ridiculously easy. I mean, I get it. On an Amazon phone, your Amazon ID would be your primary ID for the system. So those Amazon services would all just work right out of the box. But you can’t get people to switch from the thing they’re used to (and, in the case of phones, especially iPhones, already enjoy) unless you’re pitching them on solving problems. No one has a problem buying stuff or using Amazon services on the phone they already own.
A key focus of the Transformer project has been integrating artificial intelligence capabilities into the device, the people said. That could eliminate the need for traditional app stores, which require downloading and registering for applications before they can be used.
This is just nonsense. No matter how good Amazon’s AI integration might be, it isn’t going to replace the apps people already use. If you use WhatsApp, you need the WhatsApp app. If you want to watch video on Netflix, you need the Netflix app. If you surf Instagram and TikTok, you need those apps. If Amazon tries shipping a phone without any of those apps — let alone without all of them — this new “Transformer” phone will be a bigger laughingstock than the Fire phone was a decade ago. And we’re all still laughing at the dumb Fire phone. Which means they can’t eliminate “traditional app stores”.
People aren’t clamoring for the elimination of app stores. People like app stores. If Amazon, or anyone else, is going to introduce a new type of “AI-first” phone to disrupt the iPhone/Android duopoly, it has to offer something amazingly appealing. Nothing in Reuters’s description of Transformer fits that description. Also, it’s not like Amazon has market-leading AI. At the moment that feels like a three-way game between OpenAI, Anthropic, and Google.
Sean Hollister, The Verge (gift link):
After doing something similar in its Google Discover news feed, it’s starting to mess with headlines in the traditional “10 blue links,” too. We’ve found multiple examples where Google replaced headlines we wrote with ones we did not, sometimes changing their meaning in the process.
For example, Google reduced our headline “I used the ‘cheat on everything’ AI tool and it didn’t help me cheat on anything” to just five words: “‘Cheat on everything’ AI tool.” It almost sounds like we’re endorsing a product we do not recommend at all.
What we are seeing is a “small” and “narrow” experiment, one that’s not yet approved for a fuller launch, Google spokespeople Jennifer Kutz, Mallory De Leon, and Ned Adriance tell The Verge. They would not say how “small” that experiment actually is. Over the past few months, multiple Verge staffers have seen examples of headlines that we never wrote appear in Google Search results — headlines that do not follow our editorial style, and without any indication that Google replaced the words we chose. And Google says it’s tweaking how other websites show up in search, too, not just news.
This is way past “jumping the shark” territory. This is Jaws 3-D totally-lost-the-plot territory. Jesus H. Christ.
Regarding my earlier post expressing confusion/discomfort with Bluesky announcing a $100 million funding round almost an entire year after it closed, I had an interesting back-and-forth with Adam Vartanian on Bluesky (natch), where he wrote:
If you see press reports that says a company “has raised” some money but no date on when the round closed, it probably happened some time in the past. Bluesky is actually unusual in disclosing a date that’s so far in the past.
I kept thinking that I must be missing something in this story, and this feels like it must be exactly that something. If true, it’s not unusual these days for a company to announce a seeding round long after it actually closed. What’s unusual in this case with Bluesky is that when they finally did announce it, they revealed the long-ago date it closed, too. That it was, in fact, an act of transparency, at least in comparison to many other venture-backed companies today.
Bluesky:
In April 2025, Bluesky raised $100 million in Series B funding led by Bain Capital Crypto, with participation from Alumni Ventures, Anthos Capital, Bloomberg Beta, Knight Foundation and True Ventures. In the months since, we’ve focused on scaling our team to meet the rapid growth of both the AT Protocol (atproto) and Bluesky app. We’re excited to share more as we move into a new era of leadership and further growth.
This raise was led by Bluesky founder Jay Graber, who recently transitioned to Chief Innovation Officer to focus on building the future of open social infrastructure.
I didn’t post about Graber’s stepping aside as CEO earlier this month because I didn’t make much of it. I’ve been bullish on Bluesky since its inception, but I haven’t been thrilled by it of late. I don’t think it’s gotten any worse, but its growth has stalled, leaving it in the limbo between ghost town and boom town. For many products/services/businesses/publications, a sustained popularity that’s less than booming is fine. Niches can work, or thrive even. Daring Fireball is clearly a niche publication. But for social networks, two decades of evidence suggests that anything less than booming is a problem.
But what the hell are we to make of a $100 million funding round that wasn’t announced for 11 months? Is this commonplace, and I just somehow never before took note of a company keeping a large funding round secret for a year? Or is this as weird as I’m thinking it is? I always thought big funding rounds were things companies wanted to immediately promote, not hide. This roundup of links at Techmeme suggests I’m not alone.
Update, 2 hours later: The explanation I’ve now heard, from a source in a good position to have an informed take, is that it is unusual. But basically it’s a unique series of events, at a unique time (post–2024 election, when Bluesky experienced a nice surge), for a unique company. So: weird, yes. Cause for alarm, probably not.
Second update: Interesting thread with Adam Vartanian, on Bluesky (natch), where he states:
If you see press reports that says a company “has raised” some money but no date on when the round closed, it probably happened some time in the past. Bluesky is actually unusual in disclosing a date that’s so far in the past.
I kept thinking that I must be missing something, and this feels like it must be exactly that something. If true, it’s not unusual for a company to announce a seeding round long after it closed. What’s unusual in this case with Bluesky is that when they finally did announce it, they revealed the date it closed, too. That it was, in fact, an act of transparency, at least in comparison to many other venture-backed companies today.
Quiche Browser is a rather astonishing app from the one-man indie developer Greg de J./Quiche Industries. (What a killer domain name that is.) Quiche Browser is a very robust, exquisitely designed, stunningly handsome web browser exclusively for iPhone. Just iPhone — although an iPad version is currently in beta. I switched to it as my default iPhone web browser last summer, thinking I’d only stick with it for a day or two before going back to Safari, and I wound up sticking with it for a few weeks. I did go back to Safari, but it was a remarkably close call. So close that, today, I’m going to give it another try. (And I was so enamored during my month-long affair with Quiche that I gladly subscribed to Quiche Plus for $27/year to support such a remarkable app.)
Out of the box, every single aspect of Quiche Browser’s UI and feature set is designed with obvious thought and care. But it also supports a rich array of settings to tweak the design. You can customize the appearance style of the toolbar, the location of the toolbar, the buttons on the toolbar. Quiche brings to iOS something very much akin to AppKit’s Customize Toolbar from the Mac, but if anything, what Quiche implements is more customizable. The typography throughout the app is exquisite. It doesn’t support Safari extensions but it has its own built-in content blocker. And, of course, it has built-in support for Kagi, the world’s best search engine.
What got me thinking about Quiche Browser again today was this tweet on Mastodon from the developer:
One of the many reasons I made Quiche Browser was to get a per-website JavaScript kill switch in my toolbar.
But these days I’m even tempted to disable JavaScript everywhere and enable it only where needed.
A simple one-tap “JS” button you can toggle on any website. I missed this button when I was test-driving Quiche a few months ago. Every browser should have this button. It’s almost unbelievable how much it improves so many websites.
That “JS” button alone isn’t why you should check out Quiche. It’s the whole thing. It’s just so thoughtful. So utterly modern in its appearance and features, but old-school in its hyperfocus on serving you, the user, through craftsmanship.
Jeff Johnson, linking to my “Your Frustration Is the Product” piece:
My browser extension StopTheMadness Pro stops autoplaying videos and hides Sign in with Google on all sites. It also hides sticky videos and notification requests on many sites.
For more extreme measures, try my Safari extension StopTheScript. It kills JavaScript dead on websites you select. For example, from the blog post, it makes The Guardian readable.
These are both great extensions, and I have both installed for use in Safari on all my devices. StopTheScript is a bit peculiar, by nature of how it does what it does, but Johnson has a great illustrated tutorial for it and a good blog post explaining which sites he uses it on and why.
Over on the Chrome/Chromium side, there’s a very slick extension called Quick JavaScript Switcher. It’s free, but the developer (Maxime Le Breton) asks for a 5€ donation. QJS adds a simple JS on/off switch to the toolbar.
A lot of stuff doesn’t load when you just completely disable JavaScript for a site. You might be surprised just how much of that stuff is shit you don’t want or won’t miss.
Or, you can go the other way, give in, stop fighting the man, and install OnlyAds — an extension that hides everything on a website except the ads.
Javier C. Hernández, reporting for The New York Times:
He was responding to a question about why Japan and other allies had received no advance notice of the U.S.-Israeli assault on Iran.
“We didn’t tell anybody about it because we wanted surprise,” he said. “Who knows better about surprise than Japan, OK? Why didn’t you tell me about Pearl Harbor, OK? Right?”
There was some laughter from the officials and journalists gathered in the room. “You believe in surprise, I think, much more so than us,” he added.
As Trump sinks further into dementia and his presidency slides further into disarray, his administration, in a sick way, gets funnier and funnier.
Anne Applebaum, writing for The Atlantic (gift link):
Specifically, they remember that for 14 months, the American president has tariffed them, mocked their security concerns, and repeatedly insulted them. As long ago as January 2020, Trump told several European officials that “if Europe is under attack, we will never come to help you and to support you.” In February 2025, he told Ukrainian President Volodymyr Zelensky that he had no right to expect support either, because “you don’t have any cards.” Trump ridiculed Canada as the “51st state” and referred to both the present and previous Canadian prime ministers as “governor.” He claimed, incorrectly, that allied troops in Afghanistan “stayed a little back, a little off the front lines,” causing huge offense to the families of soldiers who died fighting after NATO invoked Article 5 of the organization’s treaty, on behalf of the United States, the only time it has done so. He called the British “our once-great ally,” after they refused to participate in the initial assault on Iran; when they discussed sending some aircraft carriers to the Persian Gulf conflict earlier this month, he ridiculed the idea on social media: “We don’t need people that join Wars after we’ve already won!”
Meanwhile, Irina Slav at Oilprice.com writes that oil — which was trading around $60 per barrel before the war — might soon be headed to $150–200 per barrel. $200! Energy Common Sense reports “This is now a multi-month, likely rest-of-year story of elevated prices and elevated risk.” Axios reports that most Americans will soon be paying over $4/gallon for gasoline, but I walked by Center City Philly’s lone gas station at lunch, and regular gas remains under $4 and premium under $5 — both with an entire one-tenth of one cent to spare.
Although President Donald Trump says he has “destroyed 100% of Iran’s Military Capability”, the 0% that remains is playing havoc with the global economy by choking off 10-15% of its oil supply.
This whole dumb fiasco might go down as the canonical example for the phrase “hoist with his own petard”. You just hate to see it.
Mark Simonson:
Just by coincidence, I discovered a copy of U&lc magazine in the graphics classroom. U&lc was published by ITC, the International Typeface Corporation, a typeface publisher, and the designer and editor was the legendary Herb Lubalin. I’d never seen such beautiful typography and design. It was a motherlode for an aspiring typophile like me. [...]
I decided right then that someday, somehow, I wanted to design typefaces.
Adamya Sharma, reporting for Android Authority:
When Google execs previously said sideloading would become a high-friction process on Android, they really weren’t kidding. The company is finally sharing what Android’s new sideloading flow will look like in practice, and if you’re someone who installs apps outside the Play Store, you’re going to feel it immediately, and you’re going to feel it deeply. [...]
When Android’s new sideloading rules come into force, installing apps from developers without Google verification (more on that later) will become extremely tedious by design and require a 24-hour lock before users can install them.
Here’s Google’s own explanation of the new restrictions. “Open always wins”, baby.
Would be interesting to hear Tim Sweeney’s thoughts on this, but he took a sack of cash in exchange for agreeing that whatever Google does with Android hence is “procompetitive” until 2032.
One of the most controversial opinions I’ve long espoused, and believe today more than ever, is that it was a terrible mistake for web browsers to support JavaScript. Not that they should have picked a different language, but that they supported scripting at all. That decision turned web pages — which were originally intended as documents — into embedded computer programs.
There would be no 49 MB web pages without scripting. There would be no surveillance tracking industrial complex. The text on a page is visible. The images and video embedded on a page are visible. You see them. JavaScript is invisible. That makes it seem OK to do things that are not OK at all.
In my piece riffing on Bose’s “The 49MB Web Page” yesterday, I reiterated my also-longstanding argument that publications with print editions do things with their websites that they’d never in a million years do with their print editions. The way The New York Times uses JavaScript to present popovers that obstruct reading the actual article text would be the equivalent of them gluing pages together in the print edition, using tape labeled with an advertisement. They wouldn’t do that. But they do the equivalent, using JavaScript, on every page of their website.
Special guest David Pogue discusses his excellent and amazingly comprehensive new book, Apple: The First 50 Years.
Sponsored by:
This support page is a fascinating footnote regarding the recent changes Apple has made to their U.S. key cap labels.
Who do you turn to when you’re Christie’s and you want to commission the finest rostrum the world has ever seen? Who else but Jony Ive and LoveFrom. I mean, I’d love to snark about this, but goddamnit, that’s a lovely piece of furniture.
David Heaney, writing for UploadVR:
Meta Horizon Worlds is dropping VR support in June, meaning it will only be available as a flatscreen experience for the web and smartphones.
By March 31, Meta says the Horizon Worlds app will be delisted from Quest’s store, and key first-party worlds such as Horizon Central, Events Arena, Kaiju, and Bobber Bay will no longer be accessible in VR. Then, from June 15, the Horizon Worlds app will be removed from Quest headsets, and all worlds will no longer be accessible in VR.
Yours truly, three months ago: “Meta Says Fuck That Metaverse Shit”.
Jake Conley, reporting for Yahoo Finance:
If the deal closes, Zaslav will receive $517.2 million in equity that would trigger if and when the sale goes through, along with roughly $34.2 million in cash and $44.2 million in benefits tied to the value of health coverage reimbursement. The Warner Bros. CEO will also get roughly $335.4 million in tax reimbursements. **
Just before the end of February, Warner Bros. agreed to a full acquisition by Paramount Skydance at $31 per share in a deal valued at about $110 billion.
The cash and equity are outrageous enough, but what in the everlasting fuck is “$44.2 million in benefits tied to the value of health coverage reimbursement”? They might as well pay Zaslav an extra $40 million for reticulating splines while they’re at it.
[Update: Variety reports that Zaslav is getting $44,195 in “continued health coverage reimbursement benefits”, which suggests that Conley at Yahoo incorrectly assumed a couple of extra zeroes on the health coverage number. Which would be a reasonable mistake to make — who but a total asshole would give a shit about $44,000 in insurance benefits as part of a $550 million heist? Assuming that was a mistake, Conley’s error wasn’t assuming the extra zeroes, it was forgetting that Zaslav is, quite obviously, a total asshole.]
The man redesigned the HBO logo five times, the company lost 50% of its value, and he made $887 million. We might be looking at the greatest businessman to ever exist.
The greatest something, for sure. I wouldn’t use the word “businessman”.
Fox Sports, on Twitter/X:
Tonight, watch the WBC Final in a full immersive experience on the Fox Sports XR app for the Galaxy XR headset powered by Android XR!
The Fox Sports app in the App Store is native only on iOS (iPhone and iPad), Apple TV, and Apple Watch. So, unless I’m missing something, not only are they not streaming it immersively on VisionOS, they don’t even have a native VisionOS app.
Jess Weatherbed, The Verge:
Samsung is preparing to axe its first three-panel foldable phone less than three months after launching the device in the US. Sales of the $2,899 Galaxy Z TriFold will first be wound down in Korea and then discontinued in the US once remaining inventory has been cleared, an unnamed Samsung spokesperson told Bloomberg.
Maybe five blades on a razor is too many?
Stephen Hackett:
I was just going about my day then James Thomson of PCalc and other fine applications dropped these images on me and said I could share them.
Also, something fun for those of you with 3D printers.
Another crackerjack essay on design and attention from Terry Godier. (Note that the Casio in the essay not only shows the actual time, but has functional buttons.)
Apple Newsroom today:
Apple today announced AirPods Max 2, bringing even better Active Noise Cancellation (ANC), elevated sound quality, and intelligent features to the iconic over-ear design. Powered by H2, features like Adaptive Audio, Conversation Awareness, Voice Isolation, and Live Translation come to AirPods Max for the first time. The new AirPods Max also unlock creative possibilities for podcasters, musicians, and content creators, with useful features like studio-quality audio recording and camera remote.
AirPods Max 2 will be available to order starting March 25 in midnight, starlight, orange, purple, and blue, with availability beginning early next month.
Seemingly no change to the Smart Case for the Max, which I know some people were hoping for. (I only use AirPods Pro, not Max, but when I tested the original AirPods Max I thought the case was fine.) Here’s a link to Apple’s Compare page showing all the differences between the Max 2 and original Max, with AirPods Pro 3 in the third slot. (Archived for posterity here.) One neat new feature: the Max 2 will support using the Digital Crown button as a remote camera shutter button for a paired iPhone or iPad.
David Pogue absolutely killed it hosting this live event last week. Glad I saved it to watch on my TV. Special guests include Chris Espinosa, John Sculley, and Avie Tevanian. A legit treat.
My thanks to Finalist for sponsoring last week at Daring Fireball. Finalist is a remarkable, ambitious, and novel app for iPhone, iPad, and the Mac from indie developer Slaven Radic. It’s a planner — a digital take on traditional paper planners — that (with permission) pulls in your calendars, reminders, and health data. Its motto: “Most productivity apps help you organize tasks. Finalist helps you finish them.”
Finalist first sponsored DF back in December, and I wrote quite a bit about it then. You should read that post. I’ve continued using Finalist, day in, day out, since then. It’s open on my Mac and on my first iPhone home screen. I’m even on the TestFlight beta list, using new builds as Radic releases them. Finalist was good enough back in December that I started relying on it, and it’s gotten even better in the three months since. It’s a great app, period, but it’s really fun to use an app that is getting better so quickly. Radic is cooking with gas. It’s just so obvious, just using it, that Finalist is his own dream app for daily productivity. Here’s a fun one-minute video showing what’s new in version 3.6.
Recent features include subtasks, calendar bookmarks, HealthKit data in Finalist’s journal, and a spoken daily briefing you can trigger from your Lock Screen. You can (and I do) run Finalist alongside the apps you already use. E.g., Finalist hasn’t replaced Fantastical for me — they just work great together because they both show me the same calendar events. Same goes for Apple Reminders. If you took a look back in December, you should check out what’s new. If you haven’t tried Finalist yet, you definitely should. Free trial from the App Store, with both subscription pricing and a one-time lifetime purchase.
Sam Henri Gold:
Nobody starts in the right place. You don’t begin with the correct tool and work sensibly within its constraints until you organically graduate to a more capable one. That is not how obsession works. Obsession works by taking whatever is available and pressing on it until it either breaks or reveals something. The machine’s limits become a map of the territory. You learn what computing actually costs by paying too much of it on hardware that can barely afford it.
I know this because I was running Final Cut Pro X on a 2006 Core 2 Duo iMac with 3GB RAM and 120GB of spinning rust. I was nine. I had no business doing this. I did it every day after school until my parents made me go to bed.
What a lovely essay. The best piece anyone has written about the MacBook Neo — because it’s not really about the MacBook Neo.
Resume.org, summarizing their survey of 1,000 U.S. hiring managers:
59% admit they emphasize AI when explaining hiring freezes or layoffs because it plays better with stakeholders than citing financial constraints.
Reminds me of the “Not Me” ghost in Bil Keane’s The Family Circus comic strip.
Horace Dediu, under the headline “The Most Brilliant Move in Corporate History?”:
Apple used to be the biggest capex spender, mainly because it paid for most of the property plant and equipment in the factories that made its phones and computers. [...]
But that all changed with AI. Amazon is spending $200 billion this year on AI data centers. Google, $185 billion. Microsoft, $114 billion. Meta, $135 billion. Combined: $650 billion. (Not including OpenAI, Anthropic and SpaceX/XAI.) That is like buying the US Navy every year. And yet Apple’s capital budget is still a modest $14 billion, oscillating with new hardware tooling cycles.
Apple is refusing to transfer its cash flow to Nvidia. Curiously, it believes that its cash flow belongs to its shareholders, not to Nvidia’s.
The hyperscalers are now spending 94% of their operating cash flows on AI infrastructure. Amazon is projected to go negative free cash flow this year with as much as $28 billion in the red. Alphabet’s free cash flow is expected to collapse 90% from $73 billion to $8 billion. These companies used to be the greatest cash machines ever built. Now they’re borrowing money to keep the data center lights on.
It has served Apple very well to guard its free cash flow preciously ever since the company sprung back to growth under Steve Jobs. Are they stuck in the past by sitting this out, or wisely passing on a mania?
If they can make Apple Intelligence a first-class agentic AI by relying on Gemini, paying only $1 billion per year, it sure looks like genius. But given their track record with Apple Intelligence to date, that is an enormous “if”.
Katie Paul, Jeff Horwitz and Deepa Seetharaman, reporting for Reuters:
Meta is planning sweeping layoffs that could affect 20% or more of the company, three sources familiar with the matter told Reuters, as Meta seeks to offset costly artificial intelligence infrastructure bets and prepare for greater efficiency brought about by AI-assisted workers.
No date has been set for the cuts and the magnitude has not been finalized, the people said. Top executives have recently signaled the plans to other senior leaders at Meta and told them to begin planning how to pare back, two of the people said. The sources spoke anonymously because they were not authorized to disclose the cuts.
“This is speculative reporting about theoretical approaches,” Meta spokesperson Andy Stone said in response to questions about the plan.
This, hot on the heels of a New York Times report that Meta’s in-house AI models are lagging and they’re considering licensing Gemini from Google.
Matt Mullenweg:
One evening last month, my Apple Watch, iPhone, and Mac all lit up with a message prompting me to reset my password. This came out of nowhere; I hadn’t done anything to elicit it. I even had Lockdown Mode running on all my devices. It didn’t matter. Someone was spamming Apple’s legitimate password reset flow against my account — a technique Krebs documented back in 2024. I dismissed the prompts, but the stage was set.
What made the attack impressive was the next move: The scammers actually contacted Apple Support themselves, pretending to be me, and opened a real case claiming I’d lost my phone and needed to update my number. That generated a real case ID, and triggered real Apple emails to my inbox, properly signed, from Apple’s actual servers. These were legitimate; no filter on earth could have caught them.
Then “Alexander from Apple Support” called. He was calm, knowledgeable, and careful. His first moves were solid security advice: check your account, verify nothing’s changed, consider updating your password. He was so good that I actually thanked him for being excellent at his job.
That, of course, was when he moved into the next phase of the attack.
What makes this attack so dastardly is that parts of it are actual emails from Apple. And because the attackers are the ones who opened the support incident, when they called Mullenweg, they knew the case ID from the legitimate emails sent by Apple.
One of the tells that alerted Mullenweg that this was a scam was that he knew he hadn’t initiated any of it, so his guard was up from the start. Another is that the scammer texted him a link pointing to the domain “audit-apple.com” (which domain is now defunct). That domain name looks obviously fake to me. But to most people? Most people have no idea that whatever-apple.com is totally different than whatever.apple.com.
iFixit:
Is Apple’s most affordable laptop ever also one of its most repairable? For years, opening a MacBook has usually meant fighting your way through glue and buried parts.
But the Neo stands out, with increasingly good day-one manuals, less-painful keyboard repairs, and a screwed-in battery tray that sent cheers across the iFixit office. This laptop proves that things can be made more affordable and more repairable at the same time.
That conclusion is backwards, I think. I suspect the MacBook Neo is more repairable not despite its lower price, but because of its lower price. It’s designed and engineered to be easier, and thus cheaper, to assemble. And the aspects that make it easier to assemble make it easier to disassemble.
Regarding the Neo’s 2.7-pound weight:
We were all a bit curious as to why the cheaper and less feature rich Neo weighed the same as a MacBook Air M3, each 13” laptop weighing in at about 1.24kg. It’s especially puzzling when considering the Neo supposedly uses a lighter chassis, and is, uh, smaller.
Here’s what we found: The Neo’s chassis is actually only barely lighter than the Air’s. Together, its chassis, keyboard, and bottom cover are just 8g lighter than the Air’s. But the Neo’s screen is 48g heavier, and the solid chunk of metal that supports its trackpad makes up 7% of the laptop’s overall weight! The Neo’s full trackpad assembly is almost exactly twice as heavy as the M3 MacBook Air’s, too.
Antonio G. Di Benedetto, The Verge:
Somehow, the PC makers still don’t see it coming. Here’s how [Asus CFO Nick] Wu described the MacBook Neo, specifically its 8GB of RAM limitation:
“I think when Apple positioned the product, it’s probably focused more on content consumption. This differs somewhat from mainstream notebook usage scenarios, because in that case, the Neo feels more like a tablet — because tablets are mostly for content consumption.”
Hang on. Can we hold up for a second here? [...]
The proof of the MacBook Neo’s performance for the money is in the numbers. In single-core benchmarks tests — which most accurately measure the kinds of everyday tasks you do on a computer — the Neo’s A18 Pro chip beats out all manner of Windows laptops, including the new flagship Intel Panther Lake chip in Asus’ own $2,400 Zenbook Duo. Is a Zenbook Duo more capable than the MacBook Neo for heavier tasks, like photo and video editing or playing more graphically demanding games? Yes, and it’s part of why I loved that dual-screen laptop when I reviewed it. But the Zenbook Duo also costs four times as much. And, again, the Neo can hang with it for most common tasks, even with its 8GB of RAM.
This idea that because it’s “an iPhone chip” the Neo is not capable of, say, editing 4K video is utterly ignorant. You know what computers are fully capable of editing 4K video? iPhones. So of course the same chip that enables smooth 4K video editing in an iPhone can do the same in a Mac.
It’s folly to look at the MacBook Neo and presume that an Apple laptop with iPad-like specs must be iPad-like in its capabilities. Anyone who finds iPads limiting for work — and I’m one of them! — isn’t limited because of the hardware. It’s because iPadOS isn’t designed to suit the way we work. The MacBook Neo is a full-fledged kick-ass Macintosh. It really is. If PC makers think it’s something akin to an iPad in a laptop enclosure, they’re even dumber than I thought, and I’ve long thought most of them are pretty dumb.
Maggie Harrison Dupré, writing for Futurism:
Earlier this month, Ars retracted the story after it was found to include fake quotes attributed to a real person. The article — a write-up of a viral incident in which an AI agent seemingly published a hit piece about a human engineer named Scott Shambaugh — was initially published on February 13. After Shambaugh pointed out that he’d never said the quotes attributed to him, Ars’ editor-in-chief Ken Fisher apologized in an editor’s note, in which he confirmed that the piece included “fabricated quotations generated by an AI tool and attributed to a source who did not say them” and characterized the error as a “serious failure of our standards.” He added that, upon further review, the error appeared to be an “isolated incident.”
Shortly after Fisher’s editor’s note was published, Edwards, one of the report’s two bylined authors, took to Bluesky to take “full responsibility” for the inclusion of the fabricated quotes.
I sincerely apologize to Scott Shambaugh for misrepresenting his words. I take full responsibility. The irony of an Al reporter being tripped up by Al hallucination is not lost on me. I take accuracy in my work very seriously and this is a painful failure on my part.
When I realized what had happened, I asked my boss to pull the piece because I was too sick to fix it on Friday. There was nothing nefarious at work, just a terrible judgement call which was no one’s fault but my own.
Ars fired him at the end of February.
Basic Apple Guy:
Where I and the rest of the internet take this from here remains to be seen. All I know is that Apple should definitely keep this Lil Finder around.
But no, I do not think this is the last we’ve seen of Lil Finder Guy…
Apple’s MacBook Neo ad campaign on TikTok — and seemingly exclusive to TikTok — is the most fun they’ve had with a campaign in ages. I love it.
Tim Cook:
At Apple, we’re more focused on building tomorrow than remembering yesterday. But we couldn’t let this milestone pass without thanking the millions of people who make Apple what it is today — our incredible teams around the world, our developer community, and every customer who has joined us on this journey. Your ideas inspire our work. Your trust drives us to do better. Your stories remind us of all we can accomplish when we think different.
If you’ve taught us anything, it’s that the people crazy enough to think they can change the world are the ones who do.
This is a perfectly cromulent letter to mark a big anniversary for Apple. And it is very Tim Cook. It’s short, earnest, honest, to the point, and uses plain simple language. But what also makes it so Cook-ian is that it’s so utterly anodyne. It’s inoffensive to the point of being unmemorable. The best part of Cook’s letter is when he harks back and explicitly quotes from an Apple ad campaign from 30 years ago.
Ten years from now, when Apple is celebrating its 60th anniversary, no one is going to quote from Tim Cook’s “banger of a letter” commemorating their 50th. 25 years from now, when Apple is celebrating its 75th, that future CEO won’t be quoting from any of the ad campaigns Apple ran while Cook was CEO, because there are no lines worth remembering from them.
Eli Tan, reporting for The New York Times:
Meta’s new foundational A.I. model, which the company has been working on for months, has fallen short of the performance of leading A.I. models from rivals like Google, OpenAI and Anthropic on internal tests for reasoning, coding and writing, said the people, who were not authorized to speak publicly about confidential matters.
The model, code-named Avocado, outperformed Meta’s previous A.I. model and did better than Google’s Gemini 2.5 model from [last] March, two of the people said. But it has not performed as strongly as Gemini 3.0 from November, they said.
As a result, Meta has delayed Avocado’s release to at least May from this month, the people said. They added that the leaders of Meta’s A.I. division had instead discussed temporarily licensing Gemini to power the company’s A.I. products, though no decisions have been reached.
The two facts in the last paragraph don’t square with me. May is only two months away. If they might ship then, why license Gemini? To me, the “we may need to pay Google to license Gemini” scenario is a sign that Avocado might be a bust and they might be a year or longer away from their own competitive model.
Mr. Zuckerberg, 41, has staked the future of Meta, which owns Facebook, Instagram and Threads, on being at the cutting edge of A.I. His company has spent billions hiring top A.I. researchers and committed $600 billion to building data centers to power the technology. In January, Meta projected that it would spend as much as $135 billion this year, nearly twice the $72 billion it spent last year.
The difference between Meta and Apple might be that Meta is merely a few months away from rolling out its own best-of-breed AI model. But the difference could be that Meta has blown hundreds of billions of dollars pursuing their own frontier models, and Apple has not, and both just license Gemini from Google.
Dade Hayes, reporting for Deadline:
While the rise of sports programming in recent years has been well-documented, new figures from Nielsen illustrate the extent of its dominance. The measurement firm said sports accounted for 29.2% of all advertising-supported TV viewing by people 25 to 54 years old during the fourth quarter. The stat, spanning broadcast, cable and streaming, was part of a report on viewership trends in the fourth quarter of 2025, released Thursday in the runup to upfronts.
Looking at the rest of the pie without sports, broadcast accounted for just 9.8%, with cable coming in at 18%. Streaming drew by far the largest tune-in, with 43% of all non-sports viewing, a reflection of the overall growth of advertising on streaming services like Netflix, Prime Video, Disney+, HBO Max and others.
Business Insider, one year ago:
Dario Amodei, the CEO of the AI startup Anthropic, said on Monday that AI, and not software developers, could be writing all of the code in our software in a year.
“I think we will be there in three to six months, where AI is writing 90% of the code. And then, in 12 months, we may be in a world where AI is writing essentially all of the code,” Amodei said at a Council of Foreign Relations event on Monday.
I’d marked this one on my claim chowder calendar a year ago, suspecting it would make for a laugh today. But while Amodei wasn’t exactly right, I think he was only wrong insofar as his remarks were too facile. It may well be true that 90 percent of the lines of programming code that are written today, Friday 13 March 2026, will have been generated by AI. If anything, it’s probably a higher percentage.
But where I think Amodei’s remarks, quoted above, are facile is that it hasn’t played out as simply that lines of code that would have been written by human programmers are now generated by AI models. That’s part of it, for sure. But what’s revolutionary — a topic I’ve been posting about twice already today — is that AI code generation tools are being used to create services and apps and libraries that simply would not have been written at all before. It may well be that the total number of lines of code that will be written by people today isn’t much different from the number of lines of code that were written by people a year ago. But there might be 10× more code generated by AI than is written by people today. Maybe more. Maybe a lot more? And a year or two or three from now, that might be 100× or 1,000× or 100,000×.
In that near future, human programmers are likely still to be writing — or at least line-by-line reviewing and approving — code. But as a percentage of all code being generated, that will only be a sliver.
Craig Mod, on creating his own custom accounting software with Claude Code:
Simply put: It’s a big mess, and no off-the-shelf accounting software does what I need. So after years of pain, I finally sat down last week and started to build my own. It took me about five days. I am now using the best piece of accounting software I’ve ever used. It’s blazing fast. Entirely local. Handles multiple currencies and pulls daily (historical) conversion rates. It’s able to ingest any CSV I throw at it and represent it in my dashboard as needed. It knows US and Japan tax requirements, and formats my expenses and medical bills appropriately for my accountants. I feed it past returns to learn from. I dump 1099s and K1s and PDFs from hospitals into it, and it categorizes and organizes and packages them all as needed. It reconciles international wire transfers, taking into account small variations in FX rates and time for the transfers to complete. It learns as I categorize expenses and categorizes automatically going forward. It’s easy to do spot checks on data. If I find an anomaly, I can talk directly to Claude and have us brainstorm a batched solution, often saving me from having to manually modify hundreds of entries. And often resulting in a new, small, feature tweak. The software feels organic and pliable in a form perfectly shaped to my hand, able to conform to any hunk of data I throw at it. It feels like bushwhacking with a lightsaber.
Don’t get distracted by the mountains of steaming shit that hacks are using these tools to spew. There are amazing things being built by these tools that never would have, or in some cases could have, been built before.
Les Orchard:
I started programming in 1982. Every language I’ve learned since then has been a means to an end — a new way to make computers do things I wanted them to do. AI-assisted coding feels like the latest in that progression. Not a rupture, just another rung on the ladder.
But I’m trying to hold that lightly. Because the ladder itself is changing, the building it’s leaning against is changing, and I’d be lying if I said I knew exactly where it’s going.
What I do know is this: I still get the same hit of satisfaction when something I thought up and built actually works. The code got there differently than it used to, but the moment it runs and does the thing? That hasn’t changed in my over 40 years at it.
I’ve been thinking about a different divide than the one Orchard writes about here. (The obvious truth is that the AI code generation revolution is creating multiple divisions, along multiple axes.)
The divide I’m seeing is that the developers who are craftspeople are elated because their productivity is skyrocketing while their craftsmanship remains unchanged — or perhaps even improved. They’re achieving much more, much faster, than ever before. It’s a step change as great, or greater than, the transition from assembly code to higher-level programming languages. The developers who are hacks are elated because it’s like they’ve been provided an autopilot switch for a task they never enjoyed or really even understood properly in the first place. The industry is riddled with hack developers, because in the last 15-20 years, as the demand for software far outstripped the supply of programmers who wanted to write code because they love writing code and creating software, the jobs have been filled by people who got into the racket simply because they were high-paying jobs in high demand. Good programmers create software for fun, outside their jobs. Hack programmers are no more likely to write software for fun than a garbage man is to collect trash on his days off.
Orchard’s fine essay examines a philosophical divide within the ranks of talented, considerate craftsperson developers. The divide that I’m talking about has been present ever since the demand for programmers exploded, but AI code generation tooling is turning it into an expansive gulf. The best programmers are more clearly the best than ever before. The worst programmers have gone from laying a few turds a day to spewing veritable mountains of hot steaming stinky shit, while beaming with pride at their increased productivity.
Mahdi Bchatnia:
Accents is an app that lets you use the iMac/MacBook Neo accent colors on any Mac.
It’s a fun idea from Apple to have default accent colors that are, by default, exclusive to specific Mac hardware. But what exemplifies the Mac is that a clever developer like Bchatnia can make these accent colors available to any user on any Mac via a simple utility like Accents. (Via Michael Tsai.)
Apple Platform Security Guide:
MacBook Neo combines system software and dedicated silicon elements within A18 Pro to provide additional security for the camera feed. The architecture is designed to prevent any untrusted software — even with root or kernel privileges in macOS — from engaging the camera without also visibly lighting the on-screen camera indicator light.
That’s the whole note, I believe. There aren’t any technical details regarding how exactly this is achieved. Until reading this new note in the Platform Security Guide, I thought the only visible indication of camera usage was the green camera icon in the menu bar. But on the Neo, there’s also a green dot in the upper right corner of the display. That green dot is the secure camera-use indicator, and it’s visible next to the time in the menu bar, and still visible when the menu bar is hidden, like in this screenshot I just took from Photo Booth in full-screen mode. What Apple is stating in this note in the Platform Security Guide is that if the Neo’s camera is being used, that corner of the display is guaranteed to light up with the green dot.
One of the reasons I failed to notice this green dot until today is that with Tahoe’s transparent menu bar and the default green-and-yellow desktop wallpaper for the citrus Neo I’m reviewing, a green dot doesn’t stand out. It’s much more prominent if you enable “Reduce transparency” in System Settings → Accessibility → Display, which gives the menu bar a traditional solid appearance.
Alex Weprin, reporting for The Hollywood Reporter:
In a sign of strength for the streaming platform, Apple’s senior VP of services Eddy Cue tells The Hollywood Reporter that viewership for last week’s Australian Grand Prix was up year over year compared to the 2025 race, which aired on ESPN.
“The 2026 Formula 1 season on Apple TV is off to a strong start, with fans responding positively and viewership up year over year for the first weekend, exceeding both F1 and Apple expectations,” Cue says.
As is typical for Apple, the company declined to give any specific numbers, though last year’s Australian GP averaged 1.1 million viewers for ESPN.
So we don’t know the viewership number, but we know it’s higher than 1.1 million. That’s like a semi-Bezos number.
Tech Re-Nu, on YouTube:
That leaves us with a fully disassembled laptop. We’ve done this in less than 10 minutes, which is absolutely amazing for an Apple laptop. I can’t say we’ve ever had a Mac that looks as repairable and as modular as this one. No sticky tape, no tricky adhesives, modular parts, minimal parts as well, no hinge covers or anything like that. It’s just super straightforward, elegant design.
The aspects of the Neo that make it less expensive also make it simpler, and thus easier to service. Apple’s iPhones, iPads, and higher-end MacBooks that use a lot of glue and tape and pack components together in hard-to-disassemble ways aren’t designed that way out of spite or carelessness. They’re like that because that’s what it takes to make devices ever smaller, and ever more lightweight. By allowing the Neo to be a bit thicker and heavier, it’s also a lot simpler.
Marcin Wichary:
There are fun things you can do in software when it is aware of the dimensions and features of its hardware. [...]
The rule here would be, perhaps, a version of “show, don’t tell.” We could call it “point to, don’t describe.” (Describing what to do means cognitive effort to read the words and understand them. An arrow pointing to something should be easier to process.)
I just learned the word proprioception a few weeks ago, in the context of how you can close your eyes and put your fingertip on the tip of your nose. Perfect word for this sort of hardware/software integration too.
Jason Snell:
So here we are: Six Colors now has three Jeopardy! players as contributors.
Come on, Moltz, get your shit together.
When I re-read my 2006 piece “And Oranges” today before linking to it, I paused when I read this:
And while it is easy to find ways to complain that Apple is not open enough — under-documented and undocumented security updates and system revisions, under-documented and undocumented file formats — it would be hard to argue with the premise that Apple today is more open than it has ever been before. (Exhibit A: the Web Kit project.)
It’s not often I get to fix 20-year-old typos, and to my 2026 self, “Web Kit” looks like an obvious typo. But after a moment, I remembered: in 2006, that wasn’t a typo.
“Mr. Macintosh”, on Twitter/X last week:
Small change:
Looks like Apple updated the keyboard on the new M5 16‑inch MacBook Pro. The Backspace, Return, Shift, and Tab labels are gone, replaced with symbols instead.
All the new MacBook keyboards sport this same change, including the M5 Air and A18 Pro MacBook Neo. I’m not a fan. I like the words on those keys. But I’m willing to admit it might just be that I’ve been using Apple keyboards with words on those keys since I was like 10 years old. iOS 26 switched from the word “return” to the “⏎” glyph on the software keyboard (and removed the word “space” from the spacebar — which, in hindsight, seemed needless to label).
The Escape key is still labelled “esc”, and the modifier keys (Fn, Control, Option, and Command) still show the names underneath or next to the glyphs. I suspect this is because documentation — including Apple’s own — often uses names for these keys (Option-Shift-Command-K), not the glyphs (⌥⇧⌘K). It’s only in the last few years that Apple began including the glyphs for Control (⌃) and Option (⌥) — until recently, those keys were labelled only by name. They added the ⌃ and ⌥ glyphs between 2017 and 2018. And until that change in 2018, Apple added the label “alt” to the Option key — a visual turd so longstanding that it dates back even to my own beloved keyboard.
Outside the U.S., Apple has been using glyphs for these key caps for a long time. The change from words to glyphs is new only here.
Chance Miller, reporting for 9to5Mac back on January 28:
Halide and Lux co-founder and designer Sebastiaan de With announced today that he is joining Apple’s human interface design team. This marks a return to Apple for de With, who previously worked as a freelancer for the company on projects including Find My, MobileMe, and iCloud.
The last time I mentioned De With here on Daring Fireball was back in June, on the cusp of WWDC, when I linked to his resplendently illustrated essay, “Physicality: The New Age of UI”, wherein he speculated on where Apple might be going. It’s very much worth your time to revisit De With’s essay now, knowing that he’s joined Apple’s design team. My own comments on his essay hold up well too — especially my concern that a look-and-feel centered on transparency doesn’t seem a good fit for MacOS, where windows stack atop each other.
When De With published his essay, it was as an idea for where Apple might go. Now that we’ve seen and been living with Liquid Glass, his essay works even better as a roadmap for the direction Liquid Glass should head.
Also worth pointing out that despite De With’s departure for Apple, Lux is going strong. Developer Ben Sandofsky recently released a preview of the upcoming Mark III version of Halide.
Mark Pilgrim’s reappearance on Daring Fireball this week prompted me to revisit this essay I wrote 20 years ago. Holds up pretty well, I think.
This bit, in particular, seems particular apt w/r/t Tahoe:
I’m deeply suspicious of Mac users who claim to be perfectly happy with Mac OS X. Real Mac users, to me, are people with much higher standards, impossibly high standards, and who use Macs not because they’re great, but because they suck less than everything else.
Juli Clover, MacRumors:
Featuring bubble-style lines with colorful gradients, the wallpapers come in Mac Purple, Mac Blue, Mac Pink, and Mac Yellow. The design and the colors spell out the word “Mac.”
They got me. I’m upgrading to Tahoe now.
Naipanoi Lepapa, Ahmed Abdigadir, and Julia Lindblom, reporting for the Swedish publications Svenska Dagbladet and Göteborgs-Posten:
It is stuffy at the top of the hotel in Nairobi, Kenya. The grey sky presses the heat against the windows. The man in front of us is nervous. If his employer finds out that he is here, he could lose everything. He is one of the people few even realise exist — a flesh-and-blood worker in the engine room of the data industry. What he has to say is explosive.
“In some videos you can see someone going to the toilet, or getting undressed. I don’t think they know, because if they knew they wouldn’t be recording.” [...]
The workers describe videos where people’s bank cards are visible by mistake, and people watching porn while wearing the glasses. Clips that could trigger “enormous scandals” if they were leaked.
“There are also sex scenes filmed with the smart glasses — someone is wearing them having sex. That is why this is so extremely sensitive. There are cameras everywhere in our office, and you are not allowed to bring your own phones or any device that can record”, an employee says.
Delightful. And what a brand move for Ray-Ban and Oakley.
Simon Willison:
There are a lot of open questions about this, both ethically and legally. These appear to be coming to a head in the venerable chardet Python library.
chardetwas created by Mark Pilgrim back in 2006 and released under the LGPL. Mark retired from public internet life in 2011 andchardet’s maintenance was taken over by others, most notably Dan Blanchard who has been responsible for every release since 1.1 in July 2012.Two days ago Dan released chardet 7.0.0 with the following note in the release notes:
Ground-up, MIT-licensed rewrite of chardet. Same package name, same public API — drop-in replacement for chardet 5.x/6.x. Just way faster and more accurate!
Yesterday Mark Pilgrim opened #327: No right to relicense this project.
A fascinating dispute, and the first public post from Pilgrim that I’ve seen in quite a while.
Donald Knuth, who, adorably, effectively blogs by posting TeX-typeset PDFs:
Shock! Shock! I learned yesterday that an open problem I’d been working on for several weeks had just been solved by Claude Opus 4.6 — Anthropic’s hybrid reasoning model that had been released three weeks earlier! It seems that I’ll have to revise my opinions about “generative AI” one of these days. What a joy it is to learn not only that my conjecture has a nice solution but also to celebrate this dramatic advance in automatic deduction and creative problem solving. I’ll try to tell the story briefly in this note.
Help us Obi-Wan Lemay, you’re our only hope.
(Also, as noted by Joe Rossignol, Eddy Cue got an updated headshot.)
My thanks, once again, to WorkOS for sponsoring this week at DF. npx workos is a CLI tool, replete with cool ASCII art, that launches an AI agent, powered by Claude, that reads your project, detects your framework, and writes a complete auth integration directly into your existing codebase. It’s not a template generator. It reads your code, understands your stack, and writes an integration that fits.
The WorkOS agent then type-checks and builds, feeding any errors back to itself to fix. See how it works for yourself.
Weekly sponsorships have been the top source of revenue for Daring Fireball ever since I started selling them back in 2007. They’ve succeeded, I think, because they make everyone happy. They generate good money. There’s only one sponsor per week and the sponsors are always relevant to at least some sizable portion of the DF audience, so you, the reader, are never annoyed and hopefully often intrigued by them. And, from the sponsors’ perspective, they work. My favorite thing about them is how many sponsors return for subsequent weeks after seeing the results.
Sponsorships have been selling briskly, of late. There are only three weeks open between now and the end of June. But one of those open weeks is next week, starting this coming Monday:
I’m also booking sponsorships for Q3 2026, and roughly half of those weeks are already sold.
If you’ve got a product or service you think would be of interest to DF’s audience of people obsessed with high quality and good design, get in touch — especially if you can act quick for next week’s opening.
Google Threat Intelligence Group, earlier this week:
Google Threat Intelligence Group (GTIG) has identified a new and powerful exploit kit targeting Apple iPhone models running iOS version 13.0 (released in September 2019) up to version 17.2.1 (released in December 2023). The exploit kit, named “Coruna” by its developers, contained five full iOS exploit chains and a total of 23 exploits. The core technical value of this exploit kit lies in its comprehensive collection of iOS exploits, with the most advanced ones using non-public exploitation techniques and mitigation bypasses.
The Coruna exploit kit provides another example of how sophisticated capabilities proliferate. Over the course of 2025, GTIG tracked its use in highly targeted operations initially conducted by a customer of a surveillance vendor, then observed its deployment in watering hole attacks targeting Ukrainian users by UNC6353, a suspected Russian espionage group. We then retrieved the complete exploit kit when it was later used in broad-scale campaigns by UNC6691, a financially motivated threat actor operating from China. How this proliferation occurred is unclear, but suggests an active market for “second hand” zero-day exploits. Beyond these identified exploits, multiple threat actors have now acquired advanced exploitation techniques that can be re-used and modified with newly identified vulnerabilities.
Nick Heer, writing at Pixel Envy, uses Pages (from 2009 through today) to illustrate Apple’s march toward putting “greater focus on your content” by making window chrome, and toolbar icons, more and more invisible:
Perhaps Apple has some user studies that suggest otherwise, but I cannot see how dialling back the lines between interface and document is supposed to be beneficial for the user. It does not, in my use, result in less distraction while I am working in these apps. In fact, it often does the opposite. I do not think the prescription is rolling back to a decade-old design language. However, I think Apple should consider exploring the wealth of variables it can change to differentiate tools within toolbars, and to more clearly delineate window chrome from document.
This entire idea that application window chrome should disappear is madness. Some people — at Apple, quite obviously — think it looks better, in the abstract, but I can’t see how it makes actually using these apps more productive. Artists don’t want to use invisible tools. Artists crave tools that look and feel distinctive and cool.
Clean lines between content and application chrome are clarifying, not distracting. It’s also useful to be able to tell, at a glance, which application is which. I look at Heer’s screenshot of the new version of Pages running on MacOS 26 Tahoe and not only can I not tell at a glance that it’s Pages, I can’t even tell at a glance that it’s a document word processor, especially with the formatting sidebar hidden. One of the worst aspects of Liquid Glass, across all platforms, but exemplified by MacOS 26, is that all apps look exactly the same. Not just different apps that are in the same category, but different apps from entirely different categories. Safari looks like Mail looks like Pages looks like the Finder — even though web browsers, email clients, word processors, and file browsers aren’t anything alike.
The Verge:
Sean Hollister: What would you say the differences are between the Apple and Google cases?
Tim Sweeney: I would say Apple was ice and Google was fire.
The thing with Apple is all of their antitrust trickery is internal to the company. They use their store, their payments, they force developers to all have the same terms, they force OEMs and carriers to all have the same terms.
Whereas Google, to achieve things with Android, they were going around and paying off game developers, dozens of game developers, to not compete. And they’re paying off dozens of carriers and OEMs to not compete — and when all of these different companies do deals together, lots of people put things in writing, and it’s right there for everybody to read and to see plainly.
I think the Apple case would be no less interesting if we could see all of their internal thoughts and deliberations, but Apple was not putting it in writing, whereas Google was. You know, I think Apple is... it’s a little bit unfortunate that in a lot of ways Apple’s restrictions on competition are absolute. Thou shalt not have a competing store on iOS and thou shalt not use a competing payment method. And I think Apple should be receiving at least as harsh antitrust scrutiny as Google.
Interesting interview, for sure — but it’s from December 2023, when Epic scored its first court victory against Google. And, notably, it came before Sweeney signed away his right to criticize Google or the Play Store.
But I don’t see Epic’s ultimate victory in the lawsuit as a win for Android users, and I don’t think it’s much of a win for Android developers either. These new terms from Google just seem confusing and complicated, with varying rates for “existing installs” vs. “new installs”.
Sean Hollister, writing for The Verge:
But Google has finally muzzled Tim Sweeney. It’s right there in a binding term sheet for his settlement with Google.
On March 3rd, he not only signed away Epic’s rights to sue and disparage the company over anything covered in the term sheet — Google’s app distribution practices, its fees, how it treats games and apps — he signed away his right to advocate for any further changes to Google’s app store policies, too. He can’t criticize Google’s app store practices. In fact, he has to praise them.
The contract states that “Epic believes that the Google and Android platform, with the changes in this term sheet, are procompetitive and a model for app store / platform operations, and will make good faith efforts to advocate for the same.” [...]
And while Epic can still be part of the “Coalition for App Fairness,” the organization that Epic quietly and solely funded to be its attack dog against Google and Apple, he can only point that organization at Apple now.
Sounds like a highly credible coalition that truly stands for fairness to me.
Ethan W. Anderson, on Twitter/X:
I’ve plotted the most expensive McDonald’s burger and the least expensive MacBook over time. This analysis projects that the most expensive burger will be more expensive than the cheapest laptop as soon as 2081.
Looking to the past, if you plug $599 in today’s money into an inflation calculator, that’s just ~$190 in 1984, the year the original Macintosh launched with a price of $2,495 (which works out to ~$7,800 today.)
John McCoy:
From around 1970 to 1980, the Salem, Massachusetts-based Parker Brothers (now a brand of Hasbro) published games whose innovative and fanciful designs drew inspiration from Pop Art, Op Art, and Madison Avenue advertising. They had boxes, boards, and components that reflected the most current techniques of printing and plastics molding. They were witty, silly, and weird. The other main players in American games at the time were Milton-Bradley, whose art tended towards cartoony, corny, and flat designs, and Ideal, whose games (like Mousetrap) were mostly showcases for their novel plastic components.
Parker Brothers design stood out for its style and sophistication, and even as a young nerd I could see that it was special. In fact, I believe they were my introduction, at the age of seven, to the whole concept of graphic design. This isn’t to say that the games were good in the sense of being fun or engaging to play; a lot of them were re-skinned versions of the basic race-around-the-board type that had been popular since the Uncle Wiggly Game. But they looked amazing and they were different.
These games mostly sucked but they looked cool as shit. Lot of memories for me in this post.
Steve Jobs, on Apple’s quarterly results call back in October 2008:
There are some customers which we choose not to serve. We don’t know how to make a $500 computer that’s not a piece of junk, and our DNA will not let us ship that.
Harry McCracken, writing at the time:
With that out of the way, the question that folks have been asking lately about whether Apple will or should release a netbook-like Mac is fascinating. Regardless of whether the company ever does unveil a small, cheap, simple Mac notebook, it’s fun to think about the prospect of one. And I’ve come to the conclusion that such a machine could be in the works, in a manner that’s consistent with the Apple way and the company’s product line as it stands today. I’m not calling this a prediction. But it is a scenario.
Apple made many $500 “computers” in the years between then and now. But they were iPads, not Macs. I think part of the impetus behind the MacBook Neo is an acknowledgement that as popular as iPads are, and for as many people who use them as their primary larger-than-a-phone computing device, there are a lot of other people, and a lot of use cases, that demand a PC. And from Apple, that means a Mac.
In August 2007, Apple held a Mac event in the Infinite Loop Town Hall auditorium. New iMacs, iLife ’08 (major updates to iPhoto and iMovie), and iWork ’08 (including the debut of Numbers 1.0). Back then, believe it or not, at the end of these Town Hall events, Apple executives would sit on stools and take questions from the media. For this one, Steve Jobs was flanked by Tim Cook and Phil Schiller. Molly Wood, then at CNet, asked, “And so, I guess once and for all, is it your goal to overtake the PC in market share?”
The audience — along with Cook, Jobs, and Schiller — chuckled. And then Jobs answered. You should watch the video — it’s just two minutes — but here’s what he said:
I can tell you what our goal is. Our goal is to make the best personal computers in the world and to make products we are proud to sell and would recommend to our family and friends. And we want to do that at the lowest prices we can. But I have to tell you, there’s some stuff in our industry that we wouldn’t be proud to ship, that we wouldn’t be proud to recommend to our family and friends. And we can’t do it. We just can’t ship junk.
So there are thresholds that we can’t cross because of who we are. But we want to make the best personal computers in the industry. And we think there’s a very significant slice of the industry that wants that too. And what you’ll find is our products are usually not premium priced. You go and price out our competitors’ products, and you add the features that you have to add to make them useful, and you’ll find in some cases they are more expensive than our products. The difference is we don’t offer stripped-down lousy products. We just don’t offer categories of products like that. But if you move those aside and compare us with our competitors, I think we compare pretty favorably. And a lot of people have been doing that, and saying that now, for the last 18 months.
Steve Jobs would have loved the MacBook Neo. Everything about it, right down to the fact that Apple is responsible for the silicon.
Not sure if this page was there yesterday, but the main “Displays” page at Apple’s website is a spec-by-spec comparison between the regular and XDR models. Nice.
Juli Clover, at MacRumors, notes that neither the new Studio Display nor the Studio Display XDR are compatible with Intel-based Macs. (I’m curious why.) Also, in a separate report, she notes that Macs with any M1 chip, or the base M2 or M3, are only able to drive the Studio Display XDR at 60 Hz. You need a Pro or better M2/M3, or any M4 or M5 chip, to drive it at 120 Hz.
Update: My understanding is that if you connect one of these new Studio Displays to an Intel-based Mac, it’ll work, but it’ll work as a dumb monitor. You won’t get the full features. I’ll bet Apple sooner or later publishes a support document explaining it, but for now, they’re just saying they’re not “compatible” because you don’t get the full feature set. Like with the Studio Display XDR in particular, you won’t get HDR or 120 Hz refresh rates.
Jason Snell, Six Colors:
Here’s the backstory: With every new generation of Apple’s Mac-series processors, I’ve gotten the impression from Apple execs that they’ve been a little frustrated with the perception that their “lesser” efficiency cores were weak sauce. I’ve lost count of the number of briefings and conversations I’ve had where they’ve had to go out of their way to point out that, actually, the lesser cores on an M-series chip are quite fast on their own, in addition to being very good at saving power!
Clearly they’ve had enough of that, so they’re changing how those cores are marketed to emphasize their performance, rather than their efficiency.
Apple Newsroom:
Apple today announced a new family of displays engineered to pair beautifully with Mac and meet the needs of everyone, from everyday users to the world’s top pros. The new Studio Display features a 12MP Center Stage camera, now with improved image quality and support for Desk View; a studio-quality three-microphone array; and an immersive six-speaker sound system with Spatial Audio. It also now includes powerful Thunderbolt 5 connectivity, providing more downstream connectivity for high-speed accessories or daisy-chaining displays. The all-new Studio Display XDR takes the pro display experience to the next level. Its 27-inch 5K Retina XDR display features an advanced mini-LED backlight with over 2,000 local dimming zones, up to 1000 nits of SDR brightness, and 2000 nits of peak HDR brightness, in addition to a wider color gamut, so content jumps off the screen with breathtaking contrast, vibrancy, and accuracy. With its 120Hz refresh rate, Studio Display XDR is even more responsive to content in motion, and Adaptive Sync dynamically adjusts frame rates for content like video playback or graphically intense games. Studio Display XDR offers the same advanced camera and audio system as Studio Display, as well as Thunderbolt 5 connectivity to simplify pro workflow setups. The new Studio Display with a tilt-adjustable stand starts at $1,599, and Studio Display XDR with a tilt- and height-adjustable stand starts at $3,299. Both are available in standard or nano-texture glass options, and can be pre-ordered starting tomorrow, March 4, with availability beginning Wednesday, March 11.
Compared to the first-generation Studio Display (March 2022), the updated model really just has a better camera. (Wouldn’t take much to improve upon the old camera.) The Studio Display XDR is the interesting new one. Apple doesn’t seem to have a “Compare” page for its displays, so the Studio Display Tech Specs and Studio Display XDR Tech Specs pages will have to suffice. Update: The main “Displays” page at Apple’s website serves as a comparison page between the new Studio Display and Studio Display XDR.
The regular Studio Display maxes out at 600 nits, and only supports a refresh rate of 60 Hz. The Studio Display XDR maxes out at 1,000 nits for SDR content and 2,000 nits for HDR, with up to 120 Hz refresh rate. Nice, but not enough to tempt me to upgrade from my current Studio Display with nano-texture, which I never seem to run at maximum brightness. I guess it would be nice to see HDR content, but not nice enough to spend $3,600 to get one with nano-texture. And I don’t think I care about 120 Hz on my Mac?
Unresolved is what this means for the Pro Display XDR, which remains unchanged since its debut in 2019. Update 1: Whoops, apparently this has been resolved. A small-print note on the Newsroom announcement states:
Studio Display XDR replaces Pro Display XDR and starts at $3,299 (U.S.) and $3,199 (U.S.) for education.
Update 2: I neglected to mention what might be the biggest upgrade: Thunderbolt 5 with support for daisy-chaining multiple displays. With the original Studio Display (and Pro Display XDR), each external display needed a cable connecting it to your Mac. Now, you can connect your Mac to one Studio Display, connect that one to a second, and connect the second to a third. Nice.
Apple Newsroom:
MacBook Air now comes standard with double the starting storage at 512GB with faster SSD technology, and is configurable up to 4TB, so customers can keep their most important work on hand. Apple’s N1 wireless chip delivers Wi-Fi 7 and Bluetooth 6 for seamless connectivity on the go. MacBook Air features a beautifully thin, light, and durable aluminum design, stunning Liquid Retina display, 12MP Center Stage camera, up to 18 hours of battery life, an immersive sound system with Spatial Audio, and two Thunderbolt 4 ports with support for up to two external displays.
Base storage went from 256 to 512 GB, but the base price went from the magic $999 to $1,100 ($1,099, technically, which doesn’t make the 99 seem magic). Presumably, those in the market for a $999 MacBook will buy the new about-to-be-announced-tomorrow lower-priced MacBook “Neo”, which I’m guessing will start at $800 ($799), maybe as low as $700 ($699), but will surely have higher-priced configurations for additional storage. Today’s new M5 MacBook Airs have storage upgrades of:
Colors remain unchanged (and in my opinion, boring): midnight, starlight, silver, sky blue (almost black, gold-ish gray, gray, blue-ish gray). RAM options remain unchanged too: 16, 24, or 32 GB.
A comparison page showing the new M5 Air, old M4 Air, and base M5 MacBook Pro suggests not much else is new year-over-year, other than the Wi-Fi 7 and Bluetooth 6 support from the N1 chip.
Joe Rossignol, MacRumors:
A regulatory document for a “MacBook Neo” (Model A3404) has appeared on Apple’s website. Unfortunately, there are no further details or images available yet. While the PDF file does not contain the “MacBook Neo” name, it briefly appeared in a link on Apple’s regulatory website for EU compliance purposes.
My money was on just plain “MacBook”, but I like “MacBook Neo”.
Apple Newsroom:
Apple today announced the latest 14- and 16-inch MacBook Pro with the all-new M5 Pro and M5 Max, bringing game-changing performance and AI capabilities to the world’s best pro laptop. With M5 Pro and M5 Max, MacBook Pro features a new CPU with the world’s fastest CPU core, a next-generation GPU with a Neural Accelerator in each core, and higher unified memory bandwidth, altogether delivering up to 4× AI performance compared to the previous generation, and up to 8× AI performance compared to M1 models. This allows developers, researchers, business professionals, and creatives to unlock new AI-enabled workflows right on MacBook Pro. It now comes with up to 2× faster SSD performance and starts at 1TB of storage for M5 Pro and 2TB for M5 Max. The new MacBook Pro includes N1, an Apple-designed wireless networking chip that enables Wi-Fi 7 and Bluetooth 6, bringing improved performance and reliability to wireless connections. It also offers up to 24 hours of battery life; a gorgeous Liquid Retina XDR display with a nano-texture option; a wide array of connectivity, including Thunderbolt 5; a 12MP Center Stage camera; studio-quality mics; an immersive six-speaker sound system; Apple Intelligence features; and the power of macOS Tahoe. The new MacBook Pro comes in space black and silver, and is available to pre-order starting tomorrow, March 4, with availability beginning Wednesday, March 11.
The MacBook Pro Tech Specs page is a good place to start to compare the entire M5 MacBook Pro lineup. One noteworthy change is that last year’s M4 Pro models only supported 24 or 48 GB of RAM; the new M5 Pro models support 24, 48, and 64 GB. Memory configurations for the M5 Max are unchanged from the M4 Max: 36, 48, 64, and 128 GB. (You could get an M4 Pro chip with 64 GB, but only on the Mac Mini.)
Also worth noting — Apple’s RAM pricing remains unchanged, despite the spike in memory prices industry-wide. With the “full” M5 Max chip (18-core CPU, 40-core GPU — there’s a lesser configuration with “only” 32 GPU cores for -$300), base memory is 48 GB. Upgrading to 64 GB costs $200, and upgrading to 128 GB costs $1,000. Same prices as last year. This means the price for a MacBook Pro with 64 GB of RAM — if that’s your main concern — dropped by $800 year over year. Last year you needed to buy one with the high-end M4 Max chip to get 64 GB; now you can configure a MacBook Pro with the M5 Pro with 64 GB. Nice!
Ben Thompson and I wagered a steak dinner on this on Dithering. Ben bet on Apple’s memory prices going up; I bet on them staying the same. My thinking was that this industry-wide spike in RAM prices is exactly why Apple has always charged more for memory — “just in case”. I’m going to enjoy that steak.
Apple Newsroom:
Apple today announced M5 Pro and M5 Max, the world’s most advanced chips for pro laptops, powering the new MacBook Pro. The chips are built using a new Apple-designed Fusion Architecture. This innovative design combines two dies into a single system on a chip (SoC), which includes a powerful CPU, scalable GPU, Media Engine, unified memory controller, Neural Engine, and Thunderbolt 5 capabilities. M5 Pro and M5 Max feature a new 18-core CPU architecture. It includes six of the highest-performing core design, now called super cores, that are the world’s fastest CPU core. Alongside these cores are 12 all-new performance cores, optimized for power-efficient, multithreaded workloads. [...]
The industry-leading super core was first introduced as performance cores in M5, which also adopts the super core name for all M5-based products — MacBook Air, the 14-inch MacBook Pro, iPad Pro, and Apple Vision Pro. This core is the highest-performance core design with the world’s fastest single-threaded performance, driven in part by increased front-end bandwidth, a new cache hierarchy, and enhanced branch prediction.
M5 Pro and M5 Max also introduce an all-new performance core that is optimized to deliver greater power-efficient, multithreaded performance for pro workloads. Together with the super cores, the chips deliver up to 2.5× higher multithreaded performance than M1 Pro and M1 Max. The super cores and performance cores give MacBook Pro a huge performance boost to handle the most CPU-intensive pro workloads, like analyzing complex data or running demanding simulations with unparalleled ease.
This is a bit confusing, but I think — after a media briefing with Apple reps this morning — I’ve got it straight. From the M1 through M4, there were two CPU core types: efficiency and performance. When the regular M5 chip debuted in October, Apple continued using those same names, efficiency and performance, for its two core types. But as of today, they’re renaming them, and introducing a third core type that they’re calling “performance”. They’re reusing the old performance name for an altogether new CPU core type. So you can see what I mean about it being confusing.
There are now three core types in M5-series CPUs. Efficiency cores are still “efficiency”, but they’re only in the base M5. What used to be called “performance” cores are now called “super” cores, and they’re present in all M5 chips. The new core type — more power-efficient than super cores, more performant than efficiency cores — are taking the old name “performance”. Here are the core counts in table form, with separate rows for the 15- and 18-core M5 Pro variants:
| Efficiency | Performance | Super | |
|---|---|---|---|
| M5 | 6 | — | 4 |
| M5 Pro | — | 10 | 5 |
| M5 Pro | — | 12 | 6 |
| M5 Max | — | 12 | 6 |
Another way to think about it is that there are regular efficiency cores in the plain M5, and new higher-performing efficiency cores called “performance” in the M5 Pro and M5 Max. The problem is that the old M1–M4 names were clear — one CPU core type was fast but optimized for efficiency so they called it “efficiency”, and the other core type was efficient but optimized for performance so they called it “performance”. Now, the new “performance” core types are the optimized-for-efficiency CPU cores in the Pro and Max chips, and despite their name, they’re not the most performant cores.
Marcin Wichary, writing at Unsung (which is just an incredibly good and fun weblog):
Half of my education in URLs as user interface came from Flickr in the late 2000s. Its URLs looked like this:
flickr.com/photos/mwichary/favorites flickr.com/photos/mwichary/sets flickr.com/photos/mwichary/sets/72177720330077904 flickr.com/photos/mwichary/54896695834 flickr.com/photos/mwichary/54896695834/in/set-72177720330077904This was incredible and a breath of fresh air. No redundant
www.in front or awkward.phpat the end. No parameters with their unpleasant?&=syntax. No%signs partying with hex codes. When you shared these URLs with others, you didn’t have to retouch or delete anything. When Chrome’s address bar started autocompleting them, you knew exactly where you were going.This might seem silly. The user interface of URLs? Who types in or edits URLs by hand? But keyboards are still the most efficient entry device. If a place you’re going is where you’ve already been, typing a few letters might get you there much faster than waiting for pages to load, clicking, and so on.
In general, URLs at Daring Fireball try to work like this.
/linked/2026/03/02/wichary-flickr-urls/linked/2026/03/02/wichary-flickr-urls.text/linked/2026/03/02//linked/2026/03/I say “in general” because the DF URLs could be better. There should be one unified URLs space for all posts on DF, not separate ones for feature articles and Linked List posts. Someday.
Wichary subsequently posted this fine follow-up, chock full of links regarding URL design.
During the most recent episode of The Talk Show, Jason Snell brought up a weird issue that I started running into last year. On my Mac, sometimes I’d drag an image out of a web page in Safari, and I’d get an image in WebP format. Sometimes I wouldn’t care. But usually when I download an image like that, it’s because I want to publish (or merely host my own copy of) that image on Daring Fireball. And I don’t publish WebP images — I prefer PNG and JPEG for compatibility.
What made it weird is when I’d view source on the original webpage, the original image was usually in PNG or JPEG format. If I opened the image in a new tab — just the image — I’d get it in PNG or JPEG format. But when I’d download it by dragging out of the original webpage, I’d get a WebP. This was a total WTF for me.
I turned to my friend Jeff Johnson, author of, among other things, the excellent Safari extension StopTheMadness. Not only was Johnson able to explain what was going on, he actually made a new Safari extension called ChangeTheHeaders that fixed the problem for me. Johnson, announcing ChangeTheHeaders last year:
After some investigation, I discovered that the difference was the Accept HTTP request header, which specifies what types of response the web browser will accept. Safari’s default Accept header for images is this:
Accept: image/webp,image/avif,image/jxl,image/heic,image/heic-sequence,video/*;q=0.8,image/png,image/svg+xml,image/*;q=0.8,*/*;q=0.5Although
image/webpappears first in the list, the order actually doesn’t matter. The quality value, specified by the;q=suffix, determines the ranking of types. The range of values is 0 to 1, with 1 as the default value if none is specified. Thus,image/webpandimage/pnghave equal precedence, equal quality value 1, leaving it up to the web site to decide which image type to serve. In this case, the web site decided to serve a WebP image, despite the fact that the image URL has a.pngsuffix. In a URL, unlike in a file path, the “file extension”, if one exists, is largely meaningless. A very simple web server will directly match a URL with a local file path, but a more complex web server can do almost anything it wants with a URL.
This was driving me nuts. Thanks to Johnson, I now understand why it was happening, and I had a simple set-it-and-forget-it tool to fix it. Johnson writes:
What can you do with ChangeTheHeaders? I suspect the biggest selling point will be to spoof the User-Agent. The extension allows you to customize your User-Agent by URL domain. For example, you can make Safari pretend that it’s Chrome on Google web apps that give special treatment to Chrome. You can also customize the Accept-Language header if you don’t like the default language handling of some website, such as YouTube.
Here’s the custom rule I applied a year ago, when I first installed ChangeTheHeaders (screenshot):
Header: Accept
Value: image/avif,image/jxl,image/heic,image/heic-sequence,video/*;q=0.8,image/png,image/svg+xml,image/*;q=0.8,*/*;q=0.5
URL Domains: «leave blank for all domains»
URL Filter: «leave blank for all URLs»
Resource Types: image
I haven’t seen a single WebP since.
ChangeTheHeaders works everywhere Safari does — Mac, iPhone, iPad, Vision Pro — and you can get it for just $7 on the App Store.
Jesper, writing at Take:
My hope is that Macintosh is not just one of these empires that was at the height of its power and then disintegrated because of warring factions, satiated and uncurious rulers, and droughts for which no one was prepared, ruining crops no one realized were essential for survival.
My hope is that there remains a primordial spark, a glimpse of genius, to rediscover, to reconnect to — to serve not annual trends or constant phonification, but the needs of the user to use the computer as a tool to get something done.
Julien Khaleghy, CEO of SerpApi:
Google thinks it owns the internet. That’s the subtext of its lawsuit against SerpApi, the quiet part that it’s suddenly decided to shout out loud. The problem is, no one owns the internet. And the law makes that clear.
In January, we promised that we would fight this lawsuit to protect our business model and the researchers and innovators who depend on our technology. Today, Friday, February 20, 2026, we’re following through with a motion to dismiss Google’s complaint. While this is just one step in what could be a long and costly legal process, I want to explain why we’re confident in our position.
Is Google hurting itself in its confusion? Google is the largest scraper in the world. Google’s entire business began with a web crawler that visited every publicly accessible page on the internet, copied the content, indexed it, and served it back to users. It did this without distinguishing between copyrighted and non-copyrighted material, and it did this without asking permission. Now Google is in federal court claiming that our scraping is illegal.
I’ve come around on SerpApi in the last few months. My initial take was that it surely must be illegal for a company to scrape Google’s search results and offer access to that data as an API. But I’ve come around to the argument that what SerpApi is doing to obtain Google search results is, well, exactly how Google scrapes the rest of the entire web to build its search index. It’s all just scraping publicly accessible web pages.
This December piece by Mike Masnick at Techdirt is what began to change my mind:
Look, SerpApi’s behavior is sketchy. Spoofing user agents, rotating IPs to look like legitimate users, solving CAPTCHAs programmatically — Google’s complaint paints a picture of a company actively working to evade detection. But the legal theory Google is deploying to stop them threatens something far bigger than one shady scraper.
Google’s entire business is built on scraping as much of the web as possible without first asking permission. The fact that they now want to invoke DMCA 1201 — one of the most consistently abused provisions in copyright law — to stop others from scraping them exposes the underlying problem with these licensing-era arguments: they’re attempts to pull up the ladder after you’ve climbed it.
Just from a straight up perception standpoint, it looks bad.
Ben Thompson, writing at Stratechery:
In fact, Amodei already answered the question: if nuclear weapons were developed by a private company, and that private company sought to dictate terms to the U.S. military, the U.S. would absolutely be incentivized to destroy that company. The reason goes back to the question of international law, North Korea, and the rest:
- International law is ultimately a function of power; might makes right.
- There are some categories of capabilities — like nuclear weapons — that are sufficiently powerful to fundamentally affect the U.S.’s freedom of action; we can bomb Iran, but we can’t North Korea.
- To the extent that AI is on the level of nuclear weapons — or beyond — is the extent that Amodei and Anthropic are building a power base that potentially rivals the U.S. military.
Anthropic talks a lot about alignment; this insistence on controlling the U.S. military, however, is fundamentally misaligned with reality. Current AI models are obviously not yet so powerful that they rival the U.S. military; if that is the trajectory, however — and no one has been more vocal in arguing for that trajectory than Amodei — then it seems to me the choice facing the U.S. is actually quite binary:
- Option 1 is that Anthropic accepts a subservient position relative to the U.S. government, and does not seek to retain ultimate decision-making power about how its models are used, instead leaving that to Congress and the President.
- Option 2 is that the U.S. government either destroys Anthropic or removes Amodei.
It’s Congress that is absent in — looks around — all of this. Right down to the name of the Department of Defense. The whole Trump administration has taken to calling it the Department of War, but only Congress can change the legal name. (Anthropic, despite its very public spat with the administration, refers to it as the “Department of War” as well. But serious publications like the Journal and New York Times continue to call it the Department of Defense.)
Nilay Patel, quoting the same section of Thompson’s column I quoted above, sees it as “Ben Thompson making a full-throated case for fascism”. I see it as the case against corporatocracy. Who sets our defense policies? Our democratically elected leaders, or the CEOs of corporate defense contractors?
Amrith Ramkumar, reporting for The Wall Street Journal (gift link):
Trump’s announcement came shortly before the Pentagon’s Friday afternoon deadline for Anthropic to agree to let the military use its models in all lawful-use cases, a concession the company had refused to make. “We cannot in good conscience accede to their request,” Anthropic Chief Executive Dario Amodei said on Thursday.
The company’s red lines had been domestic mass surveillance and autonomous weapons, areas the Pentagon said Anthropic didn’t need to worry about because the military would never break the law with AI. Defense Department officials said Anthropic needed to fully trust the Pentagon to use the technology responsibly and relinquish control.
OpenAI Chief Executive Sam Altman said the company’s deal with the Defense Department includes those same prohibitions on mass surveillance and autonomous weapons, as well as technical safeguards to make sure the models behave as they should. “We have expressed our strong desire to see things de-escalate away from legal and governmental actions and towards reasonable agreements,” he said, adding that OpenAI asked that all companies be given the chance to accept the same deal. [...]
Shortly after the deadline, Defense Secretary Pete Hegseth said on X that he is designating the company a supply-chain risk, impairing its ability to work with other government contractors.
My short take is that both of these are true:
See also: Anthropic’s official response.
Joe Rossignol, MacRumors:
A seasonal color refresh arrived today for a variety of Apple accessories, including iPhone cases, Apple Watch bands, and the Crossbody Strap. All of the accessories in the latest colors are available to order on Apple.com starting today.
Apple Newsroom:
Apple today announced the new iPad Air featuring M4 and more memory, giving users a big jump in performance at the same starting price. With a faster CPU and GPU, iPad Air boosts tasks like editing and gaming, and is a powerful device for AI with a faster Neural Engine, higher memory bandwidth, and 50 percent more unified system memory than the previous generation. With M4, iPad Air is up to 30 percent faster than iPad Air with M3, and up to 2.3× faster than iPad Air with M1. The new iPad Air also features the latest in Apple silicon connectivity chips, N1 and C1X, delivering fast wireless and cellular connections — and support for Wi-Fi 7 — that empower users to work and be creative anywhere. [...]
With the same starting price of just $599 for the 11-inch model and $799 for the 13-inch model, the new iPad Air is an incredible value. And for education, the 11-inch iPad Air starts at $549, and the 13-inch model starts at $749. Customers can pre-order iPad Air starting Wednesday, March 4, with availability beginning Wednesday, March 11.
So much for my theory that Apple would separate its announcements this week with separate days for each product family (e.g. iPhone 17e on Monday, iPads on Tuesday, MacBooks on Wednesday.) Maybe an update to the no-adjective iPad isn’t coming this week?
Aside from the M3 to M4 speed bump, there are very few differences between this generation iPad Air and the last. Same colors even (space gray, blue, purple, and starlight). Here’s a link to Apple’s iPad Compare page, preset to show the current M5 iPad Pro, new M4 iPad Air, and old M3 iPad Air side-by-side.
One interesting tech spec: the new M4 iPad Air models come with 12 GB of RAM, up from 8 GB in last year’s M3 models. With the M5 iPad Pro models, RAM is tied to storage: the 256/512 GB iPad Pros come with 12 GB RAM; the 1/2 TB models come with 16 GB RAM.
Apple Newsroom:
Apple today announced iPhone 17e, a powerful and more affordable addition to the iPhone 17 lineup. At the heart of iPhone 17e is the latest-generation A19, which delivers exceptional performance for everything users do. iPhone 17e also features C1X, the latest-generation cellular modem designed by Apple, which is up to 2× faster than C1 in iPhone 16e. The 48MP Fusion camera captures stunning photos, including next-generation portraits, and 4K Dolby Vision video. It also enables an optical-quality 2× Telephoto — like having two cameras in one. The 6.1-inch Super Retina XDR display features Ceramic Shield 2, offering 3× better scratch resistance than the previous generation and reduced glare. With MagSafe, users can enjoy fast wireless charging and access to a vast ecosystem of accessories like chargers and cases. And when iPhone 17e users are outside of cellular and Wi-Fi coverage, Apple’s groundbreaking satellite features — including Emergency SOS, Roadside Assistance, Messages, and Find My via satellite — help them stay connected when it matters most.
Available in three elegant colors with a premium matte finish — black, white, and a beautiful new soft pink — iPhone 17e will be available for pre-order beginning Wednesday, March 4, with availability starting Wednesday, March 11. iPhone 17e will start at 256GB of storage for $599 — 2× the entry storage from the previous generation at the same starting price, and 4× more than iPhone 12 — giving users more space for high-resolution photos, 4K videos, apps, games, and more.
The main year-over-year changes from the 16e:
That’s about it. Here’s a preset version of Apple’s iPhone Compare page with the iPhone 17, 17e, and 16e.
My thanks to Sentry for sponsoring last week at DF. Sentry is running a hands-on workshop: “Crash Reporting, Tracing, and Logs for iOS in Sentry”. You can watch it on demand. You’ll learn how to connect the dots between slowdowns, crashes, and the user experience in your iOS app. It’ll show you how to:
I know so many developers using Sentry. It’s a terrific product. If you’re a developer and haven’t checked them out, you should.
Jason Snell returns to the show to discuss the 2025 Six Colors Apple Report Card, MacOS 26 Tahoe, Apple Creator Studio, along with what we expect/hope for in next week’s Apple product announcements.
Sponsored by: